Ballardian

An excerpt from ‘Outpost 13: The Atrocity Exhibition’, directed by Mark C and produced by Outpost 13: Stuart Argabright, Mark C and Kent Heine. The film is based on J.G. Ballard’s The Atrocity Exhibition, part of a performance piece featuring o13 performing the soundtrack live.

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the publication of the experimental story ‘The Atrocity Exhibition’ in 1966 through to 1973 and the notorious Crash.

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.

Introducing the incredible short films of Paul Williams, who, stationed in Abu Dhabi, mines a unique nexus of Ballard, Islam, rampant development, industrial isolation and subsonic hums.

This is vaguely Ballardian: my two-minute short film based on the ‘reversible destiny’ theory of the architects/conceptual artists Arakawa and Gins.

Probably of no interest to anyone but me, but here goes: top 10 most-read posts on ballardian.com in 2009; top 10 search-engine phrases leading visitors to the site in 2009; and top 10 links from other sites in 2009.

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.

‘Iterative Architecture: a Ballardian Text’ by Brian Baker ..:: CONTINUED from >> Part 1 ::… ♣♠♥♦ The Joker. The Joker in the pack is the card that, in some games, can replace (or substitute for, take the place of) any of the others. In this sense, the Joker is the empty sign. ♣♠♥♦ Hearts ♥ [...]

Thoughts on Ballard, fame and reclusiveness, and Shepperton.

Nic Clear leads the remarkable Unit 15 course on the built environment at the Bartlett School of Architecture in London. In this interview, Nic explains the course’s focus on the work of Ballard as a way to counter the lamentable state of current discourse on architecture. The article includes clips of six stunning films produced by students as part of this Ballard-inspired methodology.

‘We live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups — and the electronic hardware exists by which to deliver these pseudo-worlds right into the heads of the reader, the viewer, the listener.’ If alive today, Philip K Dick would be 80. A few thoughts on Dick, Ballard, Kafka and perception.

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.

BLDGBLOG on Ballard, resampled architecture, homogenous global space and Michael Winterbottom.

Rick McGrath interviews Solveig Nordlund about her feature film, Aparelho Voador a Baixa Altitude (2002). Based on JGB’s short story, ‘Low-Flying Aircraft’, it’s arguably the best Ballard adaptation of them all, although it has rarely been shown outside Portugal. Included with the interview are clips from the film as well as from Solveig’s previous Ballard adaptation, ‘Journey to Orion’ (based on ‘Thirteen to Centaurus’).

Jamie Sherry reviews a unique on-screen adaptation of Ballard’s work, now showing on BallardoTube: the Italian animation, Grande Anarca, based on JGB’s 1985 short story, ‘Answers to A Questionnaire’. Can the filmmakers succeed where other, big-name suitors have failed — decanting Ballard’s experimental literary narratives into a more linear cinematic language? Or does Ballard resist classification yet again?

This is a review of John Foxx’s Melbourne performance of Tiny Colour Movies, his found-film collection and live soundtrack. For the reviewer, witnessing this may have solved a two-year-old puzzle; certainly, it brought everything full circle back to Ballard.

Parallels between Ballard’s Kingdom Come and Romero’s Dawn of the Dead.

Promotional film and catalogue prologue for the exhibition J.G. Ballard: Autopsy of the New Millennium, at the Centre de Cultura Contemporània de Barcelona. Film features Marilyn Monroe’s ghost, Ballard’s mellifluous tones, snatched Aphex Twin, what looks like James Dean’s car and a severe case of the night terrors.

Press release with fuller information and accompanying images for JG Ballard, Autopsy of the New Millennium, opening today at the Centre de Cultura Contemporània de Barcelona (CCCB).

Exciting news about Autopsy of the New Millennium, the 4-month exhibition celebrating the work and enduring influence of J.G. Ballard, opening at the Centre de Cultura Contemporània de Barcelona from tomorrow 22 July, 2008.

New Marker blog: ‘Quoting mostly, writing little, ever fascinated by and admiring always the oeuvre of Chris Marker, le plus célèbre des cinéastes inconnus.’

Martin Jones finds out that JGB most certainly does not sell film rights over the phone.

‘Enviable, admirable Ballard!’ Susan Sontag is smitten.

More on Jean Seberg and The Crystal World, including the appearance of another well-known cultural personage.

Jean Seberg, Rudy Wurlitzer and Ballard…

Iain Sinclair and Will Self together on stage talking about Ballard, Orson Welles and CCTV. Garden gnomes, Simon Reynolds and John Lydon get roped into the ring, also.

