HOME ABOUT INTERVIEWS REVIEWS FEATURES BLOG ARCHIVAL BIBLIOGRAPHY CONTACT TWITTER BOOKSHOP

Archive for the ‘Futurists’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



Kosmopolis 08: Landing Gear

By • Nov 11th, 2008 •

Category: academia, alternate worlds, architecture, Barcelona, celebrity culture, crime, features, Futurists, inner space, Lou Reed, media landscape, Salvador Dali, surrealism, theme parks, Toby Litt, visual art

I’ve finally captured my impressions of Barcelona and Kosmopolis, with main ingredients: Lou Reed, Claire Walsh, Laurie Anderson, Kafka, Brecht, Dali, brilliant public space, Ballard, and the sheer unbridled thrill of one of the most amazing cities in Europe.



An Archaeological Find

By • Dec 4th, 2007 •

Category: architecture, consumerism, death of affect, features, Fredric Jameson, Futurists, media landscape, science fiction, speed & violence, technology

Recently, Toronto’s Merril Collection of Science Fiction, Speculation and Fantasy passed on to Rick McGrath a binder containing a slew of Canadian JGB reviews, Ballardian esoterica and the jewel in the crown: a long, unpublished interview with Ballard from 1974.



‘No-One Dances in Ballard’: An Interview with Mike Ryan

By • Jun 15th, 2006 •

Category: architecture, Ballardosphere, Brian Eno, David Cronenberg, Dubai, Futurists, Ian Curtis, interviews, music, Steven Spielberg, William Burroughs

by Simon Sellars I think I’m the only person I know who doesn’t own a record player or a single record. I’ve never understood why, because my maternal grandparents were lifelong teachers of music, and my father as a choirboy once sang solo in Manchester Cathedral. But that gene seems to have skipped me.” —————————————————– […]