Archive for the ‘advertising’ Category
By
Simon Sellars •
Feb 4th, 2008 •
Category:
Ballardosphere, advertising, crime, gated communities, media landscape
I caved in and implemented two site-specific scenarios that I possibly thought I wouldn’t do in any especially near version of the future…
By
Simon Sellars •
Jan 15th, 2008 •
Category:
Ballardosphere, advertising, body horror, consumerism, death of affect, fashion, visual art
Here’s a new campaign from fashion label Dsquared2, featuring sex with crash-test mannequins. But it doesn’t appear to be selling anything. What exactly *is* it selling? Note the photographer: none other than our old mucker, Steven Meisel.
By
Simon Sellars •
Jan 11th, 2008 •
Category:
Ballardosphere, David Cronenberg, advertising, body horror, fashion, speed & violence
What’s more Ballardian? A fragrance for women patterned after the smell of burnt rubber, brake fluid and excrement? Or a scent designed to evoke the smell of a woman’s vagina? You decide.
By
Simon Sellars •
Dec 10th, 2007 •
Category:
Ballardosphere, Lead Story, WWII, advertising, autobiography, surrealism, urban ruins
The publicity machine is warming up for Ballard’s forthcoming autobiography, Miracles of Life, due for publication February 2008.
By
Simon Sellars •
Oct 9th, 2007 •
Category:
Ballardosphere, advertising, consumerism, fashion, urban revolt
The shop mannequin and the crash-test dummy have always held a privileged place in Ballard’s fiction. Battered, broken and discarded, they housed the streaky veins of alienation and despair that marked The Atrocity Exhibition. Rendered with Ballard’s clinical, amoral gaze, they evoked the terminal stylisation wreaked by technology in Crash. Fused by nuclear radiation into […]
By
Mike B •
Aug 1st, 2007 •
Category:
Michael Moorcock, New Worlds, Shepperton, William Burroughs, advertising, features, invisible literature
by Mike Bonsall
J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier.
Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most of it […]
By
Rick McGrath •
Jul 25th, 2007 •
Category:
advertising, consumerism, fascism, reviews, suburbia, urban revolt
Former ad man Rick McGrath takes another look at Kingdom Come from ‘the perspective of marketing, advertising and psychopathology’. He also looks at the Metro-Centre website, used to promote the book, and asks, ‘The abattoir? Not too gloomy?’
By
Simon Sellars •
Jul 8th, 2007 •
Category:
Ballardosphere, advertising
© Metro-Centre, 2007.
+ Kingdom Come has finally been published in paperback, but check out the cover they’ve given it. It looks like a poster from Logan’s Run. McGrath and I have our suspicions that the Metro-Centre website is an official HarperCollins production set up to promote the book. If so, why couldn’t they have made […]
By
Simon Sellars •
Jun 27th, 2007 •
Category:
Ballardosphere, advertising, consumerism, fascism, visual art
© Metro-Centre, 2007.
Something is stirring over at our favourite shopping mall. After lying fallow for almost two months, the official blog of the Metro-Centre shopping centre in Brooklands stirs to life with a rather ominous poster campaign starring the failed talk-show host, David Cruise.
First, we were promised that ‘the wait is almost over’. And now, […]
By
Simon Sellars •
Apr 12th, 2007 •
Category:
Ballardosphere, Jean Baudrillard, academia, advertising, celebrity culture
Pertinent, in the wake of this and this:
Tired after my meeting with Zander, I sat down and ordered a vin blanc from the young French waitress, who wore jeans and a white vest printed with a quotation from Baudrillard.”
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J.G. Ballard. Super-Cannes. (p. 88).
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By
Simon Sellars •
Mar 31st, 2007 •
Category:
Ballardosphere, advertising, architecture, celebrity culture, consumerism, crime, speed & violence, urban revolt
+ KILLING CARS
Rich, car-crashing idiot No. 2: Stefan Eriksson.
Over at The Wrong Advices, Dan writes, ‘After watching Eddie Griffin destroy a Ferrari Enzo I was reminded of some of the other times rich idiots have killed beautiful and expensive cars. I’ve put together a list of some of the more memorable crashes.’
My favourite is […]
By
Rick Poynor •
Mar 12th, 2007 •
Category:
Ballardosphere, David Cronenberg, William Burroughs, advertising, fashion, features, visual art
by Rick Poynor
‘Missing the point’: (detail, Livre de Poche edition, 1973; design: Atelier Pascal Vercken).
NOTE: This is an edited version of an essay published in Designing Pornotopia: Travels in Visual Culture by Rick Poynor, Laurence King Publishing, 2006. First published in Eye no. 52, Summer 2004. Reproduced with permission.
J. G. BALLARD’S Crash tests the […]
By
Simon Sellars •
Feb 28th, 2007 •
Category:
Philip K. Dick, Salvador Dali, advertising, boredom, consumerism, fashion, interviews, visual art
Interview by Simon Sellars
Rick McGrath is a writer and former adman (which explains the pithy insights to come). He’s also the curator of what may be the world’s largest collection of J.G. Ballard first editions; he’s the ‘go-to man’ whenever a TV station or glossy mag does a rare feature on Ballard and needs […]
By
Simon Sellars •
Sep 5th, 2006 •
Category:
Salvador Dali, WWII, William Burroughs, advertising, architecture, bibliography, boredom, celebrity culture, consumerism, death of affect, deep time, dystopia, enviro-disaster, fashion, film, flying, humour, invisible literature, media landscape, medical procedure, non-fiction, photography, politics, psychogeography, psychology, science fiction, sexual politics, space relics, speed & violence, surrealism, television, urban decay, visual art
OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the […]
By
Simon Sellars •
Sep 1st, 2006 •
Category:
New Worlds, Shepperton, WWII, advertising, architecture, bibliography, boredom, celebrity culture, consumerism, death of affect, deep time, dystopia, enviro-disaster, flying, humour, invisible literature, media landscape, medical procedure, photography, politics, psychogeography, psychology, science fiction, sexual politics, short stories, space relics, speed & violence, suicide, surrealism, television, terrorism, urban decay, urban revolt, visual art
OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; […]
By
Simon Sellars •
Sep 1st, 2006 •
Category:
advertising, bibliography, consumerism, deep time, dystopia, sport, terrorism, urban revolt
OPENING LINE:
“The suburbs dream of violence.”
From the 2006 Fourth Estate edition:
Richard Pearson, unemployed advertising executive and life-long rebel, is driving out to Brooklands, a motorway town on the A25. A few weeks earlier his father was fatally wounded at the Metro-Centre, a vast shopping mall in the middle of this apparently peaceful town, when a […]
By
Johnny •
Sep 28th, 2005 •
Category:
Ballardosphere, advertising, celebrity culture, politics
In the ongoing battle between the two movie stars: Gov. Arnold Schwarzenegger and Warren Beatty, there has already been a number of Ballardian moments. If Beatty actually throws his hat into the ring for the governors race, we’ll surely be witnessing something that will appear to be more fictional than set in reality. Here’s the […]
By
Ballardian •
Jul 9th, 2005 •
Category:
advertising, archival, consumerism, media landscape, psychopathology, sexual politics, speed & violence
by J.G. Ballard (1995)
The marriage of reason and nightmare that has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising […]