Ballardian: the World of J.G. Ballard

In 2007 I toured Shepperton using Ballard’s Unlimited Dream Company as my guidebook. Here are the results of that neurological survey, born from the torsion of “every cell in my body waiting at the end of a miniature runway”.

Here’s a tribute to Gabrielle Drake, a co-conspirator of Ballard’s and the undisputed Queen of both outer and inner space. All hail 1971, the Year of the Drake.

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.

Here are the entries in the 1st Ballardian Festival of Home Movies. Congratulations to the winner, Ben Slater.

The Times is featuring an extract from Ballard’s forthcoming autobiography, Miracles of Life. There’s also an accompanying interview, in which it’s revealed that Ballard has been diagnosed with advanced prostate cancer.

According to Dan Lockton, one of the many ‘obsessions’ running through Ballard’s work is the effect of architecture on the individual. More than playful psychogeography, Ballard dissects architectural influence on his characters with technical precision.

Here’s a selection of visual art I’ve recently come across, all directly inspired by or referencing themes in Ballard’s work.

Sam Scoggins has finally digitised his ‘lost’ 1983 quasi-doco on Ballard, loosely structured around themes found in The Unlimited Dream Company. There are plans for ballardian.com to interview Sam, but for now, enjoy the film.

William Viney explores how High-Rise, Concrete Island, and “The Ultimate City” contain familiar visual landscapes. However, each of these recognisable aspects of urban experience is rendered unfamiliar through the pervasive renegotiation of waste categories.

Recently, Toronto’s Merril Collection of Science Fiction, Speculation and Fantasy passed on to Rick McGrath a binder containing a slew of Canadian JGB reviews, Ballardian esoterica and the jewel in the crown: a long, unpublished interview with Ballard from 1974.

by Dominika Oramus

World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952.

Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) limited […]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

A Melbourne rugby reporter, Ben Davis, is bashed on live TV while giving a report. Unsurprisingly, his attackers are caught, given the attack was broadcast to the entire nation. Ballardian? Absolutely. Let’s count the ways…

Some people get their kicks from braving a mob of blood-crazed shoppers to attack the nearest mannequin. But if that doesn’t appeal, why not exact virtual revenge? Keith emails to inform of one of the very best things online: a little feature over at ConsumerReports.org called the ‘Crash Test Selector’. It’s a series of films […]

Christian Bale in Empire of the Sun (more at YouTube.)

by Pedro Groppo

EMPIRE OF THE SUN (1987)
Director: Steven Spielberg
Screenplay: Tom Stoppard, based on the novel by J.G. Ballard
Starring: Christian Bale, John Malkovich

Whereas the sensibilities of J. G. Ballard and David Cronenberg, who directed Crash (1996), seem to overlap and complement each other, one would be hard-pressed […]

ABOVE: Youtube uplink for Shanghai Jim (BBC Bookmark, 1991; produced by James Runcie).

by Pippa Tandy

SHANGHAI JIM (1991)
Director/Producer: James Runcie
Executive Producer: Nigel Williams
Starring: J.G. Ballard, Michael Troughton, Hans Gebruers

See here for a transcript of J.G. Ballard’s commentary from the film.

DOCUMENTARY FILMS about the lives and works of artists have many different functions. They may describe their […]

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ABOVE: Crash! on YouTube

by Simon Sellars

CRASH! (1971)
Director: Harley Cokliss
Writer: J.G. Ballard
Starring: J.G. Ballard & Gabrielle Drake
I wasn’t satisfied by just writing SF stories, you see. My imagination was eager to expand in all directions.”
J.G. Ballard. ‘From Shanghai to Shepperton’, 1982.
Leached away by the camera lens, the dimension of depth is missing from the room, and […]

by Mike Bonsall

J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier.
Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most of it […]

Cover detail: The Unlimited Dream Company (Cape 1979; artwork by Bill Botten).

