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	<title>Comments on: Ballardian Fractals in Dubai</title>
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	<link>http://www.ballardian.com/ballardian-fractals-in-dubai</link>
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		<title>By: Ballardian: The World of J.G. Ballard &#187; No-One Dances In Ballard: An Interview with Mike Ryan</title>
		<link>http://www.ballardian.com/ballardian-fractals-in-dubai/comment-page-1#comment-177</link>
		<dc:creator>Ballardian: The World of J.G. Ballard &#187; No-One Dances In Ballard: An Interview with Mike Ryan</dc:creator>
		<pubDate>Tue, 13 Jun 2006 19:34:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.ballardian.com/ballardian-fractals-in-dubai/#comment-177</guid>
		<description>[...] In a recent discussion about Ballardian music, Paul Williams said that field recordings are more complementary to Ballard&#8217;s work than people singing about fucking an exhaust pipe. Paul&#8217;s example is &#8216;The Crackling&#8217;, a work by John Duncan, composed of treated field recordings made at Stanford Linear Accelerator, like &#8216;being in a vast space filled with the hum of a serious particle accelerator permeated by the distant voices of research technicians.&#8217; In sound art, there are plenty of other people mining similar territory, so my question to you is: what could be more Ballardian than the sonic exploration of built environments and their psychological and social effects? After all, Ballard&#8217;s writing &#8216;records&#8217; the spaces &#8216;in between&#8217;: the hum of traffic, of sodium lamps in business parks, of the technological exoskeleton. And – at least in one important strand of his work – that&#8217;s often explicitly mirrored in inner space, reflected in the magnified, interior sound of blood and arteries pumping&#8230; [...]</description>
		<content:encoded><![CDATA[<p>[...] In a recent discussion about Ballardian music, Paul Williams said that field recordings are more complementary to Ballard&#8217;s work than people singing about fucking an exhaust pipe. Paul&#8217;s example is &#8216;The Crackling&#8217;, a work by John Duncan, composed of treated field recordings made at Stanford Linear Accelerator, like &#8216;being in a vast space filled with the hum of a serious particle accelerator permeated by the distant voices of research technicians.&#8217; In sound art, there are plenty of other people mining similar territory, so my question to you is: what could be more Ballardian than the sonic exploration of built environments and their psychological and social effects? After all, Ballard&#8217;s writing &#8216;records&#8217; the spaces &#8216;in between&#8217;: the hum of traffic, of sodium lamps in business parks, of the technological exoskeleton. And – at least in one important strand of his work – that&#8217;s often explicitly mirrored in inner space, reflected in the magnified, interior sound of blood and arteries pumping&#8230; [...]</p>
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		<title>By: paul</title>
		<link>http://www.ballardian.com/ballardian-fractals-in-dubai/comment-page-1#comment-176</link>
		<dc:creator>paul</dc:creator>
		<pubDate>Mon, 08 May 2006 10:49:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.ballardian.com/ballardian-fractals-in-dubai/#comment-176</guid>
		<description>Dubai is wonderfully Ballardian to me. Ballard isn&#039;t all empty swimming pools and deserted hotels... he&#039;s also busy motorways, shopping malls and business parks as well. Ballardian &#039;emptiness&#039; is in the concepts and people&#039;s heads.

My specific point above was about the geometry of Dubai. Check out &quot;The World&quot; archipelago of artificial islands: http://realestate.theemiratesnetwork.com/developments/dubai/world_islands.php

There&#039;s something disturbing about the obsessive geometry of the place...</description>
		<content:encoded><![CDATA[<p>Dubai is wonderfully Ballardian to me. Ballard isn&#8217;t all empty swimming pools and deserted hotels&#8230; he&#8217;s also busy motorways, shopping malls and business parks as well. Ballardian &#8216;emptiness&#8217; is in the concepts and people&#8217;s heads.</p>
<p>My specific point above was about the geometry of Dubai. Check out &#8220;The World&#8221; archipelago of artificial islands: <a href="http://realestate.theemiratesnetwork.com/developments/dubai/world_islands.php" rel="nofollow">http://realestate.theemiratesnetwork.com/developments/dubai/world_islands.php</a></p>
<p>There&#8217;s something disturbing about the obsessive geometry of the place&#8230;</p>
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		<title>By: anthony</title>
		<link>http://www.ballardian.com/ballardian-fractals-in-dubai/comment-page-1#comment-174</link>
		<dc:creator>anthony</dc:creator>
		<pubDate>Wed, 03 May 2006 19:04:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.ballardian.com/ballardian-fractals-in-dubai/#comment-174</guid>
		<description>any society based on the tyranny of convenience- as Dubai tries so hard to advertise itself as being, is doomed to failure, as the slave culture that ultimately supports it has to end in rebellion. Ballard is a Marxist. Our worst enemy is what we want.</description>
		<content:encoded><![CDATA[<p>any society based on the tyranny of convenience- as Dubai tries so hard to advertise itself as being, is doomed to failure, as the slave culture that ultimately supports it has to end in rebellion. Ballard is a Marxist. Our worst enemy is what we want.</p>
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		<title>By: Marc</title>
		<link>http://www.ballardian.com/ballardian-fractals-in-dubai/comment-page-1#comment-175</link>
		<dc:creator>Marc</dc:creator>
		<pubDate>Wed, 03 May 2006 15:10:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.ballardian.com/ballardian-fractals-in-dubai/#comment-175</guid>
		<description>I disagree. I was toying with the idea of living in Dubai a few years ago, just to experince a Ballardian/Super Cannes Version 2 way of life. Tedium is in the mind of the beholder.

Dubai is a highly artificial scenario. Ballard themes often deal with changes within society through technological advancement so i think this has all the hallmarks of a new Ballardian scene. I reckon Ballard should set his next book in Dubai!</description>
		<content:encoded><![CDATA[<p>I disagree. I was toying with the idea of living in Dubai a few years ago, just to experince a Ballardian/Super Cannes Version 2 way of life. Tedium is in the mind of the beholder.</p>
<p>Dubai is a highly artificial scenario. Ballard themes often deal with changes within society through technological advancement so i think this has all the hallmarks of a new Ballardian scene. I reckon Ballard should set his next book in Dubai!</p>
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		<title>By: Eunju Hwang</title>
		<link>http://www.ballardian.com/ballardian-fractals-in-dubai/comment-page-1#comment-173</link>
		<dc:creator>Eunju Hwang</dc:creator>
		<pubDate>Thu, 27 Apr 2006 15:14:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.ballardian.com/ballardian-fractals-in-dubai/#comment-173</guid>
		<description>I think Dubai is too energetic to be Ballardian landscape. Ballard&#039;s landscape is, I guess, rather tedious therefore people begin to get mad there. I guess Dubai is too well-organised to be considered as Ballardian.</description>
		<content:encoded><![CDATA[<p>I think Dubai is too energetic to be Ballardian landscape. Ballard&#8217;s landscape is, I guess, rather tedious therefore people begin to get mad there. I guess Dubai is too well-organised to be considered as Ballardian.</p>
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