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Archive for the ‘Michael Moorcock’ Category

Rick McGrath’s Letter From London: The JG Ballard Memorial

By • Nov 30th, 2009 •

Category: Ambit magazine, Chris Petit, features, film, Iain Sinclair, Lead Story, Michael Moorcock, New Worlds, R.I.P. JGB, Shanghai, Shepperton, Solveig Nordlund, Steven Spielberg, time travel, Toby Litt, Will Self, William Burroughs

“Greetings from London! Hope all is well with you. I’ve just attended the long-anticipated JG Ballard Memorial celebration at the Tate Modern and now I’m catching my breath — and a few beers — at a nearby Thames-side pub with fellow Ballardians. We’re having a wonderful time — wish you were here. But let’s start at the beginning. We have time to order some Alsatian off the barbie…” Love from Rick.



'To write for the Space Age': Moorcock on Burroughs

By • Dec 11th, 2008 •

Category: Ballardosphere, Michael Moorcock, New Worlds, science fiction, war, William Burroughs

A new interview with Michael Moorcock, discussing Burroughs, Ballard, the Bomb and more.



'Audiopollution! They said it'd never hit us here…'

By • Dec 5th, 2008 •

Category: Ballardosphere, comics, Hawkwind, Michael Moorcock, music

The return of Moorcock, Hawkwind, Frendz… and Jim Cawthorn.



'Unblinking, clinical': From Ballard to cyberpunk

By • Nov 26th, 2008 •

Category: America, Bruce Sterling, cyberpunk, features, Michael Moorcock, New Worlds, technology, William Burroughs, William Gibson

Bruce Sterling wrote: ‘For the cyberpunks … technology is visceral. It is not the bottled genie of remote Big Science boffins; it is pervasive, utterly intimate. Not outside us, but next to us. Under our skin; often, inside our minds.’ And Ballard’s influence was at the heart of it.



Disch on Ballard

By • Jul 9th, 2008 •

Category: Ballardosphere, Michael Moorcock, New Worlds, science fiction, Shepperton, Thomas M. Disch

Thomas Disch on J.G. Ballard.



Borges y Ballard

By • Jul 3rd, 2008 •

Category: Ballardosphere, Borges, Michael Moorcock, New Worlds, short stories

Borges y Ballard.



Bunker Tales

By • May 23rd, 2008 •

Category: alternate worlds, Ballardosphere, dystopia, fascism, Michael Moorcock, New Worlds, Philip K. Dick, Savoy Books, William Burroughs, WWII

A recent interview at the Burroughs site Reality Studio brings Ballard, Burroughs, Britton and Butterworth together … along with Arthur C. Clarke.



'The Crashman': An Experiment in Applied Internet Ballardianism

By • Apr 8th, 2008 •

Category: censorship, David Cronenberg, death of affect, features, film, flying, Freud, humour, Lead Story, media landscape, Michael Moorcock, music, psychopathology, speed & violence, sport, war, WWII, YouTube

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.



Grave New World: Introduction, Part 2

By • Nov 13th, 2007 •

Category: academia, Ballardosphere, features, Michael Moorcock, New Worlds, Salvador Dali, science fiction, Shanghai, Steven Spielberg, surrealism, William Burroughs, WWII

by Dominika Oramus World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952. Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) […]



Grave New World: Introduction, Part 1

By • Nov 5th, 2007 •

Category: academia, David Cronenberg, death of affect, dystopia, features, Iain Sinclair, Jean Baudrillard, Michael Moorcock, New Worlds, psychiatry, Salvador Dali, science fiction, surrealism, technology, urban ruins, William Burroughs, WWII

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.



Cousin Silas: Another Flask of Ballard

By • Oct 3rd, 2007 •

Category: Brian Eno, entropy, interviews, Michael Moorcock, music, New Worlds, paranormal, urban ruins, William Burroughs

Cousin Silas has created two albums inspired by the works of J.G. Ballard. Simon Sellars spoke to Silas about Ballard, Lovecraft, Forteana, Moorcock, Eno, Tarkovsky — all the essentials.



BallardoTube

By • Sep 8th, 2007 •

Category: audio, Chris Marker, features, film, filmography, Iain Sinclair, Michael Moorcock, music, television, William Burroughs, YouTube

I’ve created a YouTube outpost for this site, divided into six channels: (1) J.G. Ballard Interviews; (2) J.G. Ballard Documentaries; (3) J.G. Ballard Adaptations; (4) J.G. Ballard’s Top Ten Science Fiction Films; (5) Ballardiana; and (6) Ballardian Sound Art/Music.



