Archive for the ‘Lead Story’ Category
By
Simon Sellars •
Dec 28th, 2007 •
Category:
Australia, David Cronenberg, entropy, enviro-disaster, features, Lead Story, short stories, visual art
Here’s a selection of visual art I’ve recently come across, all directly inspired by or referencing themes in Ballard’s work.
By
Simon Sellars •
Dec 23rd, 2007 •
Category:
academia, alternate worlds, Australia, dystopia, enviro-disaster, film, Fredric Jameson, Iain Sinclair, Jean Baudrillard, Lead Story, literature, Pacific, reviews, science fiction, terrorism, utopia
A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.
By
Simon Sellars •
Dec 22nd, 2007 •
Category:
features, film, filmography, Lead Story, science fiction, Shepperton, surrealism
Sam Scoggins has finally digitised his ‘lost’ 1983 quasi-doco on Ballard, loosely structured around themes found in The Unlimited Dream Company. There are plans for ballardian.com to interview Sam, but for now, enjoy the film.
By
William Viney •
Dec 18th, 2007 •
Category:
alternate worlds, architecture, dystopia, entropy, enviro-disaster, Jean Baudrillard, Lead Story, speed & violence, urban decay
According to William Viney, Crash presents a barrage of images that expresses collapse, dereliction, and waste; a seemingly endless carnival of sex and destruction; intoxicating, perverting, and desensitizing the reader, while Empire of the Sun can be seen as the terminus of Ballard’s treatment of waste, the epitome of all that has gone before. Although Ballard’s other works deal with the subject of death and the disposal of corpses, Empire of the Sun attempts to cope with this disposal on a mass-scale, or rather, during both war and peace, it explores the complex transition between the valued human being and lifeless, disposable cadaver.
By
William Viney •
Dec 11th, 2007 •
Category:
alternate worlds, architecture, dystopia, entropy, enviro-disaster, features, Lead Story, speed & violence, urban decay
William Viney explores how High-Rise, Concrete Island, and “The Ultimate City” contain familiar visual landscapes. However, each of these recognisable aspects of urban experience is rendered unfamiliar through the pervasive renegotiation of waste categories.
By
Simon Sellars •
Dec 10th, 2007 •
Category:
advertising, autobiography, Ballardosphere, Lead Story, surrealism, urban ruins, WWII
The publicity machine is warming up for Ballard’s forthcoming autobiography, Miracles of Life, due for publication February 2008.