Archive for the ‘film’ Category

‘Working for the building’: An Interview with Ben Wheatley

By • May 30th, 2016 •

Category: alternate worlds, architecture, Ben Wheatley, brutalism, features, film, gated communities, urban decay, urban revolt, urban ruins, William Burroughs

Ben Wheatley’s High-Rise opened earlier this year, garnering praise, bemusement and opprobrium in roughly equal measure. In this exclusive interview, Wheatley tells us about the process of adapting the film, his attraction to Ballard, and his working relationship with scriptwriter and editor Amy Jump.

Welcome to the High-Rise.

High-Rise: All the Posters So Far

By • Mar 3rd, 2016 •

Category: advertising, Ben Wheatley, features, film, Lead Story, visual art

Feast your eyes on all the promotional posters for Ben Wheatley’s High-Rise…

“There comes a time when some sort of radical action is needed. Some of my novels, like High-Rise, are terrorist novels in that they’re designed to deliberately provoke.” J.G. Ballard.

Death is in the Air: Startling New Images from High-Rise

By • Jan 31st, 2016 •

Category: architecture, Ben Wheatley, features, film, Lead Story

A clutch of amazing new stills from Ben Wheatley’s High-Rise have been released into the wild. This photo essay explores how Wheatley taps into Ballardian myth beyond the source novel, alongside quotes from High-Rise itself.

High-Rise: Wheatley vs Cronenberg

By • Dec 15th, 2015 •

Category: advertising, alternate worlds, architecture, Ben Wheatley, brutalism, David Cronenberg, drained swimming pools, dystopia, features, film, Lead Story, leisure, urban revolt, urbanism

High-Rise, Ben Wheatley’s much-anticipated adaptation of the J.G. Ballard novel, goes on general release in March 2016. The first trailer was released recently, bringing excitement to the boil, for not only does the trailer adapt Ballard, it also homages Cronenberg.

Towards Year Zero: Ben Wheatley’s High-Rise

By • Oct 19th, 2015 •

Category: alternate worlds, architecture, film, gated communities, inner space, Lead Story, medical procedure, micronations, reviews, Shanghai, the middle classes

In September 2015, Ben Wheatley’s High-Rise, an adaptation of J.G. Ballard’s novel, had its world premiere at the Toronto International Film Festival. Reactions covered the entire spectrum: people loved it, people loathed it, people were bored by it. The UK premiere was in London recently, and Mike Holliday attended; he loved it. His verdict? A very worthy addition to the growing catalogue of Ballard feature films.

London Event: Simon Sellars: A Secret History of Ballardian Cinema

By • May 26th, 2014 •

Category: advertising, Ballardosphere, film, Lead Story

Join Simon Sellars (publisher of ballardian.com, and co-editor of Extreme Metaphors: Interviews with J.G. Ballard) for a multimedia excursion through the alternate history of Ballard’s impact on film. Shoreditch, London, 28 May.

Cosmic Sentinels and Spiral Jetties: J.G. Ballard, Robert Smithson & Tacita Dean

By • Mar 3rd, 2013 •

Category: architecture, deep time, features, film, Lead Story, Robert Smithson, Tacita Dean, temporality, urban decay, urban ruins, visual art

Tacita Dean’s new film, JG, is currently on view at the Arcadia University Art Gallery. JG is inspired by Dean’s correspondence with J.G. Ballard, and explores connections between his short story ‘The Voices of Time’ and Robert Smithson’s iconic earthwork and film Spiral Jetty. To celebrate Dean’s new work, Andrew Frost explores the enduring and mysterious relationship between Ballard, Smithson and Dean.

In Defence of the Virtual: A Secret History of Ballardian Film Adaptations

By • Mar 12th, 2012 •

Category: alternate worlds, CCTV, Chris Marker, David Cronenberg, features, film, Lead Story, Philip K. Dick, Shepperton, Solveig Nordlund, surveillance

Recently, it was announced that Christian Bale was returning to Ballard, set to star in Brad Anderson’s version of Concrete Island. But given the recent hype surrounding Vincenzo Natali’s proposed adaptation of High-Rise, and the non-appearance of that film, is this destined to be yet another ‘vapourware’ adaptation, joining the long string of phantom Ballard films ‘starring’ Jean Seberg, Richard Gere and Samuel L. Jackson? And is that such a bad thing?

Outpost 13: The Atrocity Exhibition

By • Oct 3rd, 2011 •

Category: audio, features, film, Lead Story, music

An excerpt from ‘Outpost 13: The Atrocity Exhibition’, directed by Mark C and produced by Outpost 13: Stuart Argabright, Mark C and Kent Heine. The film is based on J.G. Ballard’s The Atrocity Exhibition, part of a performance piece featuring o13 performing the soundtrack live.

RIP Elizabeth Taylor: A Ballardian Primer

By • Mar 25th, 2011 •

Category: alternate worlds, celebrity culture, consumerism, features, film, Lead Story, media landscape, sexual politics, WWIII

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the 1966 publication of the experimental story ‘The Atrocity Exhibition’ through to 1973 and the notorious novel Crash.

‘Flesh dissolved in an acid of light’: the B-movie as second sight

By • Mar 15th, 2011 •

Category: academia, alternate worlds, America, CCTV, computer games, consumerism, features, film, hyperreality, Jean Baudrillard, John Carpenter, Lead Story, media landscape, Roger Corman, science fiction, surveillance

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.

‘Human or other; depends who comes’: the Ballardian films of Paul Williams

By • Oct 19th, 2010 •

Category: Abu Dhabi, architecture, features, film, Lead Story, paranormal, travel, urbanism, utopia

Introducing the incredible short films of Paul Williams, who, stationed in Abu Dhabi, mines a unique nexus of Ballard, Islam, rampant development, industrial isolation and subsonic hums.