Author Archive
By
Mike Bonsall •
Feb 21st, 2008 •
Category:
Shanghai, Shepperton, Steven Spielberg, WWII, autobiography, consumerism, interviews
Here’s the last in our batch of transcripts of recent Miracles promotions: James Naughtie’s interview with JGB for BBC Radio 4.
By
Mike Bonsall •
Feb 17th, 2008 •
Category:
Iain Sinclair, Salvador Dali, Shanghai, Shepperton, WWII, autobiography, interviews, speed & violence, surrealism, visual art
Here’s a transcription of the BBC Radio Front Row review of Miracles, presented by Mark Lawson and featuring Iain Sinclair and Hermione Lee.
By
Mike Bonsall •
Feb 14th, 2008 •
Category:
Shanghai, Shepperton, Steven Spielberg, WWII, autobiography, celebrity culture, interviews
This one’s a transcript of BBC 2’s Newsnight Review segment on Miracles of Life. It features Tony Parsons, Julie Myerson and John Harris and is presented by Kirsty Wark.
By
Mike Bonsall •
Aug 1st, 2007 •
Category:
Michael Moorcock, New Worlds, Shepperton, William Burroughs, advertising, features, invisible literature
by Mike Bonsall
J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier.
Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most of it [...]
By
Mike Bonsall •
Aug 1st, 2007 •
Category:
features, invisible literature
From 1958 to 1964, J.G. Ballard worked at Chemistry & Industry, the journal of the Society of Chemical Industry. As we’ve already discovered, what happened at C&I codified the tropes Ballard was to return to throughout his subsequent writing career — the scientific, technical and imaginative motifs that shape the very essence of what we’ve [...]
By
Mike Bonsall •
Feb 17th, 2006 •
Category:
Borges, features, medical procedure, pastiche
The Atrocity Exhibition is a collection of J.G. Ballard’s most extraordinary short stories. Written in the few years following the tragic death of his wife, they are his most difficult work, representing the extremes of anguish, desire, alienation and horror. Compact and repetitive, they pick over the same questions of psychopathology, sexuality and death in [...]