Ballardian

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.

The story of Savoy Books is one of the most strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. Mike Holliday talks to Savoy co-founder Michael Butterworth about all this and more, including the guidance Butterworth received as a young writer from J.G. Ballard.

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.

Reprints of three book reviews originally published elsewhere. The reviews discuss The BLDGBLOG Book (2009) by Geoff Manaugh, City Visions: The Work of Iain Sinclair (2007), edited by Robert Bond and Jenny Bavidge, and JG Ballard’s Surrealist Imagination: Spectacular Authorship (2009) by Jeannette Baxter.

Finally: the long-delayed conclusion to my photo essay, ‘”Paradigm of nowhere”: Shepperton, a photo essay’, in which I aim for the traversal of a distinct psychic terrain: the blanket overlay of Shepperton with a mental template gleaned from so many Ballard novels and short stories.

This is a review of John Foxx’s Melbourne performance of Tiny Colour Movies, his found-film collection and live soundtrack. For the reviewer, witnessing this may have solved a two-year-old puzzle; certainly, it brought everything full circle back to Ballard.

Iain Sinclair and Will Self together on stage talking about Ballard, Orson Welles and CCTV. Garden gnomes, Simon Reynolds and John Lydon get roped into the ring, also.

New interview with Ballard in the Guardian.

More Bluewater, less Ballard according to Michael Collins.

“Iain, I want you to blow up Bluewater.”

Here’s a tribute to Gabrielle Drake, a co-conspirator of Ballard’s and the undisputed Queen of both outer and inner space. All hail 1971, the Year of the Drake.

I’ve been asked to contribute to a documentary on car parks. Here then, as preparation, is my Ballardian Primer to Car Parks, with quotes from Ballard’s novels.

Iain Sinclair and Will Self on the same stage talking about psychogeography and Ballard? Who knew.

Here’s a transcription of the BBC Radio Front Row review of Miracles, presented by Mark Lawson and featuring Iain Sinclair and Hermione Lee.

infinite thØught takes a Ballard-inspired tour of Bluewater, one of the inspirations for JGB’s Kingdom Come.

I’ve just come across news of a collection of essays, City Visions: The Work of Iain Sinclair. It came out in April 2007, but completely flew under my radar. If you click on ’sample pdf’ at the bottom of that link, you’ll come across this:
Chapter 11: Re-Placing the Novel: Sinclair, Ballard and the Spaces of [...]

Just came across this snarky but amusing comment: ‘Both Ackroyd and the other strange geomancy warlock of English letters, JG Ballard, are now in their own deadpan, sly and slightly bitchy english way, sorta coughing and nudging their audiences towards Iain Sinclair….’

A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.

Here are Ballard’s picks for rival papers [thanks, John C.].
In the Observer, his best books of the year:
The most enjoyable book was St Peter’s by Keith Miller (Profile), a witty and entertaining account of the most famous church in the world, still standing firm against the tides of tourism that swirl around it. As Miller [...]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

In my interview with BLDGBLOG’s Geoff Manaugh, I mentioned that I’d love to see Ballard taught in architectural schools. Geoff enthusiastically replied, ‘I would love to do this — it’s actually a conscious fantasy of mine, so who knows … I would jump at the chance to lead a class like that!’
Now, all our dreams [...]

I’ve created a YouTube outpost for this site, divided into six channels: (1) J.G. Ballard Interviews; (2) J.G. Ballard Documentaries; (3) J.G. Ballard Adaptations; (4) J.G. Ballard’s Top Ten Science Fiction Films; (5) Ballardiana; and (6) Ballardian Sound Art/Music.

I reread Iain Sinclair’s BFI book on Cronenberg’s Crash recently as research for my article on the Crash! short film. I have to say I am amazed the BFI ever agreed to publishing it in a series about ‘modern film classics’. Cronenberg and the film take back stage to Sinclair’s virtuoso reconstruction of Ballard’s life [...]

ABOVE: Crash! on YouTube

by Simon Sellars

CRASH! (1971)
Director: Harley Cokliss
Writer: J.G. Ballard
Starring: J.G. Ballard & Gabrielle Drake
I wasn’t satisfied by just writing SF stories, you see. My imagination was eager to expand in all directions.”
J.G. Ballard. ‘From Shanghai to Shepperton’, 1982.
Leached away by the camera lens, the dimension of depth is missing from the room, and [...]

Michael Moorcock, J.G. Ballard and JGB’s partner Claire Walsh in September, 2006 (photo courtesy Linda Moorcock).
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Interview by Mike Holliday
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Michael Moorcock has been a prolific writer and editor for the last five decades. Born in London, he was editing his first magazine by the age of seventeen, and started writing genre fiction professionally as soon as [...]

