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Archive for the ‘celebrity culture’ Category

Applied Ballardianism forthcoming from Urbanomic in 2017

By • Jun 26th, 2017 •

Category: academia, alternate worlds, Applied Ballardianism, Australia, autobiography, Ballardosphere, biography, Bruce Sterling, CCTV, celebrity culture, Chris Marker, consumerism, cyberpunk, David Cronenberg, deep time, Dubai, dystopia, H.P. Lovecraft, inner space, Jean Baudrillard, Lead Story, Marion Shoard, media landscape, occult, Pacific, paranormal, Paul Virilio, William Burroughs, William Gibson, WWII

Forthcoming from Urbanomic in late 2017 – Applied Ballardianism: A Theory of Nothing by Simon Sellars. Fleeing the excesses of 90s cyberculture, a young researcher sets out to systematically analyse the obsessively reiterated themes of a writer who prophesied the disorienting future we now inhabit. The story of his failure is as disturbingly psychotropic as those of his magus—J.G. Ballard, voluptuary of the car crash, surgeon of the pathological virtualities pulsing beneath the surface of reality. An existential odyssey inextricably weaving together lived experience and theoretical insight, this startling autobiographical hyperfiction surveys and dissects a world that is unmistakably Ballardian.



Why I Want to Fuck Donald Trump

By • Mar 5th, 2016 •

Category: America, celebrity culture, Donald Trump, dystopia, features, Lead Story, politics, sexual politics

Donald Trump as a series of posture concepts, basic equations which re-formulate the roles of aggression and anality.



‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…



Animal Spirits: A Ballardian Bestiary

By • Dec 12th, 2011 •

Category: academia, advertising, Anthony Burgess, celebrity culture, features, Freud, Gilles Deleuze, Jean Baudrillard, Lead Story, media landscape, postmodernism, science fiction

In this excerpt from his book Animal Spirits, Matteo Pasquinelli explains how ‘the novels of J.G. Ballard can describe the nature of technology and the contemporary mediascape better than any philosopher, media theorist or cultural studies academic — a sort of political agenda born from the perspective of science fiction’.



RIP Elizabeth Taylor: A Ballardian Primer

By • Mar 25th, 2011 •

Category: alternate worlds, celebrity culture, consumerism, features, film, Lead Story, media landscape, sexual politics, WWIII

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the 1966 publication of the experimental story ‘The Atrocity Exhibition’ through to 1973 and the notorious novel Crash.



Myths of a Near Future: Simon Sellars, Bruce Sterling and V. Vale

By • Nov 15th, 2010 •

Category: Barcelona, body horror, boredom, Bruce Sterling, celebrity culture, consumerism, cyberpunk, deep time, features, inner space, Lead Story, New Worlds, Salvador Dali, surrealism, William Burroughs

Two years ago, Simon Sellars, Bruce Sterling and V. Vale appeared on a panel, ‘Myths of a Near Future’, to discuss the work of J.G. Ballard. Our friend Tim Chapman was in the audience and he has kindly transcribed the discussion. Here it is, two years late, but hopefully still of interest: ‘Myths of a Near Future’.



A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?