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Archive for the ‘Lead Story’ Category

London Event: Simon Sellars: A Secret History of Ballardian Cinema

By • May 26th, 2014 •

Category: advertising, film, Lead Story

Join Simon Sellars (publisher of ballardian.com, and co-editor of Extreme Metaphors: Interviews with J.G. Ballard) for a multimedia excursion through the alternate history of Ballard’s impact on film. Shoreditch, London, 28 May.



Extreme Metaphors: ‘A Launchpad for Other Explorations’

By • Feb 1st, 2014 •

Category: Extreme Metaphors, features, inner space, Lead Story, New Worlds, non-fiction, Salvador Dali, science fiction, Shanghai, Shepperton

To celebrate the new paperback edition of Extreme Metaphors: Selected Interviews with J.G. Ballard, here’s Simon Sellars’ introduction to the book, which explores the true power of Ballard’s conversational style.



The J.G. Ballard Book: An Interview with Rick McGrath

By • Dec 2nd, 2013 •

Category: advertising, Barcelona, biography, Chris Petit, features, Iain Sinclair, Lead Story, pastiche

Mike Holliday’s interview with Ballard fan Rick McGrath, who self-published The JG Ballard Book, an anthology of archival Ballard interviews, articles about JGB and other Ballardiana, including unpublished Ballard letters.



Crash and the Aesthetics of Disappearance

By • Oct 22nd, 2013 •

Category: features, Jean Baudrillard, Lead Story, speed & violence, visual art

Art critic Andrew Frost explores the power of J.G. Ballard’s crashed-car metaphor as it spans two exhibitions 42 years apart: Ballard’s own ‘Crashed Cars’ show of 1970, and Ms&Mr’s 2012 Ballard-referencing video exhibition, Videodromes for the Alone: Amputee for the Neurotic Future 1988/2012.



‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…



Cosmic Sentinels and Spiral Jetties: J.G. Ballard, Robert Smithson & Tacita Dean

By • Mar 3rd, 2013 •

Category: architecture, deep time, features, film, Lead Story, Robert Smithson, Tacita Dean, temporality, urban decay, urban ruins, visual art

Tacita Dean’s new film, JG, is currently on view at the Arcadia University Art Gallery. JG is inspired by Dean’s correspondence with J.G. Ballard, and explores connections between his short story ‘The Voices of Time’ and Robert Smithson’s iconic earthwork and film Spiral Jetty. To celebrate Dean’s new work, Andrew Frost explores the enduring and mysterious relationship between Ballard, Smithson and Dean.



‘Zones of Transition’: Micronationalism in the work of J.G. Ballard

By • Dec 28th, 2012 •

Category: academia, airports, alternate worlds, CCTV, consumerism, death of affect, features, gated communities, Lead Story, Marc Auge, micronations, Shanghai, suburbia, surveillance, the middle classes, urban revolt

Simon Sellars re-reads Ballardian space in light of the idiosyncratic, real-world phenomenon of micronations, tracing parallels between Ballard’s physical and psychological spaces and Marc Augé’s idea of ‘non-place’.



Extreme Metaphors: Interviews with J.G. Ballard 1967-2008

By • Sep 23rd, 2012 •

Category: Ballardosphere, Extreme Metaphors, Lead Story

Announcing the publication of Extreme Metaphors: Interviews with J.G. Ballard 1967-2008, the first-ever collection of interviews with J.G. Ballard. Edited by Simon Sellars and Dan O’Hara, published by Fourth Estate (2012).



‘The Dead Astronaut’: RIP Neil Armstrong, 1930-2012

By • Aug 27th, 2012 •

Category: America, Brian Eno, conspiracy theory, death of affect, deep time, features, inner space, Lead Story, space relics, temporality

In the wake of Neil Armstrong’s death, we recall Ballard’s enigmatic relationship to the First Man on the Moon.



In Defence of the Virtual: A Secret History of Ballardian Film Adaptations

By • Mar 12th, 2012 •

Category: alternate worlds, CCTV, Chris Marker, David Cronenberg, features, film, Lead Story, Philip K. Dick, Shepperton, Solveig Nordlund, surveillance

Recently, it was announced that Christian Bale was returning to Ballard, set to star in Brad Anderson’s version of Concrete Island. But given the recent hype surrounding Vincenzo Natali’s proposed adaptation of High-Rise, and the non-appearance of that film, is this destined to be yet another ‘vapourware’ adaptation, joining the long string of phantom Ballard films ‘starring’ Jean Seberg, Richard Gere and Samuel L. Jackson? And is that such a bad thing?



