Ballardian

In this excerpt from his book Animal Spirits, Matteo Pasquinelli explains how ‘the novels of J.G. Ballard can describe the nature of technology and the contemporary mediascape better than any philosopher, media theorist or cultural studies academic — a sort of political agenda born from the perspective of science fiction’.

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.

To promote the one-day conference ‘Eduardo Paolozzi Re-readings’ at Manchester Metropolitan University on 18 February, we present excerpts from David Brittain’s essay on the relationship between Paolozzi, Ballard and Ambit’s Martin Bax.

Next week, I’ll be speaking on ‘affirmative architectural dystopias’ at Monash University’s conference Changing the Climate: Utopia, Dystopia and Catastrophe. I’m on a panel representing Pia Ednie-Brown’s Plastic Futures project at the Spatial Information Architecture Laboratory, RMIT University. My paper is centred around the theories of François Roche, Greg Lynn and Ballard, but it also considers the work of Nic Clear, Archigram, Bruce Sterling, Geoff Manaugh and Marion Shoard.

Via Static TV, film of discussions at the Ballardian Architecture: Inner and Outer Space symposium, Royal Academy of Arts. The event was chaired by Jeremy Melvin and speakers included John Gray, Nic Clear, David Cunningham, Nigel Coates, Matthew Taunton, Chris Hall, Joanne Murray, Dan Holdsworth, Tim Abrahams and Claire Walsh.

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.

JG Ballard’s writing encompassed topics as diverse as ecological crisis, technological fetishism, urban ruination and suburban mob culture. In this extract from the September-October issue of Architectural Design, Nic Clear explores how Ballard’s understanding of architecture and architects made him one of the most important figures in the literary articulation of architectural issues and concerns.

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.

I’m giving a paper on Ballard, circular time and the nouvelle vague this Thursday, October 1, at 3pm at ACMI in Melbourne, as part of the time.transcendence.performance conference. Come and say hello.

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.

‘Iterative Architecture: a Ballardian Text’ by Brian Baker ..:: CONTINUED from >> Part 1 ::… ♣♠♥♦ The Joker. The Joker in the pack is the card that, in some games, can replace (or substitute for, take the place of) any of the others. In this sense, the Joker is the empty sign. ♣♠♥♦ Hearts ♥ [...]

Autogeddon: Martin Pichlmair on the connection between Ballard and Grand Theft Auto IV.

Nic Clear leads the remarkable Unit 15 course on the built environment at the Bartlett School of Architecture in London. In this interview, Nic explains the course’s focus on the work of Ballard as a way to counter the lamentable state of current discourse on architecture. The article includes clips of six stunning films produced by students as part of this Ballard-inspired methodology.

Just a little housekeeping note…

Joanne McNeil on women characters in Ballard.

I’ve finally captured my impressions of Barcelona and Kosmopolis, with main ingredients: Lou Reed, Claire Walsh, Laurie Anderson, Kafka, Brecht, Dali, brilliant public space, Ballard, and the sheer unbridled thrill of one of the most amazing cities in Europe.

From John Goff: “Myself and Dr. Shivdeep Grewal have organised a half-day conference with the title ‘J.G.Ballard: imaginary scientist’ that may be of interest to some of your site users…”

Ballard makes it onto a San Marino stamp. In the absence of American recognition, this will simply have to do.

Info on a new volume of Ballard criticism, edited by Jeannette Baxter.

What can JGB’s handwriting tell us?

A repost of this tribute to Robbe-Grillet, with the addition of some extra quotes that either illuminate or obfuscate…

A review of two academic articles written by Ben Noys on Ballard’s work, both analysing Ballard’s place in contemporary cultural production. This review also considers Mark Fisher’s recent Lacanian analysis of Basic Instinct 2, in an edition of Film-Philosophy edited by Noys, with its unearthing of intriguing Ballardian parallels.

A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.

All Melbourne crew are welcome to come and heckle me this Wednesday (Dec 5, 1pm) at Monash University.

by Dominika Oramus World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952. Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) [...]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

In my interview with BLDGBLOG’s Geoff Manaugh, I mentioned that I’d love to see Ballard taught in architectural schools. Geoff enthusiastically replied, ‘I would love to do this — it’s actually a conscious fantasy of mine, so who knows … I would jump at the chance to lead a class like that!’ Now, all our [...]

The basic tenet in Dominika Oramus’ new book on Ballard is that since the end of World War II western civilization has been merrily racing down the Highway to Hell in a white Pontiac; and all the evidence you need is in the fiction of J.G. Ballard.

+ IDEAL, RADIANT In his excellent paper, ‘Ballard’s Banlieue Radieuse’, delivered at the Ballard conference, Owen Hatherley locates JGB’s Vermilion Sands stories as a vision at right angles to the dystopian tradition in which Ballard is normally housed — the Vermilion collection posits, Hatherley writes, ‘an actual, liveable future utopia that is eminently possible’. And [...]

