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Archive for the ‘Japan’ Category

“Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions

By Simon Sellars • Aug 23rd, 2009 •

Category: Japan, Lead Story, Pacific, Shanghai, WWII, academia, alternate worlds, features, inner space, memory, micronations, nuclear war, war

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.



‘Le passé composé de J. G. Ballard’: JGB on Empire of the Sun

By Dan OHara • Mar 11th, 2009 •

Category: Alain Robbe-Grillet, Ambit magazine, America, France, Japan, Michael Moorcock, New Worlds, Shanghai, WWII, William Burroughs, archival, autobiography, death of affect, drained swimming pools, film, inner space, memory, science fiction, sexual politics, surrealism, technology, television

Dan O’Hara back-translates an interview with JGB originally published in French in 1985. As the interviewers observe, Ballard was almost the subject of a French cult due to Crash. Asking why there are no car-crashes in Empire of the Sun, they reveal a very suggestive lacuna, with Ballard replying that even when one characteristic theme is absent from a work, the underlying emotion may remain the same, expressed by different means. Choice of metaphor is merely a matter of tone



"Now: Zero" vs Death Note

By Simon Sellars • Apr 17th, 2008 •

Category: Ballardosphere, Japan, comics, manga, paranormal, short stories

Good old postmodernism. Here’s another claim about manga being influenced by an obscure Ballard story.



'Enigmatic Engineering' in The Wind from Nowhere

By Simon Sellars • Feb 9th, 2008 •

Category: Ballardosphere, Japan, architecture, comics, manga

Could it really be possible that a Japanese manga artist was influenced by J.G. Ballard’s most obscure novel?