Ballardian

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.

Ballard’s writing has a strong connection to visual art. It informed his work and led to him befriending some of the leading artists of his time, while in turn his work has influenced today’s crop. As Ben Austwick reports, the exhibition Crash: Homage to J.G. Ballard represent these diverse strands in a haphazard, yet always interesting fashion.

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.

‘Iterative Architecture: a Ballardian Text’
by Brian Baker

..:: CONTINUED from >> Part 1 ::…

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The Joker. The Joker in the pack is the card that, in some games, can replace (or substitute for, take the place of) any of the others. In this sense, the Joker is the empty sign.
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Hearts ♥
(A♥) Time Drill. ‘I don’t remember much [...]

Dan O’Hara back-translates an interview with JGB originally published in French in 1985. As the interviewers observe, Ballard was almost the subject of a French cult due to Crash. Asking why there are no car-crashes in Empire of the Sun, they reveal a very suggestive lacuna, with Ballard replying that even when one characteristic theme is absent from a work, the underlying emotion may remain the same, expressed by different means. Choice of metaphor is merely a matter of tone

Bruce Sterling wrote: ‘For the cyberpunks … technology is visceral. It is not the bottled genie of remote Big Science boffins; it is pervasive, utterly intimate. Not outside us, but next to us. Under our skin; often, inside our minds.’ And Ballard’s influence was at the heart of it.

With thanks to Headpress books, here’s an interview with JGB conducted by Mark Goodall in 2006 for his book Sweet & Savage: The World Through the Shockumentary Film Lens. The interview covers JGB’s admiration for the Mondo Cane films of Gualtiero Jacopetti, so-called ’shockumentaries’ that in their artfully faked scenarios present what Ballard terms ‘an elective psychopathy that would change the world (so we hoped, naively)’.

This is a review of John Foxx’s Melbourne performance of Tiny Colour Movies, his found-film collection and live soundtrack. For the reviewer, witnessing this may have solved a two-year-old puzzle; certainly, it brought everything full circle back to Ballard.

Parallels between Ballard’s Kingdom Come and Romero’s Dawn of the Dead.

A 1:43 scale JFK motorcade and Ballard: what’s the connection?

Jordi Costa, the curator of J.G. Ballard: Autopsy of the New Millennium, currently exhibiting at the Centre de Cultura Contemporània de Barcelona, gifts us this incisive analysis of the major themes in Ballard’s work. Accompanying the essay is the alternate version of the exhibition’s promo trailer.

Mike Holliday investigates a strange interregnum in Ballard’s career, three short stories that return to earlier concerns: psychological dislocations and disturbances, somehow caused by human space-flight, in our perception of the flow of time.

This is the latest in Dan O’Hara’s back translations of German Ballard chats: an interview with JGB from 2005. This may well be the only time Ballard has been asked to consider the lyrics of Kanye West.

Over at Barnes & Noble, SF writer Paul Di Filippo tries to get America interested in Ballard.

Troy Paiva’s desert photography evokes the crumbling, decadent resorts and enervated cityscapes of Ballard’s Vermilion Sands and Hello America stories. Enjoy this interview with Troy, the Light-Painter of Mojave D.

Dan O’Hara is back with another translation of a German Ballard interview, this time from 2007 with JGB in priapic, puckish form.

UPDATED. Aside from the films of Empire and Crash, Ballard has had almost all his novels optioned for the screen at some stage. Suitors include Richard Gere, Samuel L. Jackson, Jack Nicholson, David Frost and a trio of scantily-clad cavegirls.

Here’s a dossier on presidential candidate Ralph Nader, courtesy of The Atrocity Exhibition.

Gerry Canavan collects images of a ruined Statue of Liberty. Ballard is partial to the meme, too…

Above: ‘The Staircase’, by Troy Paiva, 2005. ‘Byron Hot Springs Hotel, Byron California. Built in the 1930s, used for POW interrogations during WWII. Abandoned for decades, many say it’s quite haunted. It IS noisy at night in there . . . Night,full moon, dark interior, blue and red-gelled strobe flash. Canon 20D.’
The brilliant work of [...]

And finally, more on the mad astronaut meme, with this disturbing vision of pissed-up ‘nauts cavorting in space:
America’s space programme suffered unexpected turbulence yesterday when a revelation that astronauts were allowed to fly on the shuttle while drunk was followed by news of sabotage to the cargo of a forthcoming mission. Nasa officials are expected [...]

by Simon Sellars

Photo by Emiliano Granado. Used with permission.
Geoff Manaugh is a writer and essayist whose work has appeared in Contemporary, Space & Culture, Blend, Lumpen, Inhabitat, WorldChanging, the Oyster Boy Review, the Urban Design Review, Subtopia, Vector, things magazine, and The Allen Ginsberg Audio Collection (a short essay in the CD liner notes). He’s [...]

OPENING LINE:
‘There’s gold, Wayne, gold dust everywhere! Wake up! The streets of America are paved with gold!’.
From the Carroll & Grad 1981 edition:
A century after America’s financial collapse and the climactic upheavals of the 1990s, Wayne stows away on SS Apollo, bound for the New World on a voyage of rediscovery. He and the crew [...]

by Simon Sellars

Victor Slezak as ‘T’ in The Atrocity Exhibition
Ballardian presents an exclusive interview with Jonathan Weiss, director of The Atrocity Exhibition, the film based on the J.G. Ballard collection of ‘condensed novels’.
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NOTE: This is a revised and expanded version of the original interview. The new additions are a reworked introduction, the addition of notes, [...]

Am I reading too much into these bits of news that catch my imagination? I’m reminded of HELLO AMERICA. Why? Because Vegas itself is more of a theme city than a real city. And terror in theme parks anywhere carries along an extra whallop since one has already taken a step into a different world.
Man [...]

by Pippa Tandy

“In a sense, I’m assembling the materials of an autopsy, and I’m treating reality – the reality we inhabit – almost as if it were a cadaver, or let’s say, the contents of a special kind of forensic inquisition… I regard all these as data which will play their role in whatever hypothesis [...]