Ballardian

In this, the final thrilling instalment of Brian Baker’s Apollo Roulette, the sequel to his 2009 Fleming/Ballard mashup, Baker continues to apply the method to desert imagery in Ballard’s work, uncovering the deadly secret that powers the American ‘nuclear state’: an apocalyptic game of APOLLO ROULETTE!

In this sequel to Brian Baker’s Ian Fleming/J.G. Ballard mashup from 2009, Baker applies the method to desert imagery in Ballard’s work. Finally, we are able to uncover the secret logic at play in the American ‘nuclear state’ – a deadly game of APOLLO ROULETTE!

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the publication of the experimental story ‘The Atrocity Exhibition’ in 1966 through to 1973 and the notorious Crash.

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.

JG Ballard’s writing encompassed topics as diverse as ecological crisis, technological fetishism, urban ruination and suburban mob culture. In this extract from the September-October issue of Architectural Design, Nic Clear explores how Ballard’s understanding of architecture and architects made him one of the most important figures in the literary articulation of architectural issues and concerns.

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. Mike Holliday talks to Savoy co-founder Michael Butterworth about all this and more, including the guidance Butterworth received as a young writer from J.G. Ballard.

I’m giving a paper on Ballard, circular time and the nouvelle vague this Thursday, October 1, at 3pm at ACMI in Melbourne, as part of the time.transcendence.performance conference. Come and say hello.

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.

‘Iterative Architecture: a Ballardian Text’ by Brian Baker ..:: CONTINUED from >> Part 1 ::… ♣♠♥♦ The Joker. The Joker in the pack is the card that, in some games, can replace (or substitute for, take the place of) any of the others. In this sense, the Joker is the empty sign. ♣♠♥♦ Hearts ♥ [...]

“As Michael Jackson reached middle age, the skin of both his cheeks and neck tended to sag from failure of the supporting structures. His naso-labial folds deepened, and the soft tissues along his jaw fell forward. His jowls tended to increase. In profile the creases of his neck lengthened and the chin-neck contour lost its youthful outline and became convex.”

Simon Sellars, Mel Chilianis and Melb Psy take an audiovisual tour of Melbourne’s Crown Casino, seeking to map the coordinates of this micronational zone — consumer-driven control space with a raging need.

Thoughts on Ballard, fame and reclusiveness, and Shepperton.

Announcement of the new Ballard World theme park in Dubai, following on from the Egypt, London and Shanghai versions.

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.

Man survives for three months in airport terminal; doesn’t know why he’s there…

I’ve finally captured my impressions of Barcelona and Kosmopolis, with main ingredients: Lou Reed, Claire Walsh, Laurie Anderson, Kafka, Brecht, Dali, brilliant public space, Ballard, and the sheer unbridled thrill of one of the most amazing cities in Europe.

Here are some preliminary thoughts from the city of Barcelona, where I am appearing on a panel to talk about the work of J.G. Ballard as part of the Kosmopolis literary festival.

Rick McGrath interviews Solveig Nordlund about her feature film, Aparelho Voador a Baixa Altitude (2002). Based on JGB’s short story, ‘Low-Flying Aircraft’, it’s arguably the best Ballard adaptation of them all, although it has rarely been shown outside Portugal. Included with the interview are clips from the film as well as from Solveig’s previous Ballard adaptation, ‘Journey to Orion’ (based on ‘Thirteen to Centaurus’).

This is a review of John Foxx’s Melbourne performance of Tiny Colour Movies, his found-film collection and live soundtrack. For the reviewer, witnessing this may have solved a two-year-old puzzle; certainly, it brought everything full circle back to Ballard.

Parallels between Ballard’s Kingdom Come and Romero’s Dawn of the Dead.

Transmission from Barcelona stop Having a wonderful time stop I believe in nothing stop Lost in surreal image machine and deep-blue-drenched corridors stretching to infinity stop Startling comma perverse visuals stop Rare books and writing stop Exhibition a raging success stop JGB would be proud stop Full letter to follow comma Love Rick end transmission

What is the connection between J.G. Ballard and H.P. Lovecraft? Artist John Coulthart is well placed to offer some insight into what he terms ‘superficial style at the service of a unique imagination’.