David Pelham: The Art of Inner Space

By • Feb 26th, 2012 •

Category: America, Brigid Marlin, deep time, dystopia, Eduardo Paolozzi, entropy, enviro-disaster, inner space, interviews, Lead Story, visual art

David Pelham produced perhaps the most Ballardian images ever to grace the covers of Ballard’s novels, prompted by this brief from the author himself: ‘‘monumental/tombstones/airless thermonuclear landscape/horizons/a zone devoid of time’. Here, Pelham discusses his apocalyptic art with James Pardey.



Apollo Roulette, Part 2

By • Feb 6th, 2012 •

Category: alternate worlds, America, conspiracy theory, deep time, features, hyperreality, Lead Story, nuclear war, space relics

In this, the final thrilling instalment of Brian Baker’s Apollo Roulette, the sequel to his 2009 Fleming/Ballard mashup, Baker continues to apply the method to desert imagery in Ballard’s work, uncovering the deadly secret that powers the American ‘nuclear state’: an apocalyptic game of APOLLO ROULETTE!



Apollo Roulette: part 1

By • Jan 26th, 2012 •

Category: alternate worlds, America, conspiracy theory, deep time, features, hyperreality, Jean Baudrillard, Lead Story, nuclear war, Salvador Dali, space relics, William Gibson, WWIII

In this sequel to Brian Baker’s Ian Fleming/J.G. Ballard mashup from 2009, Baker applies the method to desert imagery in Ballard’s work. Finally, we are able to uncover the secret logic at play in the American ‘nuclear state’ – a deadly game of APOLLO ROULETTE!



‘A temporarily tame tiger’: Brigid Marlin on J.G. Ballard, Paul Delvaux and surrealist art

By • Jan 3rd, 2012 •

Category: Barcelona, Brigid Marlin, Iain Sinclair, inner space, interviews, John Baxter, Lead Story, Lucien Freud, Paul Delvaux, religion, Salvador Dali, Stanley Kubrick, Steven Spielberg, surrealism, visual art

Andrew Bishop’s fascinating interview with artist Brigid Marlin, who created for Ballard two of the more enduring symbols of his career: reproductions of lost paintings by surrealist Paul Delvaux, which adorned Ballard’s Shepperton home and formed beguiling conversation pieces for visiting interviewers.



Animal Spirits: A Ballardian Bestiary

By • Dec 12th, 2011 •

Category: academia, advertising, Anthony Burgess, celebrity culture, features, Freud, Gilles Deleuze, Jean Baudrillard, Lead Story, media landscape, postmodernism, science fiction

In this excerpt from his book Animal Spirits, Matteo Pasquinelli explains how ‘the novels of J.G. Ballard can describe the nature of technology and the contemporary mediascape better than any philosopher, media theorist or cultural studies academic — a sort of political agenda born from the perspective of science fiction’.



Outpost 13: The Atrocity Exhibition

By • Oct 3rd, 2011 •

Category: audio, features, film, Lead Story, music

An excerpt from ‘Outpost 13: The Atrocity Exhibition’, directed by Mark C and produced by Outpost 13: Stuart Argabright, Mark C and Kent Heine. The film is based on J.G. Ballard’s The Atrocity Exhibition, part of a performance piece featuring o13 performing the soundtrack live.



RIP Elizabeth Taylor: A Ballardian Primer

By • Mar 25th, 2011 •

Category: alternate worlds, celebrity culture, consumerism, features, film, Lead Story, media landscape, sexual politics, WWIII

With the sad news of Elizabeth Taylor’s passing, the time seems right to review the appearance of this enigmatic actress across a significant chapter in Ballard’s work, spanning the publication of the experimental story ‘The Atrocity Exhibition’ in 1966 through to 1973 and the notorious Crash.



‘Flesh dissolved in an acid of light’: the B-movie as second sight

By • Mar 15th, 2011 •

Category: academia, alternate worlds, America, CCTV, computer games, consumerism, features, film, hyperreality, Jean Baudrillard, John Carpenter, Lead Story, media landscape, Roger Corman, science fiction, surveillance

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.



Fulfillment in a time of nihilism: John Gray and J.G. Ballard

By • Feb 27th, 2011 •

Category: consumerism, features, Lead Story, philosophy, religion, Shanghai, time travel, war, William Burroughs

The political theorist John Gray has long been an enthusiastic admirer of J.G. Ballard, and Ballard often expressed appreciation for Gray’s work. Mike Holliday examines the essental nature of this ‘two-man mutual admiration society’.



