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Archive for the ‘censorship’ Category

“Enthusiasm for the mysterious emissaries of pulp”: an interview with David Britton (the Savoy interviews, part 2a)

By • Feb 22nd, 2010 •

Category: audio, censorship, H.P. Lovecraft, Iain Sinclair, Ian Curtis, interviews, Lead Story, literature, music, New Worlds, punk, Savoy Books, Shanghai

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.



“Enthusiasm for the mysterious emissaries of pulp”: an interview with David Britton (the Savoy interviews, part 2b)

By • Feb 22nd, 2010 •

Category: audio, censorship, H.P. Lovecraft, Iain Sinclair, Ian Curtis, literature, music, New Worlds, punk, Savoy Books

The story of Savoy Books is one of the most strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.



“Driven by Anger”: An Interview with Michael Butterworth (the Savoy interviews, part 1)

By • Nov 5th, 2009 •

Category: alternate worlds, Ambit magazine, body horror, censorship, horror, humour, Iain Sinclair, interviews, Lead Story, New Worlds, punk, Savoy Books, surrealism, William Burroughs

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. Mike Holliday talks to Savoy co-founder Michael Butterworth about all this and more, including the guidance Butterworth received as a young writer from J.G. Ballard.



Crouching Pervert, Hidden Meisel

By • Nov 18th, 2008 •

Category: Ballardosphere, censorship, death of affect, fashion, Italy, photography, sexual politics, Steven Meisel

Steven Meisel: rejected by Vogue Italia, embraced by ballardian.com.



Indexed out of existence…

By • May 2nd, 2008 •

Category: alternate worlds, Ballardosphere, celebrity culture, censorship, features, humour, pastiche, short stories, Will Self

Is Woody Allen a Ballard fan? Lucy Vickery at The Spectator certainly is.



'The Crashman': An Experiment in Applied Internet Ballardianism

By • Apr 8th, 2008 •

Category: censorship, David Cronenberg, death of affect, features, film, flying, Freud, humour, Lead Story, media landscape, Michael Moorcock, music, psychopathology, speed & violence, sport, war, WWII, YouTube

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.



J.G. Ballard & Architectures of Control

By • Jan 3rd, 2008 •

Category: architecture, censorship, dystopia, fascism, features, Lead Story, psychology, speed & violence

According to Dan Lockton, one of the many ‘obsessions’ running through Ballard’s work is the effect of architecture on the individual. More than playful psychogeography, Ballard dissects architectural influence on his characters with technical precision.



'Meet you all the way, Rosanna yeah'

By • Dec 14th, 2007 •

Category: Ballardosphere, body horror, celebrity culture, censorship, David Cronenberg, death of affect, film, sexual politics, speed & violence

How strange is this: Rosanna Arquette, and Crash, popping up in all sorts of places. This film, Ballard’s story, still packs a powerful psychological enema.



J.G. Ballard Live in London

By • Oct 7th, 2005 •

Category: archival, censorship, consumerism, David Cronenberg, dystopia, film, gated communities, interviews, psychology, psychopathology, science fiction, sexual politics, Shanghai, television

Photo by Simon Sellars This transcript was first published in Sub Dee Magazine (no. 5 Summer 1997), a print project I was involved in long before Ballardian. At the time, J.G. Ballard’s career was in the ascendancy after what was perceived to be an average period in his writing. Cocaine Nights had just been released […]