Here I present the latest wrapup, not as extensive as I would like as I’m currently in Dubai trying to locate my missing passport, while entertaining the thought of spending a few days, maybe a week in the non-space of the Dubai International Airport until it turns up (hopefully a week; I’m trying to embrace [...]

The UEA Studio: Conference Headquarters (photo: Simon Sellars). I attended From Shanghai to Shepperton: An International Conference on J.G. Ballard at the University of East Anglia on the weekend, and I’m suffering a bit of a comedown. I always get a bit melancholy when these temporary autonomous zones collapse and everyone returns to virtual communication. [...]

+ CATALOGUE OF CONTEMPORARY ATROCITIES Jeannette Baxter, organiser of this weekend’s J.G. Ballard Conference at the University of East Anglia, delivers a challenging examination of Surrealist influences in Ballard’s Running Wild for Issue 5 of the online journal, Papers of Surrealism. ‘The Surrealist Fait-Divers: Uncovering Violent Histories in J. G. Ballard’s Running Wild’: Abstract In [...]

Pertinent, in the wake of this and this: Tired after my meeting with Zander, I sat down and ordered a vin blanc from the young French waitress, who wore jeans and a white vest printed with a quotation from Baudrillard.” —————————————————————————- J.G. Ballard. Super-Cannes. (p. 88). —————————————————————————-

As I’ve been taken to task regarding my last post about the J.G. Ballard Myspace profile, in hindsight I can see that my tongue had actually pierced my cheek, and for that I apologise. Just to clarify, my post was chiefly to comment on Myspace as an entity; my rant against ‘a terrible evil gated [...]

At the UEA website, programme abstracts are now available for ‘From Shanghai to Shepperton: An International Conference on J.G. Ballard’, at the University of East Anglia, Norwich, United Kingdom, Saturday 5th & Sunday 6th May 2007. I’ll be presenting a paper, and I see that past contributors to this site including Pippa Tandy, Umberto Rossi, [...]

i.m. Jean Baudrillard by Benjamin Noys ———————————————————————————————————————- In the wake of Jean Baudrillard’s death, Ballardian presents Benjamin Noys’s essay exploring the ‘point of convergence between the writing of Jean Baudrillard and J.G. Ballard’. This is a slightly modified version of the article that appeared as ‘Crimes of the Near Future: Baudrillard / Ballard’, Ícone 9 [...]

+ The programme for the University of East Anglia’s two-day J.G. Ballard conference on 5 & 6 May 2007 is now available as a PDF. It looks thorough and exhaustive, with a wide spread of topics — a tribute to Ballard’s appeal. The conference should be a cracker; let’s hope the UAE also onlines the [...]

According to French Education Minister Gilles de Robien: “We lose a great creator. Jean Baudrillard was one of the great figures of French sociological thought.” In the wake of Baudrillard’s death at age 77, with homeostatic news sources struggling to redefine hyperreality while churning out great steaming wads of the stuff, return to Baudrillard’s glistening, [...]

We’ll have more news on this event in the coming weeks… From Shanghai to Shepperton: An International Conference on J.G. Ballard University of East Anglia, Norwich, United Kingdom, Saturday, 5 May 2007. Guest Speakers include Toby Litt, Dr Roger Luckhurst, Professor Philip Tew & Professor Jon Cook, Professor Mark Currie, Professor Vic Sage. From the [...]

J.G. BALLARD by Andrzej Gasiorek (Manchester University Press, 2005, pp. 228). review by Umberto Rossi This serious, well-documented academic book-length essay on James Graham Ballard and his oeuvre is nearly exhaustive, given that Gasiorek hasn’t paid sufficient attention to Ballard’s short stories (even though the Man is — more than anything else — a master [...]

Being as I’m based in Australia, I obviously can’t make it to London yesterday (your time) and tomorrow (yours, mine, our time) to attend Cultural Fictions II, sponsored by the AHRC and the Centre for Cultural Studies, Goldsmiths, June 15th & 16th (found via k-punk). Some lovely London-based reader could, though, and perhaps summarise Steve [...]

by Simon Sellars Victor Slezak as ‘T’ in The Atrocity Exhibition Ballardian presents an exclusive interview with Jonathan Weiss, director of The Atrocity Exhibition, the film based on the J.G. Ballard collection of ‘condensed novels’. ———————————————————————————————————————- NOTE: This is a revised and expanded version of the original interview. The new additions are a reworked introduction, [...]

by Pippa Tandy “In a sense, I’m assembling the materials of an autopsy, and I’m treating reality – the reality we inhabit – almost as if it were a cadaver, or let’s say, the contents of a special kind of forensic inquisition… I regard all these as data which will play their role in whatever [...]

from the Manchester University Press: "J. G. Ballard  (isbn 0-7190-7053-8) Andrzej Gasiorek This book offers a comprehensive account of the work of J.G. Ballard, regarded by critics as one of the most significant fiction writers of recent times. Ballard’s early science fiction writing earned him plaudits as one of the most innovative and individual voices [...]