Flaunting Conventions: Paolozzi, Ballard and Bax

By • Jan 29th, 2011 •

Category: academia, Ambit magazine, Eduardo Paolozzi, features, Lead Story, visual art

To promote the one-day conference ‘Eduardo Paolozzi Re-readings’ at Manchester Metropolitan University on 18 February, we present excerpts from David Brittain’s essay on the relationship between Paolozzi, Ballard and Ambit’s Martin Bax.



Myths of a Near Future: Simon Sellars, Bruce Sterling and V. Vale

By • Nov 15th, 2010 •

Category: Barcelona, body horror, boredom, Bruce Sterling, celebrity culture, consumerism, cyberpunk, deep time, features, inner space, Lead Story, New Worlds, Salvador Dali, surrealism, William Burroughs

Two years ago, Simon Sellars, Bruce Sterling and V. Vale appeared on a panel, ‘Myths of a Near Future’, to discuss the work of J.G. Ballard. Our friend Tim Chapman was in the audience and he has kindly transcribed the discussion. Here it is, two years late, but hopefully still of interest: ‘Myths of a Near Future’.



‘Human or other; depends who comes’: the Ballardian films of Paul Williams

By • Oct 19th, 2010 •

Category: Abu Dhabi, architecture, features, film, Lead Story, paranormal, travel, urbanism, utopia

Introducing the incredible short films of Paul Williams, who, stationed in Abu Dhabi, mines a unique nexus of Ballard, Islam, rampant development, industrial isolation and subsonic hums.



Ballardian Architecture: Inner and Outer Space

By • Aug 17th, 2010 •

Category: academia, architecture, brutalism, features, Guy Debord, Iain Sinclair, Lead Story, modernism, photography, Shanghai, spectacle, W.G. Sebald

Via Static TV, film of discussions at the Ballardian Architecture: Inner and Outer Space symposium, Royal Academy of Arts. The event was chaired by Jeremy Melvin and speakers included John Gray, Nic Clear, David Cunningham, Nigel Coates, Matthew Taunton, Chris Hall, Joanne Murray, Dan Holdsworth, Tim Abrahams and Claire Walsh.



A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?



Landscapes From a Dream: How the Art of David Pelham Captured the Essence of J G Ballard’s Early Fiction

By • Jun 14th, 2010 •

Category: deep time, Ernst, features, inner space, Lead Story, New Worlds, Salvador Dali, short stories, surrealism, visual art

For Ballard surrealist art was one of many possible routes to inner space. But inner space in its quintessentially Ballardian form needed something other than surrealist reproductions on the covers of his books. This was the challenge facing David Pelham, when Penguin’s Ballard titles came up for reprint.



Simon O’Carrigan’s The Drowned World

By • Mar 28th, 2010 •

Category: animation, entropy, enviro-disaster, features, Freud, Lacan, Lead Story, urban decay, urban ruins, visual art

Ballardian.com presents selections taken from artist Simon O’Carrigan’s mixed-media series “The Drowned World”, a title taken in reference to a speculative fiction that inspired much of the imagery in this work: J.G. Ballard’s The Drowned World.



“Ambiguous aims”: a review of Crash: Homage to J.G. Ballard [NSFW]

By • Mar 12th, 2010 •

Category: America, Andy Warhol, celebrity culture, Lead Story, media landscape, nuclear war, reviews, Salvador Dali, speed & violence, visual art, WWII

Ballard’s writing has a strong connection to visual art. It informed his work and led to him befriending some of the leading artists of his time, while in turn his work has influenced today’s crop. As Ben Austwick reports, the exhibition Crash: Homage to J.G. Ballard represent these diverse strands in a haphazard, yet always interesting fashion.



“Enthusiasm for the mysterious emissaries of pulp”: an interview with David Britton (the Savoy interviews, part 2a)

By • Feb 22nd, 2010 •

Category: audio, censorship, H.P. Lovecraft, Iain Sinclair, Ian Curtis, interviews, Lead Story, literature, music, New Worlds, punk, Savoy Books, Shanghai

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.



Review: Jeremy Reed’s West End Survival Kit

By • Feb 8th, 2010 •

Category: alternate worlds, biology, body horror, boredom, CCTV, celebrity culture, conspiracy theory, consumerism, cyberpunk, death of affect, entropy, Hawkwind, inner space, Lead Story, psychopathology, reviews, surrealism, surveillance, technology

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.



