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Archive for the ‘features’ Category

CRASH: Adaptación de un fragmento de la novela de J. Ballard

By • Oct 11th, 2014 •

Category: Argentina, Borges, comics, features, Lead Story, speed & violence, visual art

The Ballardian is proud to present Crash by Argentine graphic artist Sanyú, a graphic adaptation of a fragment of Ballard’s novel by that name, originally published in 1991 in legendary Argentine magazine Fierro.



Extreme Metaphors: ‘A Launchpad for Other Explorations’

By • Feb 1st, 2014 •

Category: Extreme Metaphors, features, inner space, Lead Story, New Worlds, non-fiction, Salvador Dali, science fiction, Shanghai, Shepperton

To celebrate the new paperback edition of Extreme Metaphors: Selected Interviews with J.G. Ballard, here’s Simon Sellars’ introduction to the book, which explores the true power of Ballard’s conversational style.



The J.G. Ballard Book: An Interview with Rick McGrath

By • Dec 2nd, 2013 •

Category: advertising, Barcelona, biography, Chris Petit, features, Iain Sinclair, Lead Story, pastiche

Mike Holliday’s interview with Ballard fan Rick McGrath, who self-published The JG Ballard Book, an anthology of archival Ballard interviews, articles about JGB and other Ballardiana, including unpublished Ballard letters.



Crash and the Aesthetics of Disappearance

By • Oct 22nd, 2013 •

Category: features, Jean Baudrillard, Lead Story, speed & violence, visual art

Art critic Andrew Frost explores the power of J.G. Ballard’s crashed-car metaphor as it spans two exhibitions 42 years apart: Ballard’s own ‘Crashed Cars’ show of 1970, and Ms&Mr’s 2012 Ballard-referencing video exhibition, Videodromes for the Alone: Amputee for the Neurotic Future 1988/2012.



‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…



Cosmic Sentinels and Spiral Jetties: J.G. Ballard, Robert Smithson & Tacita Dean

By • Mar 3rd, 2013 •

Category: architecture, deep time, features, film, Lead Story, Robert Smithson, Tacita Dean, temporality, urban decay, urban ruins, visual art

Tacita Dean’s new film, JG, is currently on view at the Arcadia University Art Gallery. JG is inspired by Dean’s correspondence with J.G. Ballard, and explores connections between his short story ‘The Voices of Time’ and Robert Smithson’s iconic earthwork and film Spiral Jetty. To celebrate Dean’s new work, Andrew Frost explores the enduring and mysterious relationship between Ballard, Smithson and Dean.



‘Zones of Transition': Micronationalism in the work of J.G. Ballard

By • Dec 28th, 2012 •

Category: academia, airports, alternate worlds, CCTV, consumerism, death of affect, features, gated communities, Lead Story, Marc Auge, micronations, Shanghai, suburbia, surveillance, the middle classes, urban revolt

Simon Sellars re-reads Ballardian space in light of the idiosyncratic, real-world phenomenon of micronations, tracing parallels between Ballard’s physical and psychological spaces and Marc Augé’s idea of ‘non-place’.



‘The Dead Astronaut': RIP Neil Armstrong, 1930-2012

By • Aug 27th, 2012 •

Category: America, Brian Eno, conspiracy theory, death of affect, deep time, features, inner space, Lead Story, space relics, temporality

In the wake of Neil Armstrong’s death, we recall Ballard’s enigmatic relationship to the First Man on the Moon.



In Defence of the Virtual: A Secret History of Ballardian Film Adaptations

By • Mar 12th, 2012 •

Category: alternate worlds, CCTV, Chris Marker, David Cronenberg, features, film, Lead Story, Philip K. Dick, Shepperton, Solveig Nordlund, surveillance

Recently, it was announced that Christian Bale was returning to Ballard, set to star in Brad Anderson’s version of Concrete Island. But given the recent hype surrounding Vincenzo Natali’s proposed adaptation of High-Rise, and the non-appearance of that film, is this destined to be yet another ‘vapourware’ adaptation, joining the long string of phantom Ballard films ‘starring’ Jean Seberg, Richard Gere and Samuel L. Jackson? And is that such a bad thing?