REMINDER: The ‘call for papers’ deadline for ‘Shanghai to Shepperton: An International Conference on J.G. Ballard’ is three days away. See here for details, and here for more on the conference.
J. Carter Wood, over at Obscene Desserts, has posted a long and thoughtful rebuttal of Rob Liddle’s recent dismissal of Kingdom Come. I posted about [...]

J.G. Ballard, in 1960, posing in front of his ‘experimental billboard fiction’.
On 5 May 2007, ‘From Shanghai to Shepperton: An International Conference on J.G. Ballard’, apparently the first-ever conference on the work of Ballard, will be held at the University of East Anglia, Norwich, UK. Guest speakers include the novelist Toby Litt; Roger Luckhurst, author [...]

by Simon Sellars

Photo by Emiliano Granado. Used with permission.
Geoff Manaugh is a writer and essayist whose work has appeared in Contemporary, Space & Culture, Blend, Lumpen, Inhabitat, WorldChanging, the Oyster Boy Review, the Urban Design Review, Subtopia, Vector, things magazine, and The Allen Ginsberg Audio Collection (a short essay in the CD liner notes). He’s [...]

This site’s pastiche section has always been one of our most controversial. Some readers see it as an affront to Ballard himself, but no doubt these wet blankets are devotees of theorist Fredric Jameson, the man who described pastiche in the postmodern age as “blank parody…devoid of laughter” — a dead impulse to endlessly recycle [...]

Interview by Simon Sellars

JG Ballard. Photo: Paul Murphy.
In the year that this website’s been in operation, it seems to have had a momentum — a secret logic — all its own. Our interviews with such luminaries as Bruce Sterling, John Foxx, Mike Ryan and Iain Sinclair — even the irascible Jonathan Weiss — have been [...]

JG Ballard appeared on the South Bank Show on ITV in the UK on Sunday. There was a long interview with JGB conducted by Melvyn Bragg and filmed at Shepperton Studios, plus an overview of Ballard’s career, a discussion of Kingdom Come, and contributions from Martin Amis, Will Self, Iain Sinclair and Chris Petit. As [...]

If you enjoyed our Sinclair interview and are curious to place a voice to the text, or you just need an entry point into Sinclair’s work, listen to Radio QBSaul, which podcasts “audio theatre, poetry, music and sound by Paul A Green and guests”. Paul is currently featuring a podcast from Mr Sinclair, Lud [...]

OPENING LINE:
“Crossing frontiers is my profession.”
From the 1996 Flamingo edition:
“To an outsider, the retired British residents of the Spanish coastal resort of Estrella de Mar belong to an idyllic community, enjoying a lifestyle of constant cultural and sporting activity — based around the thriving Club Nautico. But the image is shattered when five people die [...]

Interview by Tim Chapman

Iain Sinclair at the Barbican. Photo: Tim Chapman, © 2006.
Iain Sinclair has been acclaimed as one of Britain’s most visionary writers and as an incomparable prose stylist. His early writing, notably Lud Heat (1975) and White Chappell, Scarlet Tracings (1987), was rooted in his adopted home of East London. It did much [...]

by Simon Sellars

an image from John Foxx’s Cathedral Oceans project
John Foxx, the former lead singer of Ultravox, is an undisputed electronic music pioneer. Before Midge Ure came along, the band’s three Foxx-driven albums, Ultravox! (1977), Ha! Ha! Ha! (1978) and Systems of Romance (1978), fused near-future melancholy with icy man-machine interfaces and the remake/remodel aesthetic [...]

These days, with all manner of theorists, futurists, architects, musos, journos, self-mutilators and even UFO freaks claiming JG Ballard as one of their very own, it’s easy to forget that the man with his finger firmly impressed on the cult of today once wrote what was considered to be actual science fiction, albeit of a [...]

by Simon Sellars

Victor Slezak as ‘T’ in The Atrocity Exhibition
Ballardian presents an exclusive interview with Jonathan Weiss, director of The Atrocity Exhibition, the film based on the J.G. Ballard collection of ‘condensed novels’.
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NOTE: This is a revised and expanded version of the original interview. The new additions are a reworked introduction, the addition of notes, [...]

Judging from this recent interview with Iain Sinclair, it appears that Ballard is to write a piece for an upcoming anthology of writings about London, to be published by Hamish Hamilton.
Petit, Sinclair, Moorcock and Ballard in the one place is A-OK by me.
“SINCLAIR: I take great delight in the apparently forgotten. As Ed Dorn said, [...]

JG Ballard talks about Ian Sinclair’s latest book “Edge of the Orison” in the Observer, Sunday 27th November:
“Iain Sinclair walks every inch of his wonderful novels and psycho-geographies, pacing out huge word-courses like an architect laying out a city on an empty plain. But every book is really a blueprint for something else and this [...]