Ballardian/Savoy Microfiction competition winners

By • Feb 2nd, 2010 •

Category: competitions, features, Lead Story, Savoy Books

In November, we announced our first microfiction competition, promoting our 3-part series of interviews with luminaries from Savoy Books. As the second interview is due online soon, we thought now’s the time to announce the prizewinners… Many thanks to all who entered!



The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.



Edward Burtynsky: Oil – A Ballardian Interpretation

By • Jan 5th, 2010 •

Category: dystopia, Edward Burtynsky, entropy, enviro-disaster, features, Lead Story, photography

Edward Burtynsky’s photographs of quarries, factories, mining pits and railcuts are extraordinary for their depiction of mankind’s organisation of the land for resource-extraction and profit. Paul Roth makes the case that Burtynsky is one of our most Ballardian artists. Adopting a style in overt homage to Ballard, the essay honours his legacy as the foremost imaginative interpreter of the world Burtynsky documents.



A Near Future: Nic Clear’s Tribute to JG Ballard

By • Dec 28th, 2009 •

Category: academia, airports, alternate worlds, architecture, audio, body horror, dystopia, enviro-disaster, features, Lead Story, R.I.P. JGB, Shanghai, urban ruins, utopia, WWII

JG Ballard’s writing encompassed topics as diverse as ecological crisis, technological fetishism, urban ruination and suburban mob culture. In this extract from the September-October issue of Architectural Design, Nic Clear explores how Ballard’s understanding of architecture and architects made him one of the most important figures in the literary articulation of architectural issues and concerns.



The 032c Interview: Simon Reynolds on Ballard, part 2

By • Dec 7th, 2009 •

Category: Brian Eno, interviews, Lead Story, music, New Worlds, Philip K. Dick, science fiction, short stories, William Burroughs

Simon Reynolds is one of the most recognizable music critics around. His work reached a peak with the publication of Rip It Up and Start Again, a timely excavation of post-punk: Cabaret Voltaire, PiL, Magazine, and so on. What’s more, J.G. Ballard was a thread throughout the book, as Reynolds charted the influence of JGB — and especially his experimental novel, The Atrocity Exhibition — on the era. In this interview, as Simon meets Simon, these topics are discussed in the wake of JGB’s death.



Rick McGrath’s Letter From London: The JG Ballard Memorial

By • Nov 30th, 2009 •

Category: Ambit magazine, Chris Petit, features, film, Iain Sinclair, Lead Story, Michael Moorcock, New Worlds, R.I.P. JGB, Shanghai, Shepperton, Solveig Nordlund, Steven Spielberg, time travel, Toby Litt, Will Self, William Burroughs

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.



Stereoscopic Urbanism: JG Ballard and the Built Environment

By • Nov 14th, 2009 •

Category: architecture, audio, features, inner space, Lead Story, perception, psychogeography, urban decay

The fiction of JG Ballard was centred almost wholly on the built environment. Ballard took architectural design to its logical extreme and then contorted it further. Simon Sellars looks at how architects can learn from Ballard and, specifically, his use of urban sound as a metaphor.



“Driven by Anger”: An Interview with Michael Butterworth (the Savoy interviews, part 1)

By • Nov 5th, 2009 •

Category: alternate worlds, Ambit magazine, body horror, censorship, horror, humour, Iain Sinclair, interviews, Lead Story, New Worlds, punk, Savoy Books, surrealism, William Burroughs

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. Mike Holliday talks to Savoy co-founder Michael Butterworth about all this and more, including the guidance Butterworth received as a young writer from J.G. Ballard.



Miracles of Life: foreword to the Greek edition

By • Oct 19th, 2009 •

Category: autobiography, features, Lead Story, medical procedure, memory, Shanghai, time travel, WWII

This is the foreword to the Greek edition of Ballard’s Miracles of Life, to be published by Oxy in November 2009.



Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature

By • Oct 5th, 2009 •

Category: academia, Bluewater, Chris Petit, features, Iain Sinclair, Lead Story, Marc Auge, memory, non-place, psychogeography, Situationists, speed & violence

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.



“Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions

By • Aug 23rd, 2009 •

Category: academia, alternate worlds, features, inner space, Japan, Lead Story, memory, micronations, nuclear war, Pacific, Shanghai, war, WWII

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.



