Archive for the ‘dystopia’ Category

High-Rise: All the Trailers and Clips So Far

By • Mar 13th, 2016 •

Category: advertising, alternate worlds, architecture, Ben Wheatley, brutalism, consumerism, death of affect, dystopia, features, gated communities, Interior design, Lead Story, urban decay, urban revolt, urban ruins, utopia

High-Rise, Ben Wheatley’s adaptation of J.G. Ballard’s novel, is released in the UK on 18 March. To celebrate, here’s a collection of all the clips and trailers so far.

Why I Want to Fuck Donald Trump

By • Mar 5th, 2016 •

Category: America, celebrity culture, Donald Trump, dystopia, features, Lead Story, politics, sexual politics

Donald Trump as a series of posture concepts, basic equations which re-formulate the roles of aggression and anality. With apologies to JGB.

High-Rise: Wheatley vs Cronenberg

By • Dec 15th, 2015 •

Category: advertising, alternate worlds, architecture, Ben Wheatley, brutalism, David Cronenberg, drained swimming pools, dystopia, features, film, Lead Story, leisure, urban revolt, urbanism

High-Rise, Ben Wheatley’s much-anticipated adaptation of the J.G. Ballard novel, goes on general release in March 2016. The first trailer was released recently, bringing excitement to the boil, for not only does the trailer adapt Ballard, it also homages Cronenberg.

‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…

David Pelham: The Art of Inner Space

By • Feb 26th, 2012 •

Category: America, Brigid Marlin, deep time, dystopia, Eduardo Paolozzi, entropy, enviro-disaster, inner space, interviews, Lead Story, visual art

David Pelham produced perhaps the most Ballardian images ever to grace the covers of Ballard’s novels, prompted by this brief from the author himself: ‘‘monumental/tombstones/airless thermonuclear landscape/horizons/a zone devoid of time’. Here, Pelham discusses his apocalyptic art with James Pardey.

A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?

The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.

Edward Burtynsky: Oil – A Ballardian Interpretation

By • Jan 5th, 2010 •

Category: dystopia, Edward Burtynsky, entropy, enviro-disaster, features, Lead Story, photography

Edward Burtynsky’s photographs of quarries, factories, mining pits and railcuts are extraordinary for their depiction of mankind’s organisation of the land for resource-extraction and profit. Paul Roth makes the case that Burtynsky is one of our most Ballardian artists. Adopting a style in overt homage to Ballard, the essay honours his legacy as the foremost imaginative interpreter of the world Burtynsky documents.

A Near Future: Nic Clear’s Tribute to JG Ballard

By • Dec 28th, 2009 •

Category: academia, airports, alternate worlds, architecture, audio, body horror, dystopia, enviro-disaster, features, Lead Story, R.I.P. JGB, Shanghai, urban ruins, utopia, WWII

JG Ballard’s writing encompassed topics as diverse as ecological crisis, technological fetishism, urban ruination and suburban mob culture. In this extract from the September-October issue of Architectural Design, Nic Clear explores how Ballard’s understanding of architecture and architects made him one of the most important figures in the literary articulation of architectural issues and concerns.

'Because we're fucked': Skinner vs Gray

By • Dec 15th, 2008 •

Category: Ballardosphere, dystopia, John Gray, music, politics, utopia

John Gray meets Mike Skinner, discusses Ballard.

Rick McGrath's Letter from Barcelona: The Exquisite Corpse, An Autopsy of the New Millennium

By • Jul 29th, 2008 •

Category: alternate worlds, autobiography, Barcelona, David Cronenberg, deep time, dystopia, enviro-disaster, features, gated communities, inner space, Lead Story, medical procedure, Salvador Dali, Shanghai, surrealism, visual art

Transmission from Barcelona stop Having a wonderful time stop I believe in nothing stop Lost in surreal image machine and deep-blue-drenched corridors stretching to infinity stop Startling comma perverse visuals stop Rare books and writing stop Exhibition a raging success stop JGB would be proud stop Full letter to follow comma Love Rick end transmission

J.G. Ballard: In the Raw

By • Jul 22nd, 2008 •

Category: Barcelona, celebrity culture, dystopia, features, film, hyperreality, utopia, visual art, war

Promotional film and catalogue prologue for the exhibition J.G. Ballard: Autopsy of the New Millennium, at the Centre de Cultura Contemporània de Barcelona. Film features Marilyn Monroe’s ghost, Ballard’s mellifluous tones, snatched Aphex Twin, what looks like James Dean’s car and a severe case of the night terrors.