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Archive for the ‘micronations’ Category

Towards Year Zero: Ben Wheatley’s High-Rise

By • Oct 19th, 2015 •

Category: alternate worlds, architecture, film, gated communities, inner space, Lead Story, medical procedure, micronations, reviews, Shanghai, the middle classes

In September 2015, Ben Wheatley’s High-Rise, an adaptation of J.G. Ballard’s novel, had its world premiere at the Toronto International Film Festival. Reactions covered the entire spectrum: people loved it, people loathed it, people were bored by it. The UK premiere was in London recently, and Mike Holliday attended; he loved it. His verdict? A very worthy addition to the growing catalogue of Ballard feature films.



‘Zones of Transition’: Micronationalism in the work of J.G. Ballard

By • Dec 28th, 2012 •

Category: academia, airports, alternate worlds, CCTV, consumerism, death of affect, features, gated communities, Lead Story, Marc Auge, micronations, Shanghai, suburbia, surveillance, the middle classes, urban revolt

Simon Sellars re-reads Ballardian space in light of the idiosyncratic, real-world phenomenon of micronations, tracing parallels between Ballard’s physical and psychological spaces and Marc Augé’s idea of ‘non-place’.



“Extreme Possibilities”: Mapping “the sea of time and space” in J.G. Ballard’s Pacific fictions

By • Aug 23rd, 2009 •

Category: academia, alternate worlds, features, inner space, Japan, Lead Story, memory, micronations, nuclear war, Pacific, Shanghai, war, WWII

What’s the connection between J.G. Ballard, Hakim Bey and Fredric Jameson? Tracking Ballard’s surreal visions of nuclear conflict to Ground Zero in the Pacific, the paper maps his peculiar, irradiated sense of “affirmative dystopias”, a template for his more enduring urban works (famously, Crash) that, finally, intersects in striking ways with the writings of Bey and Jameson.



Crown Casino: ‘A snarling, digitised mutilation’

By • May 27th, 2009 •

Category: advertising, alternate worlds, architecture, audio, Australia, boredom, CCTV, consumerism, death of affect, deep time, fascism, features, hyperreality, Lead Story, leisure, micronations, occult, perception, photography, psychogeography, schizophrenia, surveillance, temporality, time travel, utopia

Simon Sellars, Mel Chilianis and Melb Psy take an audiovisual tour of Melbourne’s Crown Casino, seeking to map the coordinates of this micronational zone — consumer-driven control space with a raging need.



Kingdom of the Dead

By • Aug 5th, 2008 •

Category: alternate worlds, America, Ballardosphere, body horror, consumerism, death of affect, film, gated communities, horror, humour, micronations, urban revolt

Parallels between Ballard’s Kingdom Come and Romero’s Dawn of the Dead.