Iterative Architecture: a Ballardian Text

By • Jul 23rd, 2009 •

Category: academia, alternate worlds, America, architecture, death of affect, deep time, features, film, inner space, invisible literature, Lead Story, memory, New Worlds, pastiche, perception, Shanghai, short stories, time travel, WWII

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.



Michael Jackson’s Facelift

By • Jul 2nd, 2009 •

Category: alternate worlds, architecture, body horror, celebrity culture, consumerism, features, horror, Lead Story, medical procedure, Michael Jackson, pastiche, science fiction

“As Michael Jackson reached middle age, the skin of both his cheeks and neck tended to sag from failure of the supporting structures. His naso-labial folds deepened, and the soft tissues along his jaw fell forward. His jowls tended to increase. In profile the creases of his neck lengthened and the chin-neck contour lost its youthful outline and became convex.”



‘A dirty and diseased mind’: The Unicorn bookshop trial

By • Jun 20th, 2009 •

Category: crime, death of affect, fascism, features, horror, Lead Story

Mike Holliday gets to the bottom of the 1968 obscenity trial brought against Bill Butler and the Unicorn Bookshop, for stocking Ballard’s ‘Why I Want to Fuck Ronald Reagan’. As prosecuting counsel Michael Worsley asked of Ballard’s work, “Is this not the meanderings of a dirty and diseased mind?”



Crown Casino: ‘A snarling, digitised mutilation’

By • May 27th, 2009 •

Category: advertising, alternate worlds, architecture, audio, Australia, boredom, CCTV, consumerism, death of affect, deep time, fascism, features, hyperreality, Lead Story, leisure, micronations, occult, perception, photography, psychogeography, schizophrenia, surveillance, temporality, time travel, utopia

Simon Sellars, Mel Chilianis and Melb Psy take an audiovisual tour of Melbourne’s Crown Casino, seeking to map the coordinates of this micronational zone — consumer-driven control space with a raging need.



‘What exactly is he trying to sell?’: J.G. Ballard’s Adventures in Advertising, part 2

By • May 8th, 2009 •

Category: advertising, Ambit magazine, consumerism, crime, Freud, Lead Story, media landscape, psychogeography, psychology

Rick McGrath continues to explore the aesthetic of the advertisement in J.G. Ballard’s work, from the early short stories right through to Kingdom Come.



'Confronting Ourselves': Ballard and Circular Time

By • Dec 11th, 2008 •

Category: alternate worlds, Andrei Tarkovsky, Chris Marker, features, film, inner space, Lead Story, memory, science fiction, temporality, time travel, WWII, YouTube

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.



K08 Sequel: 'Galactic Eyes'

By • Nov 18th, 2008 •

Category: architecture, Australia, Barcelona, CCTV, features, flying, Lead Story

A man shrugs off the clucking of his family and makes his way to International Departures. With the ticketing formalities over, he slumps at the bar and orders drinks. A flat, synthetic boarding call and he remembers his trip: ‘Last call for Silverwing 501. Please make your way to Gate 23.’



'The Meaning, if Any, of Life': New Ballard Book

By • Oct 17th, 2008 •

Category: autobiography, features, Lead Story, medical procedure

Stunning news — a new book from JGB in the works: ‘Outline for a new book, working title Conversations with My Physician. The physician in question is oncologist Professor Jonathan Waxman of Imperial College, London, who is treating Ballard for prostate cancer. While it is in part a book about cancer, and Ballard’s struggle with it, it moves on to broader themes — indeed, the subtitle is The Meaning, if Any, of Life.’



Site hiatus

By • Aug 25th, 2008 •

Category: Ballardosphere, Lead Story

While the site takes an enforced break, please feel invited to use the forum or browse through the archives. I shall be back with new content in a few weeks’ time.



Rick McGrath's Letter from Barcelona: The Exquisite Corpse, An Autopsy of the New Millennium

By • Jul 29th, 2008 •

Category: alternate worlds, autobiography, Barcelona, David Cronenberg, deep time, dystopia, enviro-disaster, features, gated communities, inner space, Lead Story, medical procedure, Salvador Dali, Shanghai, surrealism, visual art

Transmission from Barcelona stop Having a wonderful time stop I believe in nothing stop Lost in surreal image machine and deep-blue-drenched corridors stretching to infinity stop Startling comma perverse visuals stop Rare books and writing stop Exhibition a raging success stop JGB would be proud stop Full letter to follow comma Love Rick end transmission