Iain Sinclair's Ballard Biography

By • Aug 18th, 2007 •

Category: Ballardosphere, Chris Petit, David Cronenberg, film, Iain Sinclair, Michael Moorcock, psychogeography

I reread Iain Sinclair’s BFI book on Cronenberg’s Crash recently as research for my article on the Crash! short film. I have to say I am amazed the BFI ever agreed to publishing it in a series about ‘modern film classics’. Cronenberg and the film take back stage to Sinclair’s virtuoso reconstruction of Ballard’s life […]



J.G. Ballard's Experiment in Chemical Living

By • Aug 1st, 2007 •

Category: advertising, features, invisible literature, Michael Moorcock, New Worlds, Shepperton, William Burroughs

by Mike Bonsall J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier. Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most […]



Angry Old Men: Michael Moorcock on J.G. Ballard

By • Jul 9th, 2007 •

Category: Borges, Brian Eno, film, Iain Sinclair, interviews, literature, Michael Moorcock, music, New Worlds, Shepperton, Steven Spielberg, William Burroughs

Michael Moorcock, J.G. Ballard and JGB’s partner Claire Walsh in September, 2006 (photo courtesy Linda Moorcock). ———————————————— Interview by Mike Holliday ———————————————— Michael Moorcock has been a prolific writer and editor for the last five decades. Born in London, he was editing his first magazine by the age of seventeen, and started writing genre fiction […]



'If I had a pound for every time someone mentioned psychopathology': A Review of the First International Conference on the Work of J.G. Ballard

By • May 10th, 2007 •

Category: academia, alternate worlds, architecture, Brian Eno, gated communities, literature, Michael Moorcock, New Worlds, reviews

The UEA Studio: Conference Headquarters (photo: Simon Sellars). I attended From Shanghai to Shepperton: An International Conference on J.G. Ballard at the University of East Anglia on the weekend, and I’m suffering a bit of a comedown. I always get a bit melancholy when these temporary autonomous zones collapse and everyone returns to virtual communication. […]



Flat block of two dimensions

By • Apr 19th, 2007 •

Category: Ballardosphere, gated communities, Michael Moorcock, music, suicide, urban revolt

Brunswick St, Fitzroy, Melbourne, Australia. Photo: Simon Sellars. All the evidence accumulated over several decades cast a critical light on the high-rise as a viable social structure, but cost-effectiveness in the area of public housing and high profitability in the private sector kept pushing these vertical townships into the sky against the real needs of […]



More on Liddle and Ballard

By • Feb 12th, 2007 •

Category: Australia, Ballardosphere, consumerism, Iain Sinclair, Michael Moorcock, politics, sport

REMINDER: The ‘call for papers’ deadline for ‘Shanghai to Shepperton: An International Conference on J.G. Ballard’ is three days away. See here for details, and here for more on the conference. J. Carter Wood, over at Obscene Desserts, has posted a long and thoughtful rebuttal of Rob Liddle’s recent dismissal of Kingdom Come. I posted […]



'When in doubt, quote Ballard': An interview with Iain Sinclair

By • Aug 29th, 2006 •

Category: architecture, Chris Petit, David Cronenberg, film, flying, Iain Sinclair, interviews, Michael Moorcock, New Worlds, politics, psychogeography, Shepperton, Steven Spielberg, utopia, William Burroughs

Interview by Tim Chapman Iain Sinclair at the Barbican. Photo: Tim Chapman, © 2006. Iain Sinclair has been acclaimed as one of Britain’s most visionary writers and as an incomparable prose stylist. His early writing, notably Lud Heat (1975) and White Chappell, Scarlet Tracings (1987), was rooted in his adopted home of East London. It […]



JG Ballard: Psychonaut of Inner Space

By • Jul 7th, 2006 •

Category: Ballardosphere, Iain Sinclair, Michael Moorcock, New Worlds, science fiction

These days, with all manner of theorists, futurists, architects, musos, journos, self-mutilators and even UFO freaks claiming JG Ballard as one of their very own, it’s easy to forget that the man with his finger firmly impressed on the cult of today once wrote what was considered to be actual science fiction, albeit of a […]



J.G. Ballard to Contribute to New Iain Sinclair Project

By • Feb 16th, 2006 •

Category: Ballardosphere, Chris Petit, Iain Sinclair, Michael Moorcock, psychogeography

Judging from this recent interview with Iain Sinclair, it appears that Ballard is to write a piece for an upcoming anthology of writings about London, to be published by Hamish Hamilton. Petit, Sinclair, Moorcock and Ballard in the one place is A-OK by me. “SINCLAIR: I take great delight in the apparently forgotten. As Ed […]