Archive for the ‘invisible literature’ Category
By
Simon Sellars •
Apr 23rd, 2008 •
Category:
Ballardosphere, invisible literature, literature
CrashTest magazine presents Atroxhity: “15 Visual Poets’ tribute to Ballard’s Atrocity Exhibition“.
By
Mike B •
Aug 1st, 2007 •
Category:
Michael Moorcock, New Worlds, Shepperton, William Burroughs, advertising, features, invisible literature
by Mike Bonsall
J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier.
Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most of it […]
By
Mike B •
Aug 1st, 2007 •
Category:
archival, invisible literature
From 1958 to 1964, J.G. Ballard worked at Chemistry & Industry, the journal of the Society of Chemical Industry. As we’ve already discovered, what happened at C&I codified the tropes Ballard was to return to throughout his subsequent writing career — the scientific, technical and imaginative motifs that shape the very essence of what we’ve […]
By
Simon Sellars •
Jun 21st, 2007 •
Category:
Ballardosphere, Steven Spielberg, invisible literature
On the subject of holiday reading, JGB dredges up the old Yellow Pages anecdote again:
I have only stolen one book in my life, and that was a copy of the Los Angeles Yellow Pages, which I took from my suite at the Beverly Hilton hotel. This was in 1987 when I attended the premiere of […]
By
Gwyn Richards & Simon Sellars •
May 2nd, 2007 •
Category:
Australia, Toby Litt, consumerism, interviews, invisible literature, literature, medical procedure, suburbia
Interview by Gwyn Richards & Simon Sellars
Toby Litt is an English novelist who published his first book, Adventures in Capitalism (a volume of short stories), in 1996, when he was 28. He’s since won praise for the dark inventiveness of his writing, a combination of cinematic prose, apocalyptic imagery and sharp wit that freely […]
By
Simon Sellars •
Apr 24th, 2007 •
Category:
death of affect, film, invisible literature, media landscape, short stories, television
This is Xander Walker’s excellent no-budget film of Ballard’s dark, scathing short story ‘A Guide to Virtual Death’ (one of the last shorts JGB ever wrote, unfortunately):
For reasons amply documented elsewhere, intelligent life on Earth became extinct in the closing hours of the 20th Century. Among the clues left to us, the following schedule of […]
By
Benjamin Noys •
Mar 21st, 2007 •
Category:
Jean Baudrillard, academia, consumerism, crime, features, invisible literature, media landscape, visual art
i.m. Jean Baudrillard
by Benjamin Noys
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In the wake of Jean Baudrillard’s death, Ballardian presents Benjamin Noys’s essay exploring the ‘point of convergence between the writing of Jean Baudrillard and J.G. Ballard’. This is a slightly modified version of the article that appeared as ‘Crimes of the Near Future: Baudrillard / Ballard’, Ícone 9 (2006): 29-38, reproduced […]
By
Simon Sellars •
Feb 9th, 2007 •
Category:
Ballardosphere, invisible literature
I previously posted about the “Hemingwayesque” Ballard short story, “The Violent Noon”. I subsequently admitted I’d only read Papa’s The Sun Also Rises and The Old Man and the Sea, and therefore wasn’t really qualified to judge the story’s Hemingwayesque qualities. For this I was taken to task and told to read 49 of Hem’s […]
By
Simon Sellars •
Jan 12th, 2007 •
Category:
Australia, David Cronenberg, Iain Sinclair, Jean Baudrillard, Steven Spielberg, academia, interviews, invisible literature, surrealism
&
J.G. Ballard, in 1960, posing in front of his ‘experimental billboard fiction’.
On 5 May 2007, ‘From Shanghai to Shepperton: An International Conference on J.G. Ballard’, apparently the first-ever conference on the work of Ballard, will be held at the University of East Anglia, Norwich, UK. Guest speakers include the novelist Toby Litt; Dr Roger Luckhurst, […]
By
Simon Sellars •
Sep 5th, 2006 •
Category:
Salvador Dali, WWII, William Burroughs, advertising, architecture, bibliography, boredom, celebrity culture, consumerism, death of affect, deep time, dystopia, enviro-disaster, fashion, film, flying, humour, invisible literature, media landscape, medical procedure, non-fiction, photography, politics, psychogeography, psychology, science fiction, sexual politics, space relics, speed & violence, surrealism, television, urban decay, visual art
OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the […]
By
Simon Sellars •
Sep 1st, 2006 •
Category:
New Worlds, Shepperton, WWII, advertising, architecture, bibliography, boredom, celebrity culture, consumerism, death of affect, deep time, dystopia, enviro-disaster, flying, humour, invisible literature, media landscape, medical procedure, photography, politics, psychogeography, psychology, science fiction, sexual politics, short stories, space relics, speed & violence, suicide, surrealism, television, terrorism, urban decay, urban revolt, visual art
OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; […]
By
Chris •
Oct 7th, 2005 •
Category:
Ballardosphere, Bruce Sterling, Shepperton, William Burroughs, cyberpunk, enviro-disaster, flying, interviews, invisible literature, medical procedure, science fiction, sexual politics, urban decay
Bruce Sterling is a prolific science-fiction writer, futurist, social critic and design professor, best known for his bestselling novels and seminal short fiction, and as the editor of the Mirrorshades anthology that defined the ‘cyberpunk’ subgenre. His nonfiction includes works of futurism such as Tomorrow Now; a regular column and blog for Wired; and his […]