London film screening featuring ‘futuristic visions of London’ and ‘surreal urban worlds’.

Film and media studio floods London 82 years hence, evokes Ballard.

More on Jean Seberg and The Crystal World, including the appearance of another well-known cultural personage.

Jean Seberg, Rudy Wurlitzer and Ballard…

Where can one find the world’s strangest housing communities? Here is a handy list.

Troy Paiva’s desert photography evokes the crumbling, decadent resorts and enervated cityscapes of Ballard’s Vermilion Sands and Hello America stories. Enjoy this interview with Troy, the Light-Painter of Mojave D.

A recent interview at the Burroughs site Reality Studio brings Ballard, Burroughs, Britton and Butterworth together … along with Arthur C. Clarke.

Savoy Books publishes Horror Panegyric, Keith Seward’s analysis of the notorious Lord Horror novels.

UPDATED. Aside from the films of Empire and Crash, Ballard has had almost all his novels optioned for the screen at some stage. Suitors include Richard Gere, Samuel L. Jackson, Jack Nicholson, David Frost and a trio of scantily-clad cavegirls.

Is Woody Allen a Ballard fan? Lucy Vickery at The Spectator certainly is.

In 2007 I toured Shepperton using Ballard’s Unlimited Dream Company as my guidebook. Here are the results of that neurological survey, born from the torsion of “every cell in my body waiting at the end of a miniature runway”.

A man is trapped in an elevator for 41 hours, steadily losing his mind. But to you, he’s just another bug crawling around on a security-camera lens. What do you do?

To celebrate the new version of the wonderful SurveillanceSaver software, here is The Ballardian Primer to Surveillance Cameras, with all quotes taken from Ballard and all images lifted from the Axis CCTV network.

In 1991 Simon Brook made a short film from J.G. Ballard’s obscure 1963 short story, ‘Minus One’. Enjoy this super-rare screening of Simon’s film.

I’ve been asked to contribute to a documentary on car parks. Here then, as preparation, is my Ballardian Primer to Car Parks, with quotes from Ballard’s novels.

The final version of Thomas Cazals’ tribute, ‘J.G. Ballard: The Oracle of Shepperton’, has been released. It’s one of the stranger JGB ‘adaptations’ around, and is told with considerable flair and skill.

Here’s a transcript of Philip Dodd’s recent BBC Radio 3 interview with JGB.

Gerry Canavan collects images of a ruined Statue of Liberty. Ballard is partial to the meme, too…

Lest you have any doubt that Mr Ballard is in fact Mr Rent-a-Quote, here he is, commenting on costume dramas, of all things, for the Observer: The fear of some of our best contemporary writers is that the British love of classic adaptations reflects an unhealthy obsession with the past. Novelist JG Ballard is blunt [...]

Chris N-B asks: ‘What is Michael Jackson’s favorite literary science fiction? I’ll bet you dinner at Picasso that right now he’s curled up in the overstuffed armchair of his penthouse suite at the Bellagio, giggling at The Atrocity Exhibition.’

A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.

Geoff has posted a fabulous interview with monumental SF/utopian author Kim Stanley Robinson over at BLDGBLOG. Robinson responds to Geoff’s fresh perspective…

According to William Viney, Crash presents a barrage of images that expresses collapse, dereliction, and waste; a seemingly endless carnival of sex and destruction; intoxicating, perverting, and desensitizing the reader, while Empire of the Sun can be seen as the terminus of Ballard’s treatment of waste, the epitome of all that has gone before. Although Ballard’s other works deal with the subject of death and the disposal of corpses, Empire of the Sun attempts to cope with this disposal on a mass-scale, or rather, during both war and peace, it explores the complex transition between the valued human being and lifeless, disposable cadaver.

William Viney explores how High-Rise, Concrete Island, and “The Ultimate City” contain familiar visual landscapes. However, each of these recognisable aspects of urban experience is rendered unfamiliar through the pervasive renegotiation of waste categories.

All Melbourne crew are welcome to come and heckle me this Wednesday (Dec 5, 1pm) at Monash University.