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Archive for the ‘New Worlds’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



Venus Smiled: Tribute to Claire Walsh

By • Oct 21st, 2014 •

Category: advertising, Ambit magazine, architecture, Barcelona, biography, Claire Churchill, features, invisible literature, Lead Story, Michael Moorcock, New Worlds, visual art, Will Self

Recently, Claire Walsh died after battling with cancer. She was an editor and literary publicist, and J.G. Ballard’s long-time partner. Her intellect matched Ballard’s and pushed him into new territories, inspiring some of his best work. Collecting quotes from Ballard, Claire and articles from Ballardian and beyond, this tribute to Claire Walsh illustrates their symbiotic relationship.



Extreme Metaphors: ‘A Launchpad for Other Explorations’

By • Feb 1st, 2014 •

Category: Extreme Metaphors, features, inner space, Lead Story, New Worlds, non-fiction, Salvador Dali, science fiction, Shanghai, Shepperton

To celebrate the new paperback edition of Extreme Metaphors: Selected Interviews with J.G. Ballard, here’s Simon Sellars’ introduction to the book, which explores the true power of Ballard’s conversational style.



Myths of a Near Future: Simon Sellars, Bruce Sterling and V. Vale

By • Nov 15th, 2010 •

Category: Barcelona, body horror, boredom, Bruce Sterling, celebrity culture, consumerism, cyberpunk, deep time, features, inner space, Lead Story, New Worlds, Salvador Dali, surrealism, William Burroughs

Two years ago, Simon Sellars, Bruce Sterling and V. Vale appeared on a panel, ‘Myths of a Near Future’, to discuss the work of J.G. Ballard. Our friend Tim Chapman was in the audience and he has kindly transcribed the discussion. Here it is, two years late, but hopefully still of interest: ‘Myths of a Near Future’.



Landscapes From a Dream: How the Art of David Pelham Captured the Essence of J G Ballard’s Early Fiction

By • Jun 14th, 2010 •

Category: deep time, Ernst, features, inner space, Lead Story, New Worlds, Salvador Dali, short stories, surrealism, visual art

For Ballard surrealist art was one of many possible routes to inner space. But inner space in its quintessentially Ballardian form needed something other than surrealist reproductions on the covers of his books. This was the challenge facing David Pelham, when Penguin’s Ballard titles came up for reprint.



“Enthusiasm for the mysterious emissaries of pulp”: an interview with David Britton (the Savoy interviews, part 2a)

By • Feb 22nd, 2010 •

Category: audio, censorship, H.P. Lovecraft, Iain Sinclair, Ian Curtis, interviews, Lead Story, literature, music, New Worlds, punk, Savoy Books, Shanghai

The story of Savoy Books is one of the strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.



“Enthusiasm for the mysterious emissaries of pulp”: an interview with David Britton (the Savoy interviews, part 2b)

By • Feb 22nd, 2010 •

Category: audio, censorship, H.P. Lovecraft, Iain Sinclair, Ian Curtis, literature, music, New Worlds, punk, Savoy Books

The story of Savoy Books is one of the most strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. All of those qualities are equally applicable to Savoy Records, the music arm of Savoy’s black empire, as Simon Sellars discovers when he talks to Savoy co-founder David Britton. The interview features sound clips from selected Savoy releases.