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Archive for the ‘memory’ Category

Miracles of Life: foreword to the Greek edition

By • Oct 19th, 2009 •

Category: autobiography, features, Lead Story, medical procedure, memory, Shanghai, time travel, WWII

This is the foreword to the Greek edition of Ballard’s Miracles of Life, to be published by Oxy in November 2009.



Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature

By • Oct 5th, 2009 •

Category: academia, Bluewater, Chris Petit, features, Iain Sinclair, Lead Story, Marc Auge, memory, non-place, psychogeography, Situationists, speed & violence

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.



Conference paper on Ballard and ‘circular time’

By • Sep 29th, 2009 •

Category: academia, airports, alternate worlds, Ballardosphere, memory, Shanghai, time travel, WWII

I’m giving a paper on Ballard, circular time and the nouvelle vague this Thursday, October 1, at 3pm at ACMI in Melbourne, as part of the time.transcendence.performance conference. Come and say hello.



“Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions

By • Aug 23rd, 2009 •

Category: academia, alternate worlds, features, inner space, Japan, Lead Story, memory, micronations, nuclear war, Pacific, Shanghai, war, WWII

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.



Iterative Architecture: a Ballardian Text

By • Jul 23rd, 2009 •

Category: academia, alternate worlds, America, architecture, death of affect, deep time, features, film, inner space, invisible literature, Lead Story, memory, New Worlds, pastiche, perception, Shanghai, short stories, time travel, WWII

Readers hoping to solve the mystery of J.G. Ballard’s ‘The Beach Murders’ may care to approach it in the form of a card game. Some of the principal clues have been alphabetized, some left as they were found, scrawled on to the backs of a deck of cards. Readers are invited to recombine the order of the cards to arrive at a solution. Obviously any number of solutions is possible, and the final answer to the mystery lies forever hidden.



Iterative Architecture: a Ballardian Text, part 2

By • Jul 23rd, 2009 •

Category: academia, alternate worlds, America, architecture, death of affect, deep time, film, inner space, invisible literature, memory, New Worlds, pastiche, perception, Shanghai, short stories, temporality, time travel, WWII

‘Iterative Architecture: a Ballardian Text’ by Brian Baker ..:: CONTINUED from >> Part 1 ::… ♣♠♥♦ The Joker. The Joker in the pack is the card that, in some games, can replace (or substitute for, take the place of) any of the others. In this sense, the Joker is the empty sign. ♣♠♥♦ Hearts ♥ […]



'Confronting Ourselves': Ballard and Circular Time

By • Dec 11th, 2008 •

Category: alternate worlds, Andrei Tarkovsky, Chris Marker, features, film, inner space, Lead Story, memory, science fiction, temporality, time travel, WWII, YouTube

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.