HOME ABOUT INTERVIEWS REVIEWS FEATURES BLOG ARCHIVAL BIBLIOGRAPHY CONTACT TWITTER BOOKSHOP

Archive for the ‘psychopathology’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



Better Living through Psychopathology

By • May 16th, 2010 •

Category: academia, advertising, Ambit magazine, America, consumerism, features, inner space, media landscape, psychopathology, science fiction, space relics, visual art, WWIII

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.



Review: Jeremy Reed’s West End Survival Kit

By • Feb 8th, 2010 •

Category: alternate worlds, biology, body horror, boredom, CCTV, celebrity culture, conspiracy theory, consumerism, cyberpunk, death of affect, entropy, Hawkwind, inner space, Lead Story, psychopathology, reviews, surrealism, surveillance, technology

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.



The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.



"Paradigm of nowhere": Shepperton, a photo essay (part 2)

By • Mar 5th, 2009 •

Category: autobiography, biography, boredom, consumerism, crime, deep time, features, flying, Iain Sinclair, inner space, perception, photography, psychogeography, psychopathology, Shepperton, suburbia, time travel

Finally: the long-delayed conclusion to my photo essay, ‘”Paradigm of nowhere”: Shepperton, a photo essay’, in which I aim for the traversal of a distinct psychic terrain: the blanket overlay of Shepperton with a mental template gleaned from so many Ballard novels and short stories.



Kosmopolis 08: Switching stations

By • Oct 25th, 2008 •

Category: alternate worlds, architecture, Australia, Barcelona, body horror, Chris Marker, deep time, features, flying, posthumanism, psychopathology

Here are some preliminary thoughts from the city of Barcelona, where I am appearing on a panel to talk about the work of J.G. Ballard as part of the Kosmopolis literary festival.



‘Perverse Technology’: Dan Mitchell & Simon Ford interview J.G. Ballard

By • Aug 15th, 2008 •

Category: archival, consumerism, Ernst, interviews, Marcel Duchamp, photography, psychopathology, Salvador Dali, sexual politics, speed & violence, surrealism, terrorism, the middle classes, visual art

Here’s another republished interview, this time from 2005 as Mitchell and Ford probe JGB about his infamous 1970 ‘Crashed Cars’ exhibition, which elicited drunken aggression from its bemused audience.