Ballardian: the World of J.G. Ballard

For this upcoming exhibition, the International Project Space in Birmingham will be transformed into the J.G. Ballard Centre for Psychopathological Research, “an institute built to interrogate the New Psychology explored in Ballard’s fiction.”

Details of a new exhibition in London that “often plays with the constants of space and time”. It includes the work of Michelle Lord, whose “Future Ruins” series previously featured on Ballardian.

Dan O’Hara has re-translated three interviews with JGB, originally published in German in the 60s, in which Ballard provides absorbing insight into his enviro-disaster trilogy: The Drowned World, The Drought and The Crystal World.

Above: the Ballard family’s former house, now lit up in the colours of capitalism. Photo: Rick McGrath.
“Do you believe in synchronicity?” Andy asked. “That’s the 10 o’clock signal for today’s national anniversary. Sirens are blowing all over the country right now.” He leaned in, conspiratorially. “It was precisely 70 years ago today the Japanese attacked […]

ABOVE: Youtube uplink for Shanghai Jim (BBC Bookmark, 1991; produced by James Runcie).

by Pippa Tandy

SHANGHAI JIM (1991)
Director/Producer: James Runcie
Executive Producer: Nigel Williams
Starring: J.G. Ballard, Michael Troughton, Hans Gebruers

See here for a transcript of J.G. Ballard’s commentary from the film.

DOCUMENTARY FILMS about the lives and works of artists have many different functions. They may describe their […]

ABOVE: Youtube uplink for Shanghai Jim (BBC Bookmark, 1991; produced by James Runcie).

NOTE: The following is a transcription taken from J.G. Ballard’s commentary for the documentary Shanghai Jim. It also transcribes the film’s brief interviews with his daughters, Fay and Bea, and the film’s direct quotes from Ballard’s work.
See here for Pippa Tandy’s appraisal […]

Nice article by Jonathan Jones tracing the influence of Surrealism, including in the works of Ballard. It’s as neat a summation as you’d want of one of JGB’s major inspirations:
When we speak of something being surreal, we mean something between funny peculiar and funny ha-ha. It is undoubtedly this comic dimension that made surrealism so […]

Photo: Stephen Hughes.
Read recently…
+ Via Fanny Magnate, David Chandler’s essay on the work of photographer Stephen Hughes:
Over the last five years Hughes has worked all over Europe, developing an interest in what might be called ‘peripheral places’, sometimes places literally on the edge — of cities perhaps, or by the sea — but also pockets […]

OPENING LINE:
“Soon it would be too hot.”
From Amazon UK:
In the 21st century, fluctuations in solar radiation have caused the ice-caps to melt and the seas to rise. Global temperatures have climbed, and civilization has retreated to the Arctic and Antarctic circles. London is a city now inundated by a primeval swamp, to which an expedition […]

OPENING LINE:
“At noon, when Dr Charles Ransom moored his houseboat in the entrance to the river, he saw Quilter, the idiot son of the old woman who lived in the ramshackle barge outside the yacht basin, standing on a spur of exposed rock on the opposite bank and smiling at the dead birds floating in […]

OPENING LINE:
“Above all, the darkness of the river was what impressed Dr. Sanders as he looked out for the first time across the open mouth of the Matarre estuary.”
Ballard’s fourth novel. My 1993 Flamingo version has quotes on the back:
Through a ‘leaking’ of time and a supersaturation of matter, a forest area in West […]

OPENING LINE:
‘There’s gold, Wayne, gold dust everywhere! Wake up! The streets of America are paved with gold!’.
From the Carroll & Grad 1981 edition:
A century after America’s financial collapse and the climactic upheavals of the 1990s, Wayne stows away on SS Apollo, bound for the New World on a voyage of rediscovery. He and the crew […]

OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the […]

OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; […]

OPENING LINE:
“The suburbs dream of violence.”
From the 2006 Fourth Estate edition:
Richard Pearson, unemployed advertising executive and life-long rebel, is driving out to Brooklands, a motorway town on the A25. A few weeks earlier his father was fatally wounded at the Metro-Centre, a vast shopping mall in the middle of this apparently peaceful town, when a […]

Nothing sorts memories from ordinary moments. They claim remembrance when they show their scars.
Chris Marker. La Jetée.
review by Simon Sellars
The films of Chris Marker are often termed ‘essayist’, participating in a phenomenological play with deep roots in French intellectualism. Working within documentary and pseudo-documentary modes, they mimic the manner in which memory and desire […]