Mike Holliday explains how to read J.G. Ballard’s 1979 novel The Unlimited Dream Company as a fascistic work.

Ambiguity is one of the defining features of J.G. Ballard’s fiction. Consider, for example:
+ Empire of the Sun and The Kindness of Women – to what extent […]

‘Thirteen to Centaurus’, directed by Peter Potter, is an adaptation of J.G. Ballard’s 1962 short story of that name, produced as part of the BBC’s Out of the Unknown series of science-fiction dramatisations. But at that time film and television was just not capable of delivering the frisson that the best SF literature provided (it […]

by Simon Sellars

Suburban Badlands: the Mill Park aftermath. Photo: Angela Wylie (from the Age newspaper).
The system is self-regulating. It relies on our sense of civic responsibility. Without that, society would collapse. In fact, the collapse may even have begun.”
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J.G. Ballard. Millennium People (2003; p. 104).
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On the morning of 2 January 2007, Melbourne woke to disturbing […]

i.m. Jean Baudrillard
by Benjamin Noys
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In the wake of Jean Baudrillard’s death, Ballardian presents Benjamin Noys’s essay exploring the ‘point of convergence between the writing of Jean Baudrillard and J.G. Ballard’. This is a slightly modified version of the article that appeared as ‘Crimes of the Near Future: Baudrillard / Ballard’, Ícone 9 (2006): 29-38, reproduced […]

by Rick Poynor

‘Missing the point’: (detail, Livre de Poche edition, 1973; design: Atelier Pascal Vercken).

NOTE: This is an edited version of an essay published in Designing Pornotopia: Travels in Visual Culture by Rick Poynor, Laurence King Publishing, 2006. First published in Eye no. 52, Summer 2004. Reproduced with permission.

J. G. BALLARD’S Crash tests the […]

‘Obscene mannequins’. ‘Conceptual deaths’. The eroticisation of violence in the media landscape… the stunning ‘State of Emergency’ spread in the current Vogue Italia seems to come straight out of JG Ballard’s Atrocity Exhibition…
Welcome to our first guest post, hopefully the beginnings of a regular series in which we invite bloggers from far and wide […]

As part of our Ballardian Music series, Cat Hope looks back at Howard Shore’s soundtrack for the David Cronenberg adaptation of Crash.

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Cat Hope is an Australian musician and academic, based in Perth, Western Australia. Besides performing in the bands Lux Mammmoth and Gata Negra, she also performs solo noise music using bass guitar. Cat lectures […]

One of the sources for the death of affect is the distancing from community and a sense of shared existence brought about by the technological management of reality. There is a central paradox here: while the technical construction of collective time (through the engineered events in the media) tends to produce an instant ‘real-time’ that […]

Military church, Tinian, © Dan Norton 2006
Thanks to Iain X from the JGB Mailing List for this link, a series of photos taken by a ’seabee’ stationed on the North Pacific, Micronesian island of Tinian during WWII. As the site’s author, Dan Norton, says, “These photos were developed by my grandfather in his clandestine […]

Photos from a recent sojourn (en route to Singapore and Bali) at Ballard’s favourite location, the Heathrow Hilton. “The Heathrow Hilton, designed by Michael Manser, is a masterpiece. It is my favourite building in London, and keeps alive the spirit of the 20th century’s greatest architect, Le Corbusier. Beautifully proportioned, it resembles a cross between […]

by Pippa Tandy

“In a sense, I’m assembling the materials of an autopsy, and I’m treating reality – the reality we inhabit – almost as if it were a cadaver, or let’s say, the contents of a special kind of forensic inquisition… I regard all these as data which will play their role in whatever hypothesis […]

Recently I’ve come across a piece by one of my favorite authors, J. G. Ballard, on a show I’ve become addicted to against my better judgement: Crime Scene Investigation (you can access Ballard’s article here). I was pleased and disappointed by Ballard’s analysis. Although a lot of his comments are perceptive, I think he missed […]