Archive for the ‘Michael Moorcock’ Category

Venus Smiled: Tribute to Claire Walsh

By • Oct 21st, 2014 •

Category: advertising, Ambit magazine, architecture, Barcelona, biography, Claire Churchill, features, invisible literature, Lead Story, Michael Moorcock, New Worlds, visual art, Will Self

Recently, Claire Walsh died after battling with cancer. She was an editor and literary publicist, and J.G. Ballard’s long-time partner. Her intellect matched Ballard’s and pushed him into new territories, inspiring some of his best work. Collecting quotes from Ballard, Claire and articles from Ballardian and beyond, this tribute to Claire Walsh illustrates their symbiotic relationship.

Rick McGrath’s Letter From London: The JG Ballard Memorial

By • Nov 30th, 2009 •

Category: Ambit magazine, Chris Petit, features, film, Iain Sinclair, Lead Story, Michael Moorcock, New Worlds, R.I.P. JGB, Shanghai, Shepperton, Solveig Nordlund, Steven Spielberg, time travel, Toby Litt, Will Self, William Burroughs

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.

'To write for the Space Age': Moorcock on Burroughs

By • Dec 11th, 2008 •

Category: Ballardosphere, Michael Moorcock, New Worlds, science fiction, war, William Burroughs

A new interview with Michael Moorcock, discussing Burroughs, Ballard, the Bomb and more.

'Audiopollution! They said it'd never hit us here…'

By • Dec 5th, 2008 •

Category: Ballardosphere, comics, Hawkwind, Michael Moorcock, music

The return of Moorcock, Hawkwind, Frendz… and Jim Cawthorn.

'Unblinking, clinical': From Ballard to cyberpunk

By • Nov 26th, 2008 •

Category: America, Bruce Sterling, cyberpunk, features, Michael Moorcock, New Worlds, technology, William Burroughs, William Gibson

Bruce Sterling wrote: ‘For the cyberpunks … technology is visceral. It is not the bottled genie of remote Big Science boffins; it is pervasive, utterly intimate. Not outside us, but next to us. Under our skin; often, inside our minds.’ And Ballard’s influence was at the heart of it.

Disch on Ballard

By • Jul 9th, 2008 •

Category: Ballardosphere, Michael Moorcock, New Worlds, science fiction, Shepperton, Thomas M. Disch

Thomas Disch on J.G. Ballard.

Borges y Ballard

By • Jul 3rd, 2008 •

Category: Ballardosphere, Borges, Michael Moorcock, New Worlds, short stories

Borges y Ballard.

Bunker Tales

By • May 23rd, 2008 •

Category: alternate worlds, Ballardosphere, dystopia, fascism, Michael Moorcock, New Worlds, Philip K. Dick, Savoy Books, William Burroughs, WWII

A recent interview at the Burroughs site Reality Studio brings Ballard, Burroughs, Britton and Butterworth together … along with Arthur C. Clarke.

'The Crashman': An Experiment in Applied Internet Ballardianism

By • Apr 8th, 2008 •

Category: censorship, David Cronenberg, death of affect, features, film, flying, Freud, humour, Lead Story, media landscape, Michael Moorcock, music, psychopathology, speed & violence, sport, war, WWII, YouTube

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.

Grave New World: Introduction, Part 2

By • Nov 13th, 2007 •

Category: academia, Ballardosphere, features, Michael Moorcock, New Worlds, Salvador Dali, science fiction, Shanghai, Steven Spielberg, surrealism, William Burroughs, WWII

by Dominika Oramus World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952. Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) […]

Grave New World: Introduction, Part 1

By • Nov 5th, 2007 •

Category: academia, David Cronenberg, death of affect, dystopia, features, Iain Sinclair, Jean Baudrillard, Michael Moorcock, New Worlds, psychiatry, Salvador Dali, science fiction, surrealism, technology, urban ruins, William Burroughs, WWII

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

Cousin Silas: Another Flask of Ballard

By • Oct 3rd, 2007 •

Category: Brian Eno, entropy, interviews, Michael Moorcock, music, New Worlds, paranormal, urban ruins, William Burroughs

Cousin Silas has created two albums inspired by the works of J.G. Ballard. Simon Sellars spoke to Silas about Ballard, Lovecraft, Forteana, Moorcock, Eno, Tarkovsky — all the essentials.