Ballardian

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.

Simon Reynolds is one of the most recognizable music critics around. His work reached a peak with the publication of Rip It Up and Start Again, a timely excavation of post-punk: Cabaret Voltaire, PiL, Magazine, and so on. What’s more, J.G. Ballard was a thread throughout the book, as Reynolds charted the influence of JGB — and especially his experimental novel, The Atrocity Exhibition — on the era. In this interview, as Simon meets Simon, these topics are discussed in the wake of JGB’s death.

“As Michael Jackson reached middle age, the skin of both his cheeks and neck tended to sag from failure of the supporting structures. His naso-labial folds deepened, and the soft tissues along his jaw fell forward. His jowls tended to increase. In profile the creases of his neck lengthened and the chin-neck contour lost its youthful outline and became convex.”

Dan O’Hara back-translates an interview with JGB originally published in French in 1985. As the interviewers observe, Ballard was almost the subject of a French cult due to Crash. Asking why there are no car-crashes in Empire of the Sun, they reveal a very suggestive lacuna, with Ballard replying that even when one characteristic theme is absent from a work, the underlying emotion may remain the same, expressed by different means. Choice of metaphor is merely a matter of tone

Toby Litt on the best of JG Ballard.

A slew of information on Ann Lislegaard, the brilliant artist behind ‘Crystal World (after J.G. Ballard’, the mesmerising animation that showed at the recent JGB exhibition in Barcelona. Includes links to an interview, video excerpts and stills.

Time-travel, according to Ballard, Marker, Tarkovsky and Godard. Some thoughts on memory retrieval and personal mythology. Ballard and Marker’s ‘fusion of science fiction, psychological fable and photomontage … in its unique way a series of potent images of the inner landscapes of time’.

A new interview with Michael Moorcock, discussing Burroughs, Ballard, the Bomb and more.

BLDGBLOG on Ballard, resampled architecture, homogenous global space and Michael Winterbottom.

Surreal Documents gets to grip with Ballard and Lovecraft, with satisfying results.

Jordi Costa, the curator of J.G. Ballard: Autopsy of the New Millennium, currently exhibiting at the Centre de Cultura Contemporània de Barcelona, gifts us this incisive analysis of the major themes in Ballard’s work. Accompanying the essay is the alternate version of the exhibition’s promo trailer.

Press release with fuller information and accompanying images for JG Ballard, Autopsy of the New Millennium, opening today at the Centre de Cultura Contemporània de Barcelona (CCCB).

New Marker blog: ‘Quoting mostly, writing little, ever fascinated by and admiring always the oeuvre of Chris Marker, le plus célèbre des cinéastes inconnus.’

Thomas Disch on J.G. Ballard.

This is the latest in Dan O’Hara’s back translations of German Ballard chats: an interview with JGB from 2005. This may well be the only time Ballard has been asked to consider the lyrics of Kanye West.

Ballard makes it onto a San Marino stamp. In the absence of American recognition, this will simply have to do.

Troy Paiva’s desert photography evokes the crumbling, decadent resorts and enervated cityscapes of Ballard’s Vermilion Sands and Hello America stories. Enjoy this interview with Troy, the Light-Painter of Mojave D.

Dan O’Hara is back with another translation of a German Ballard interview, this time from 2007 with JGB in priapic, puckish form.

Another installment in Dan O’Hara’s re-translations of archival German Ballard interviews: a 1982 conversation conducted by Werner Fuchs and Joachim Körber.

Here’s a tribute to Gabrielle Drake, a co-conspirator of Ballard’s and the undisputed Queen of both outer and inner space. All hail 1971, the Year of the Drake.

Squirrel Boy meets Concrete Island, and the kids are alright.

This is the second of Dan O’Hara’s re-translations of JGB interviews originally published in German. This one dates from 1976, and in it Ballard provides comment on Russian writers and explains how film technique infiltrates and influences his own writing.

Dan O’Hara has re-translated three interviews with JGB, originally published in German in the 60s, in which Ballard provides absorbing insight into his enviro-disaster trilogy: The Drowned World, The Drought and The Crystal World.

The final version of Thomas Cazals’ tribute, ‘J.G. Ballard: The Oracle of Shepperton’, has been released. It’s one of the stranger JGB ‘adaptations’ around, and is told with considerable flair and skill.

A repost of this tribute to Robbe-Grillet, with the addition of some extra quotes that either illuminate or obfuscate…

Will Self was recently interviewed on BBC Radio 4 by Mariella Frostrup about his admiration for J.G. Ballard’s work. Here’s a transcript of that interview.