Apollo Roulette, Part 2

By • Feb 6th, 2012 •

Category: alternate worlds, America, conspiracy theory, deep time, features, hyperreality, Lead Story, nuclear war, space relics

In this, the final thrilling instalment of Brian Baker’s Apollo Roulette, the sequel to his 2009 Fleming/Ballard mashup, Baker continues to apply the method to desert imagery in Ballard’s work, uncovering the deadly secret that powers the American ‘nuclear state': an apocalyptic game of APOLLO ROULETTE!



Apollo Roulette: part 1

By • Jan 26th, 2012 •

Category: alternate worlds, America, conspiracy theory, deep time, features, hyperreality, Jean Baudrillard, Lead Story, nuclear war, Salvador Dali, space relics, William Gibson, WWIII

In this sequel to Brian Baker’s Ian Fleming/J.G. Ballard mashup from 2009, Baker applies the method to desert imagery in Ballard’s work. Finally, we are able to uncover the secret logic at play in the American ‘nuclear state’ – a deadly game of APOLLO ROULETTE!



Animal Spirits: A Ballardian Bestiary

By • Dec 12th, 2011 •

Category: academia, advertising, Anthony Burgess, celebrity culture, features, Freud, Gilles Deleuze, Jean Baudrillard, Lead Story, media landscape, postmodernism, science fiction

In this excerpt from his book Animal Spirits, Matteo Pasquinelli explains how ‘the novels of J.G. Ballard can describe the nature of technology and the contemporary mediascape better than any philosopher, media theorist or cultural studies academic — a sort of political agenda born from the perspective of science fiction’.



Outpost 13: The Atrocity Exhibition

By • Oct 3rd, 2011 •

Category: audio, features, film, Lead Story, music

An excerpt from ‘Outpost 13: The Atrocity Exhibition’, directed by Mark C and produced by Outpost 13: Stuart Argabright, Mark C and Kent Heine. The film is based on J.G. Ballard’s The Atrocity Exhibition, part of a performance piece featuring o13 performing the soundtrack live.



RIP Elizabeth Taylor: A Ballardian Primer

By • Mar 25th, 2011 •

Category: alternate worlds, celebrity culture, consumerism, features, film, Lead Story, media landscape, sexual politics, WWIII

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the publication of the experimental story ‘The Atrocity Exhibition’ in 1966 through to 1973 and the notorious Crash.



‘Flesh dissolved in an acid of light’: the B-movie as second sight

By • Mar 15th, 2011 •

Category: academia, alternate worlds, America, CCTV, computer games, consumerism, features, film, hyperreality, Jean Baudrillard, John Carpenter, Lead Story, media landscape, Roger Corman, science fiction, surveillance

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.



Fulfillment in a time of nihilism: John Gray and J.G. Ballard

By • Feb 27th, 2011 •

Category: consumerism, features, Lead Story, philosophy, religion, Shanghai, time travel, war, William Burroughs

The political theorist John Gray has long been an enthusiastic admirer of J.G. Ballard, and Ballard often expressed appreciation for Gray’s work. Mike Holliday examines the essental nature of this ‘two-man mutual admiration society’.



Flaunting Conventions: Paolozzi, Ballard and Bax

By • Jan 29th, 2011 •

Category: academia, Ambit magazine, Eduardo Paolozzi, features, Lead Story, visual art

To promote the one-day conference ‘Eduardo Paolozzi Re-readings’ at Manchester Metropolitan University on 18 February, we present excerpts from David Brittain’s essay on the relationship between Paolozzi, Ballard and Ambit’s Martin Bax.



Myths of a Near Future: Simon Sellars, Bruce Sterling and V. Vale

By • Nov 15th, 2010 •

Category: Barcelona, body horror, boredom, Bruce Sterling, celebrity culture, consumerism, cyberpunk, deep time, features, inner space, Lead Story, New Worlds, Salvador Dali, surrealism, William Burroughs

Two years ago, Simon Sellars, Bruce Sterling and V. Vale appeared on a panel, ‘Myths of a Near Future’, to discuss the work of J.G. Ballard. Our friend Tim Chapman was in the audience and he has kindly transcribed the discussion. Here it is, two years late, but hopefully still of interest: ‘Myths of a Near Future’.



‘Human or other; depends who comes': the Ballardian films of Paul Williams

By • Oct 19th, 2010 •

Category: Abu Dhabi, architecture, features, film, Lead Story, paranormal, travel, urbanism, utopia

Introducing the incredible short films of Paul Williams, who, stationed in Abu Dhabi, mines a unique nexus of Ballard, Islam, rampant development, industrial isolation and subsonic hums.



