Ballardian: the World of J.G. Ballard

Another installment in Dan O’Hara’s re-translations of archival German Ballard interviews: a 1982 conversation conducted by Werner Fuchs and Joachim Körber.

This is the second of Dan O’Hara’s re-translations of JGB interviews originally published in German. This one dates from 1976, and in it Ballard provides comment on Russian writers and explains how film technique infiltrates and influences his own writing.

I am delighted to report that the book of Chris Marker’s La Jetée is back in print through Zone Books — and in hardcover, too. It will be out in (US) Spring 2008. Thank you, thank you: for years, second-hand copies were changing hands via Amazon and eBay for anything up to $400.
Unable to […]

by Dominika Oramus

World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952.

Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) limited […]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

Cousin Silas has created two albums inspired by the works of J.G. Ballard. Simon Sellars spoke to Silas about Ballard, Lovecraft, Forteana, Moorcock, Eno, Tarkovsky — all the essentials.

by Mike Bonsall

J.G. Ballard in 1960. In the background is a poster of his ‘Project for a new novel’, made two years earlier.
Chemistry & Industry … was a good place to work because, of course, the office of any scientific magazine is the most wonderful mail drop. It’s the ultimate information crossroads. Most of it […]

Image from Corridor #5, in which this interview appeared.
Recently, my friend Keith emailed to tell me he’d come across a rare Ballard interview from 1974. It was published in Corridor, a small-press magazine that has been described as ‘a cheaper, thinner, New Worlds [featuring] many of the same authors’.
Corridor was the first partnership […]

Michael Moorcock, J.G. Ballard and JGB’s partner Claire Walsh in September, 2006 (photo courtesy Linda Moorcock).
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Interview by Mike Holliday
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Michael Moorcock has been a prolific writer and editor for the last five decades. Born in London, he was editing his first magazine by the age of seventeen, and started writing genre fiction professionally as soon as […]

Interview by Simon Sellars.
Simon Reynolds is one of the most recognisable music critics around — or at least his style is, not least for its willingness to tackle pop music as an art form worthy of sustained intellectual discourse rather than as a fleeting moment of adolescent flash. Reynolds breaks new ground, melding unbridled […]

The UEA Studio: Conference Headquarters (photo: Simon Sellars).
I attended From Shanghai to Shepperton: An International Conference on J.G. Ballard at the University of East Anglia on the weekend, and I’m suffering a bit of a comedown. I always get a bit melancholy when these temporary autonomous zones collapse and everyone returns to virtual communication. Especially […]

OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; […]

by Tim Chapman

Iain Sinclair at the Barbican. Photo: Tim Chapman, © 2006.
Iain Sinclair has been acclaimed as one of Britain’s most visionary writers and as an incomparable prose stylist. His early writing, notably Lud Heat (1975) and White Chappell, Scarlet Tracings (1987), was rooted in his adopted home of East London. It did much to […]

These days, with all manner of theorists, futurists, architects, musos, journos, self-mutilators and even UFO freaks claiming JG Ballard as one of their very own, it’s easy to forget that the man with his finger firmly impressed on the cult of today once wrote what was considered to be actual science fiction, albeit of a […]

Nothing sorts memories from ordinary moments. They claim remembrance when they show their scars.
Chris Marker. La Jetée.
review by Simon Sellars
The films of Chris Marker are often termed ‘essayist’, participating in a phenomenological play with deep roots in French intellectualism. Working within documentary and pseudo-documentary modes, they mimic the manner in which memory and desire […]