Samuel L. Jackson is back in the game, soon to work with the best material he’ll ever clap eyes on.

UPDATED. Aside from the films of Empire and Crash, Ballard has had almost all his novels optioned for the screen at some stage. Suitors include Richard Gere, Samuel L. Jackson, Jack Nicholson, David Frost and a trio of scantily-clad cavegirls.

Here’s a tribute to Gabrielle Drake, a co-conspirator of Ballard’s and the undisputed Queen of both outer and inner space. All hail 1971, the Year of the Drake.

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.

In 1991 Simon Brook made a short film from J.G. Ballard’s obscure 1963 short story, ‘Minus One’. Enjoy this super-rare screening of Simon’s film.

Here are the entries in the 1st Ballardian Festival of Home Movies. Congratulations to the winner, Ben Slater.

Here’s a dossier on presidential candidate Ralph Nader, courtesy of The Atrocity Exhibition.

Entries have closed for the Ballardian Festival of Home Movies. More soon…

The final version of Thomas Cazals’ tribute, ‘J.G. Ballard: The Oracle of Shepperton’, has been released. It’s one of the stranger JGB ‘adaptations’ around, and is told with considerable flair and skill.

A repost of this tribute to Robbe-Grillet, with the addition of some extra quotes that either illuminate or obfuscate…

A few notes on Steve Severin, the Banshees, and Ballard…

The Guardian’s Danny Leigh gets behind our Ballardian Home Movie competition.

Announcing The 1st Ballardian Festival of Home Movies, a competition for 1-minute films shot on mobile phones. This is to promote JGB’s forthcoming autobiography, Miracles of Life, and the prize is a copy of Miracles plus 5 Ballard back titles. Presented by ballardian.com and HarperCollins.

I am delighted to report that the book of Chris Marker’s La Jetée is back in print through Zone Books — and in hardcover, too. It will be out in (US) Spring 2008. Thank you, thank you: for years, second-hand copies were changing hands via Amazon and eBay for anything up to $400. Unable to [...]

Geoff Manaugh of BLDGBLOG fame is giving a lecture tonight at the Bartlett School of Architecture in London, home of the innovative built-environment module, Unit 15, led by Nic Clear and Simon Kennedy. I’m sure Ballard will pop up somewhere in Geoff’s talk. Not only have I previously interviewed Geoff about the intersections between JGB [...]

A review of two academic articles written by Ben Noys on Ballard’s work, both analysing Ballard’s place in contemporary cultural production. This review also considers Mark Fisher’s recent Lacanian analysis of Basic Instinct 2, in an edition of Film-Philosophy edited by Noys, with its unearthing of intriguing Ballardian parallels.

Dan O’Hara interviews the creators of Hochhaus, a German mixed-media radio play based on High-Rise. Transposing the novel to Berlin in 2013, it references Nazism, notably Speer’s social engineering through architecture, on its way to exploring Ballard’s relevance to speculative models of German life.

A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.

Sam Scoggins has finally digitised his ‘lost’ 1983 quasi-doco on Ballard, loosely structured around themes found in The Unlimited Dream Company. There are plans for ballardian.com to interview Sam, but for now, enjoy the film.

How strange is this: Rosanna Arquette, and Crash, popping up in all sorts of places. This film, Ballard’s story, still packs a powerful psychological enema.

Image from Diet Soap #1. + Following on from my rapture at discovering the SurveillanceSaver software, here are some more portals onto mediated inner space. Chris Nakashima-Brown brings news of issue 1 of the fabulous zine, Diet Soap. The theme is Surveillance and there are poems, palindromes, fiction, reportage and lots of excellent collaged art, [...]

Annoyed with myself, I set off along the narrow street, past the surveillance cameras that guarded the lacquered doorways, each lens with its own story to tell. Hidden perspectives turned Estrella de Mar into a huge riddle. Trompe-l’oeil corridors beckoned but led nowhere… J.G. Ballard. Cocaine Nights (1996). Every good Ballardian needs this: SurveillanceSaver, a [...]

I’ve just come across this excellent 2005 article from Chris Darke, published in Vertigo magazine, on Jean-Luc Godard’s masterpiece, Alphaville. It begins with a fascinating anecdote about gated communities in Brazil that are modeled after Godard’s modernist dystopia: Seven and a half miles from the heart of São Paulo there is a gated community which [...]