Ballardian Architecture: Inner and Outer Space

By • Aug 17th, 2010 •

Category: academia, architecture, brutalism, features, Guy Debord, Iain Sinclair, Lead Story, modernism, photography, Shanghai, spectacle, W.G. Sebald

Via Static TV, film of discussions at the Ballardian Architecture: Inner and Outer Space symposium, Royal Academy of Arts. The event was chaired by Jeremy Melvin and speakers included John Gray, Nic Clear, David Cunningham, Nigel Coates, Matthew Taunton, Chris Hall, Joanne Murray, Dan Holdsworth, Tim Abrahams and Claire Walsh.



A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?



Landscapes From a Dream: How the Art of David Pelham Captured the Essence of J G Ballard’s Early Fiction

By • Jun 14th, 2010 •

Category: deep time, Ernst, features, inner space, Lead Story, New Worlds, Salvador Dali, short stories, surrealism, visual art

For Ballard surrealist art was one of many possible routes to inner space. But inner space in its quintessentially Ballardian form needed something other than surrealist reproductions on the covers of his books. This was the challenge facing David Pelham, when Penguin’s Ballard titles came up for reprint.



Better Living through Psychopathology

By • May 16th, 2010 •

Category: academia, advertising, Ambit magazine, America, consumerism, features, inner space, media landscape, psychopathology, science fiction, space relics, visual art, WWIII

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.



Simon O’Carrigan’s The Drowned World

By • Mar 28th, 2010 •

Category: animation, entropy, enviro-disaster, features, Freud, Lacan, Lead Story, urban decay, urban ruins, visual art

Ballardian.com presents selections taken from artist Simon O’Carrigan’s mixed-media series “The Drowned World”, a title taken in reference to a speculative fiction that inspired much of the imagery in this work: J.G. Ballard’s The Drowned World.



Ballardian/Savoy Microfiction competition winners

By • Feb 2nd, 2010 •

Category: competitions, features, Lead Story, Savoy Books

In November, we announced our first microfiction competition, promoting our 3-part series of interviews with luminaries from Savoy Books. As the second interview is due online soon, we thought now’s the time to announce the prizewinners… Many thanks to all who entered!



The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.



Edward Burtynsky: Oil – A Ballardian Interpretation

By • Jan 5th, 2010 •

Category: dystopia, Edward Burtynsky, entropy, enviro-disaster, features, Lead Story, photography

Edward Burtynsky’s photographs of quarries, factories, mining pits and railcuts are extraordinary for their depiction of mankind’s organisation of the land for resource-extraction and profit. Paul Roth makes the case that Burtynsky is one of our most Ballardian artists. Adopting a style in overt homage to Ballard, the essay honours his legacy as the foremost imaginative interpreter of the world Burtynsky documents.



A Near Future: Nic Clear’s Tribute to JG Ballard

By • Dec 28th, 2009 •

Category: academia, airports, alternate worlds, architecture, audio, body horror, dystopia, enviro-disaster, features, Lead Story, R.I.P. JGB, Shanghai, urban ruins, utopia, WWII

JG Ballard’s writing encompassed topics as diverse as ecological crisis, technological fetishism, urban ruination and suburban mob culture. In this extract from the September-October issue of Architectural Design, Nic Clear explores how Ballard’s understanding of architecture and architects made him one of the most important figures in the literary articulation of architectural issues and concerns.



Rick McGrath’s Letter From London: The JG Ballard Memorial

By • Nov 30th, 2009 •

Category: Ambit magazine, Chris Petit, features, film, Iain Sinclair, Lead Story, Michael Moorcock, New Worlds, R.I.P. JGB, Shanghai, Shepperton, Solveig Nordlund, Steven Spielberg, time travel, Toby Litt, Will Self, William Burroughs

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.



Stereoscopic Urbanism: JG Ballard and the Built Environment

By • Nov 14th, 2009 •

Category: architecture, audio, features, inner space, Lead Story, perception, psychogeography, urban decay

The fiction of JG Ballard was centred almost wholly on the built environment. Ballard took architectural design to its logical extreme and then contorted it further. Simon Sellars looks at how architects can learn from Ballard and, specifically, his use of urban sound as a metaphor.



