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Archive for the ‘CCTV’ Category

‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…



‘Zones of Transition’: Micronationalism in the work of J.G. Ballard

By • Dec 28th, 2012 •

Category: academia, airports, alternate worlds, CCTV, consumerism, death of affect, features, gated communities, Lead Story, Marc Auge, micronations, Shanghai, suburbia, surveillance, the middle classes, urban revolt

Simon Sellars re-reads Ballardian space in light of the idiosyncratic, real-world phenomenon of micronations, tracing parallels between Ballard’s physical and psychological spaces and Marc Augé’s idea of ‘non-place’.



In Defence of the Virtual: A Secret History of Ballardian Film Adaptations

By • Mar 12th, 2012 •

Category: alternate worlds, CCTV, Chris Marker, David Cronenberg, features, film, Lead Story, Philip K. Dick, Shepperton, Solveig Nordlund, surveillance

Recently, it was announced that Christian Bale was returning to Ballard, set to star in Brad Anderson’s version of Concrete Island. But given the recent hype surrounding Vincenzo Natali’s proposed adaptation of High-Rise, and the non-appearance of that film, is this destined to be yet another ‘vapourware’ adaptation, joining the long string of phantom Ballard films ‘starring’ Jean Seberg, Richard Gere and Samuel L. Jackson? And is that such a bad thing?



‘Flesh dissolved in an acid of light’: the B-movie as second sight

By • Mar 15th, 2011 •

Category: academia, alternate worlds, America, CCTV, computer games, consumerism, features, film, hyperreality, Jean Baudrillard, John Carpenter, Lead Story, media landscape, Roger Corman, science fiction, surveillance

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.



Review: Jeremy Reed’s West End Survival Kit

By • Feb 8th, 2010 •

Category: alternate worlds, biology, body horror, boredom, CCTV, celebrity culture, conspiracy theory, consumerism, cyberpunk, death of affect, entropy, Hawkwind, inner space, Lead Story, psychopathology, reviews, surrealism, surveillance, technology

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.



The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.



Crown Casino: ‘A snarling, digitised mutilation’

By • May 27th, 2009 •

Category: advertising, alternate worlds, architecture, audio, Australia, boredom, CCTV, consumerism, death of affect, deep time, fascism, features, hyperreality, Lead Story, leisure, micronations, occult, perception, photography, psychogeography, schizophrenia, surveillance, temporality, time travel, utopia

Simon Sellars, Mel Chilianis and Melb Psy take an audiovisual tour of Melbourne’s Crown Casino, seeking to map the coordinates of this micronational zone — consumer-driven control space with a raging need.



K08 Sequel: 'Galactic Eyes'

By • Nov 18th, 2008 •

Category: architecture, Australia, Barcelona, CCTV, features, flying, Lead Story

A man shrugs off the clucking of his family and makes his way to International Departures. With the ticketing formalities over, he slumps at the bar and orders drinks. A flat, synthetic boarding call and he remembers his trip: ‘Last call for Silverwing 501. Please make your way to Gate 23.’



Escaping the gaze: A review of John Foxx's Tiny Colour Movies

By • Aug 7th, 2008 •

Category: alternate worlds, America, architecture, CCTV, Chris Marker, Chris Petit, film, Iain Sinclair, invisible literature, John Foxx, media landscape, music, reviews, YouTube

This is a review of John Foxx’s Melbourne performance of Tiny Colour Movies, his found-film collection and live soundtrack. For the reviewer, witnessing this may have solved a two-year-old puzzle; certainly, it brought everything full circle back to Ballard.



'His personal horizon': Sinclair and Self on Ballard

By • Jun 16th, 2008 •

Category: Ballardosphere, CCTV, film, Iain Sinclair, Ian Curtis, music, psychogeography, Shepperton, suburbia, surveillance, Will Self

Iain Sinclair and Will Self together on stage talking about Ballard, Orson Welles and CCTV. Garden gnomes, Simon Reynolds and John Lydon get roped into the ring, also.



'Engineering the moral order': Strange Housing Communities

By • Jun 16th, 2008 •

Category: alternate worlds, architecture, Australia, Ballardosphere, CCTV, gated communities, micronations, paranormal

Where can one find the world’s strangest housing communities? Here is a handy list.



The kid stays in the picture

By • May 15th, 2008 •

Category: Ballardosphere, CCTV, celebrity culture, film, gated communities, surveillance

Samuel L. Jackson is back in the game, soon to work with the best material he’ll ever clap eyes on.