Ballardian: the World of J.G. Ballard

Here’s a tribute to Gabrielle Drake, a co-conspirator of Ballard’s and the undisputed Queen of both outer and inner space. All hail 1971, the Year of the Drake.

This post is given over to recent links readers have sent me. ‘Ballardian’ or not? You decide.

Here’s a new campaign from fashion label Dsquared2, featuring sex with crash-test mannequins. But it doesn’t appear to be selling anything. What exactly *is* it selling? Note the photographer: none other than our old mucker, Steven Meisel.

What’s more Ballardian? A fragrance for women patterned after the smell of burnt rubber, brake fluid and excrement? Or a scent designed to evoke the smell of a woman’s vagina? You decide.

Steve O. sent me a link to a photo shoot for America’s Next Top Model, on the subject of, wait for it, dead girls. It’s from March earlier this year, and even though seven months in the Ballardosphere is a very very long time, it still needs to be recorded. Steve writes, ‘I don’t know […]

The shop mannequin and the crash-test dummy have always held a privileged place in Ballard’s fiction. Battered, broken and discarded, they housed the streaky veins of alienation and despair that marked The Atrocity Exhibition. Rendered with Ballard’s clinical, amoral gaze, they evoked the terminal stylisation wreaked by technology in Crash. Fused by nuclear radiation into […]

by Rick Poynor

‘Missing the point’: (detail, Livre de Poche edition, 1973; design: Atelier Pascal Vercken).

NOTE: This is an edited version of an essay published in Designing Pornotopia: Travels in Visual Culture by Rick Poynor, Laurence King Publishing, 2006. First published in Eye no. 52, Summer 2004. Reproduced with permission.

J. G. BALLARD’S Crash tests the […]

Interview by Simon Sellars
Rick McGrath is a writer and former adman (which explains the pithy insights to come). He’s also the curator of what may be the world’s largest collection of J.G. Ballard first editions; he’s the ‘go-to man’ whenever a TV station or glossy mag does a rare feature on Ballard and needs […]

OK, I’m a few days late with this, but I just wanted to acknowledge my Super Snout, FJ Torres, who alerted me last week to the presence of Peter Lindbergh’s Future of Fashion spread in this month’s Harper’s Bazaar (FJ previously tipped me off about Steven Meisel’s Terror Porn antics).
Ballard once wrote that “sex […]

‘Obscene mannequins’. ‘Conceptual deaths’. The eroticisation of violence in the media landscape… the stunning ‘State of Emergency’ spread in the current Vogue Italia seems to come straight out of JG Ballard’s Atrocity Exhibition…
Welcome to our first guest post, hopefully the beginnings of a regular series in which we invite bloggers from far and wide […]

Here’s a Vogue Italia photo shoot by Steven Meisel that posits supermodels as new-age terrorists (thanks for the link, FJ Torres). As Tim has already commented, “If you want to imagine the future, imagine a boot stamping on a supermodel’s throat forever.”
Yes, it’s Ballardian. Yes, it’s JGB’s imagined “sinister marriage between sex and technology”, the […]

Over at k-punk a few months back, Mark posted a radical thesis that positioned Basic Instinct 2 as the unofficial sequel to Cronenberg/Ballard’s Crash:
[Catherine] Tramell returns in the second film as a camp vamp whose persona owes more to Ballard than to film noir. Catherine is a name Ballard has often used, and Basic […]

OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the […]