Miracles of Life: foreword to the Greek edition

By • Oct 19th, 2009 •

Category: autobiography, features, Lead Story, medical procedure, memory, Shanghai, time travel, WWII

This is the foreword to the Greek edition of Ballard’s Miracles of Life, to be published by Oxy in November 2009.



Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature

By • Oct 5th, 2009 •

Category: academia, Bluewater, Chris Petit, features, Iain Sinclair, Lead Story, Marc Auge, memory, non-place, psychogeography, Situationists, speed & violence

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.



“Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions

By • Aug 23rd, 2009 •

Category: academia, alternate worlds, features, inner space, Japan, Lead Story, memory, micronations, nuclear war, Pacific, Shanghai, war, WWII

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.



Iterative Architecture: a Ballardian Text

By • Jul 23rd, 2009 •

Category: academia, alternate worlds, America, architecture, death of affect, deep time, features, film, inner space, invisible literature, Lead Story, memory, New Worlds, pastiche, perception, Shanghai, short stories, time travel, WWII

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.



Michael Jackson’s Facelift

By • Jul 2nd, 2009 •

Category: alternate worlds, architecture, body horror, celebrity culture, consumerism, features, horror, Lead Story, medical procedure, Michael Jackson, pastiche, science fiction

“As Michael Jackson reached middle age, the skin of both his cheeks and neck tended to sag from failure of the supporting structures. His naso-labial folds deepened, and the soft tissues along his jaw fell forward. His jowls tended to increase. In profile the creases of his neck lengthened and the chin-neck contour lost its youthful outline and became convex.”



‘A dirty and diseased mind': The Unicorn bookshop trial

By • Jun 20th, 2009 •

Category: crime, death of affect, fascism, features, horror, Lead Story

Mike Holliday gets to the bottom of the 1968 obscenity trial brought against Bill Butler and the Unicorn Bookshop, for stocking Ballard’s ‘Why I Want to Fuck Ronald Reagan’. As prosecuting counsel Michael Worsley asked of Ballard’s work, “Is this not the meanderings of a dirty and diseased mind?”



Crown Casino: ‘A snarling, digitised mutilation’

By • May 27th, 2009 •

Category: advertising, alternate worlds, architecture, audio, Australia, boredom, CCTV, consumerism, death of affect, deep time, fascism, features, hyperreality, Lead Story, leisure, micronations, occult, perception, photography, psychogeography, schizophrenia, surveillance, temporality, time travel, utopia

Simon Sellars, Mel Chilianis and Melb Psy take an audiovisual tour of Melbourne’s Crown Casino, seeking to map the coordinates of this micronational zone — consumer-driven control space with a raging need.



‘What exactly is he trying to sell?': J.G. Ballard’s Adventures in Advertising, part 1

By • May 4th, 2009 •

Category: advertising, Ambit magazine, consumerism, features, invisible literature, media landscape, New Worlds, sexual politics, Shanghai, visual art

The aesthetic of the advertisement appears again and again in J.G. Ballard’s work. Here, Rick McGrath explores Ballard’s fascination with the structure of advertising, and the role of the advertising man himself, examining ersatz ads in detail right across the body of JGB’s work.



"Paradigm of nowhere": Shepperton, a photo essay (part 2)

By • Mar 5th, 2009 •

Category: autobiography, biography, boredom, consumerism, crime, deep time, features, flying, Iain Sinclair, inner space, perception, photography, psychogeography, psychopathology, Shepperton, suburbia, time travel

Finally: the long-delayed conclusion to my photo essay, ‘”Paradigm of nowhere”: Shepperton, a photo essay’, in which I aim for the traversal of a distinct psychic terrain: the blanket overlay of Shepperton with a mental template gleaned from so many Ballard novels and short stories.



Three levels of reality: J.G. Ballard's 'Court Circular'

By • Jan 11th, 2009 •

Category: advertising, Ambit magazine, features, sexual politics, visual art

Mike Holliday examines one of the strangest, most obscure artifacts of Ballard’s career: the concrete poetry and graphic art that make up ‘J.G. Ballard’s Court Circular’. As Mike discovers, even the most unremarkable of Ballard’s writings can repay close attention.



