Ballardian: the World of J.G. Ballard

UPDATED. Aside from the films of Empire and Crash, Ballard has had almost all his novels optioned for the screen at some stage. Suitors include Richard Gere, Samuel L. Jackson, Jack Nicholson, David Frost and a trio of scantily-clad cavegirls.

Another installment in Dan O’Hara’s re-translations of archival German Ballard interviews: a 1982 conversation conducted by Werner Fuchs and Joachim Körber.

Dom passes on news of yet another Ballard mini-interview, this time in the December 2007 edition of SFX Magazine. It’s just a series of quotes pasted onto the above photo, with the terrible title, ‘Never Mind the Ballards’.
Here’s the full text:
NEVER MIND THE BALLARDS
J.G. Ballard is still fascinated by the future, even though he doesn’t […]

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ABOVE: Crash! on YouTube

by Simon Sellars

CRASH! (1971)
Director: Harley Cokliss
Writer: J.G. Ballard
Starring: J.G. Ballard & Gabrielle Drake
I wasn’t satisfied by just writing SF stories, you see. My imagination was eager to expand in all directions.”
J.G. Ballard. ‘From Shanghai to Shepperton’, 1982.
Leached away by the camera lens, the dimension of depth is missing from the room, and […]

In the Independent, Deborah Orr parses Ballard in her analysis of John Gray’s Black Mass:
In his latest book, Black Mass, the philosopher John Gray traces the history of Western millenarianism … For Gray, it is utopianism itself that is the problem. He suggests that ‘it is dystopian thinking we most need.’ We must, if we […]

‘Thirteen to Centaurus’, directed by Peter Potter, is an adaptation of J.G. Ballard’s 1962 short story of that name, produced as part of the BBC’s Out of the Unknown series of science-fiction dramatisations. But at that time film and television was just not capable of delivering the frisson that the best SF literature provided (it […]

Interview by Simon Sellars.
Simon Reynolds is one of the most recognisable music critics around — or at least his style is, not least for its willingness to tackle pop music as an art form worthy of sustained intellectual discourse rather than as a fleeting moment of adolescent flash. Reynolds breaks new ground, melding unbridled […]

Back in 1986, Kurt Vonnegut (RIP) made an amusing cameo in Rodney Dangerfield’s fake-fart laden masterpiece Back to School.
But did you also know that William Gibson appeared in Wild Palms alongside Jim Belushi; that Philip K. Dick guest-starred in a 1971 episode of Bewitched; that Jorge Luis Borges stole the show in an ep of […]

Interview by Simon Sellars
Rick McGrath is a writer and former adman (which explains the pithy insights to come). He’s also the curator of what may be the world’s largest collection of J.G. Ballard first editions; he’s the ‘go-to man’ whenever a TV station or glossy mag does a rare feature on Ballard and needs […]

The Klaxons’ CD “Myths of the Near Future” lifts its title from the J.G. Ballard story of the same name. They namecheck Ballard in their songs, as well as the other Killer B — Burroughs. (It’s amazing they didn’t jam Phil Dick in there, too.) Yes, it’s all rather old hat for me to […]

I received an email from Thomas, the French filmmaker making a film about Ballard (which I posted about earlier)…he’s filled me in on the details…
He writes: “We’re producing the movie “Shepperton’s Oracle” with a team of French web designers (www.panoplie.org). The project is first an interactive website with a chat bot around the universe of […]

by Simon Sellars

an image from John Foxx’s Cathedral Oceans project
John Foxx, the former lead singer of Ultravox, is an undisputed electronic music pioneer. Before Midge Ure came along, the band’s three Foxx-driven albums, Ultravox! (1977), Ha! Ha! Ha! (1978) and Systems of Romance (1978), fused near-future melancholy with icy man-machine interfaces and the remake/remodel aesthetic […]

Being as I’m based in Australia (the most powerful country in the world, and could blow your head clean off), I obviously can’t make it to London yesterday (your time) and tomorrow (yours, mine, our time) to attend Cultural Fictions II, sponsored by the AHRC and the Centre for Cultural Studies, Goldsmiths, June 15th & […]

Nothing sorts memories from ordinary moments. They claim remembrance when they show their scars.
Chris Marker. La Jetée.
review by Simon Sellars
The films of Chris Marker are often termed ‘essayist’, participating in a phenomenological play with deep roots in French intellectualism. Working within documentary and pseudo-documentary modes, they mimic the manner in which memory and desire […]