Happy birthday, Philip K Dick

By • Dec 16th, 2008 •

Category: features, film, Kafka, perception, Philip K. Dick, schizophrenia

‘We live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups — and the electronic hardware exists by which to deliver these pseudo-worlds right into the heads of the reader, the viewer, the listener.’ If alive today, Philip K Dick would be 80. A few thoughts on Dick, Ballard, Kafka and perception.



'Confronting Ourselves': Ballard and Circular Time

By • Dec 11th, 2008 •

Category: alternate worlds, Andrei Tarkovsky, Chris Marker, features, film, inner space, Lead Story, memory, science fiction, temporality, time travel, WWII, YouTube

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.



The Real Concrete Island?

By • Dec 3rd, 2008 •

Category: architecture, features, psychogeography, speed & violence, WWII

Mike Bonsall sets out on a mission to find The Real Concrete Island, and is surprised by what he finds: ‘Ballard must have walked the same streets that years later I was to haunt with my own damaged crew. Living within sight of the Westway, which I felt must have helped form his motorway mythology, I was moved to do some geo-detective work…’



'Unblinking, clinical': From Ballard to cyberpunk

By • Nov 26th, 2008 •

Category: America, Bruce Sterling, cyberpunk, features, Michael Moorcock, New Worlds, technology, William Burroughs, William Gibson

Bruce Sterling wrote: ‘For the cyberpunks … technology is visceral. It is not the bottled genie of remote Big Science boffins; it is pervasive, utterly intimate. Not outside us, but next to us. Under our skin; often, inside our minds.’ And Ballard’s influence was at the heart of it.



K08 Sequel: 'Galactic Eyes'

By • Nov 18th, 2008 •

Category: architecture, Australia, Barcelona, CCTV, features, flying, Lead Story

A man shrugs off the clucking of his family and makes his way to International Departures. With the ticketing formalities over, he slumps at the bar and orders drinks. A flat, synthetic boarding call and he remembers his trip: ‘Last call for Silverwing 501. Please make your way to Gate 23.’



Kosmopolis 08: Landing Gear

By • Nov 11th, 2008 •

Category: academia, alternate worlds, architecture, Barcelona, celebrity culture, crime, features, Futurists, inner space, Lou Reed, media landscape, Salvador Dali, surrealism, theme parks, Toby Litt, visual art

I’ve finally captured my impressions of Barcelona and Kosmopolis, with main ingredients: Lou Reed, Claire Walsh, Laurie Anderson, Kafka, Brecht, Dali, brilliant public space, Ballard, and the sheer unbridled thrill of one of the most amazing cities in Europe.



Kosmopolis 08: Switching stations

By • Oct 25th, 2008 •

Category: alternate worlds, architecture, Australia, Barcelona, body horror, Chris Marker, deep time, features, flying, posthumanism, psychopathology

Here are some preliminary thoughts from the city of Barcelona, where I am appearing on a panel to talk about the work of J.G. Ballard as part of the Kosmopolis literary festival.



'The Meaning, if Any, of Life': New Ballard Book

By • Oct 17th, 2008 •

Category: autobiography, features, Lead Story, medical procedure

Stunning news — a new book from JGB in the works: ‘Outline for a new book, working title Conversations with My Physician. The physician in question is oncologist Professor Jonathan Waxman of Imperial College, London, who is treating Ballard for prostate cancer. While it is in part a book about cancer, and Ballard’s struggle with it, it moves on to broader themes — indeed, the subtitle is The Meaning, if Any, of Life.’



Negative acoustic space: Ballardian sound art

By • Aug 2nd, 2008 •

Category: audio, Barcelona, features, music, urban decay, urban ruins

This short piece about Ballardian sound art appeared in the CCCB’s catalogue for their Ballard exhibition. Accompanying this post is a 12-track muxtape featuring selections from the music curated for the event.



Rick McGrath's Letter from Barcelona: The Exquisite Corpse, An Autopsy of the New Millennium

By • Jul 29th, 2008 •

Category: alternate worlds, autobiography, Barcelona, David Cronenberg, deep time, dystopia, enviro-disaster, features, gated communities, inner space, Lead Story, medical procedure, Salvador Dali, Shanghai, surrealism, visual art

Transmission from Barcelona stop Having a wonderful time stop I believe in nothing stop Lost in surreal image machine and deep-blue-drenched corridors stretching to infinity stop Startling comma perverse visuals stop Rare books and writing stop Exhibition a raging success stop JGB would be proud stop Full letter to follow comma Love Rick end transmission