The Times has two more extracts from Miracles of Life. In the first, Ballard reminisces about his time as a trainee air force pilot. In the second, he discusses the ideas behind Crash.

I am delighted to report that the book of Chris Marker’s La Jetée is back in print through Zone Books — and in hardcover, too. It will be out in (US) Spring 2008. Thank you, thank you: for years, second-hand copies were changing hands via Amazon and eBay for anything up to $400.
Unable to fork [...]

I had to smile when I read this from Wired’s Clive Thompson [via Boing Boing]:
If you want to read books that tackle profound philosophical questions, then the best — and perhaps only — place to turn these days is sci-fi. Science fiction is the last great literature of ideas. From where I sit, traditional [...]

Chris N-B asks: ‘What is Michael Jackson’s favorite literary science fiction? I’ll bet you dinner at Picasso that right now he’s curled up in the overstuffed armchair of his penthouse suite at the Bellagio, giggling at The Atrocity Exhibition.’

A review of Demanding the Impossible, the Third Australian Conference on Utopia, Dystopia and Science Fiction, held at Monash University, Clayton, Melbourne, Australia, Dec 5-7.

Sam Scoggins has finally digitised his ‘lost’ 1983 quasi-doco on Ballard, loosely structured around themes found in The Unlimited Dream Company. There are plans for ballardian.com to interview Sam, but for now, enjoy the film.

Recently, Toronto’s Merril Collection of Science Fiction, Speculation and Fantasy passed on to Rick McGrath a binder containing a slew of Canadian JGB reviews, Ballardian esoterica and the jewel in the crown: a long, unpublished interview with Ballard from 1974.

by Dominika Oramus

World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952.

Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) limited edition [...]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

I’ve just come across this excellent 2005 article from Chris Darke, published in Vertigo magazine, on Jean-Luc Godard’s masterpiece, Alphaville. It begins with a fascinating anecdote about gated communities in Brazil that are modeled after Godard’s modernist dystopia:
Seven and a half miles from the heart of São Paulo there is a gated community which houses [...]

Dom passes on news of yet another Ballard mini-interview, this time in the December 2007 edition of SFX Magazine. It’s just a series of quotes pasted onto the above photo, with the terrible title, ‘Never Mind the Ballards’.
Here’s the full text:
NEVER MIND THE BALLARDS
J.G. Ballard is still fascinated by the future, even though he doesn’t [...]

Brian Aldiss, figurehead of the New Wave along with Ballard, has written a letter to the Times:
Sir, At the Cheltenham Festival Margaret Atwood said that writers “are likely to be compulsive wordsmiths” — presumably a way of saying that writing is for some of us an expression of the life force.
Her life would have been [...]

Technovelgy is an intriguing site that explores the inventions of science fiction writers. And while we don’t often think of J.G. Ballard as a writer of predictive, ‘hard’ science fiction (ie, he’s never been bothered with imagining the shape of far-future technology, Asimov style, being far more interested in mapping out the psychological effects of [...]

Pedro writes:
The canon of “Slipstream literature,” defined by a panel at Readercon has been posted by Paul DiFilippo. JGB is mentioned (Complete Stories as part of the “core canon” at number 10 and Empire of the Sun at 99). Kindness of Women was also suggested by one of the participants.
Here is a response by Paul [...]

In the Independent, Deborah Orr parses Ballard in her analysis of John Gray’s Black Mass:
In his latest book, Black Mass, the philosopher John Gray traces the history of Western millenarianism … For Gray, it is utopianism itself that is the problem. He suggests that ‘it is dystopian thinking we most need.’ We must, if we [...]

Image from Corridor #5, in which this interview appeared.
Recently, Keith S. emailed to tell me he’d come across a rare Ballard interview from 1974. It was published in Corridor, a small-press magazine that has been described as ‘a cheaper, thinner, New Worlds [featuring] many of the same authors’.
Corridor was the first partnership of Michael [...]

Mac Tonnies is a Kansas-based writer of post-cyberpunk science fiction (recently published by the redoubtable Rudy Rucker). He’s also the author of the book After the Martian Apocalypse, a speculative search for life on the Red Planet, as well as the originator of a ‘cryptoterrestrial’ philosophy that ambitiously seeks to explain (with ‘balanced skepticism’) [...]

‘Thirteen to Centaurus’, directed by Peter Potter, is an adaptation of J.G. Ballard’s 1962 short story of that name, produced as part of the BBC’s Out of the Unknown series of science-fiction dramatisations. But at that time film and television was just not capable of delivering the frisson that the best SF literature provided (it [...]

Interview by Simon Sellars.
Simon Reynolds is one of the most recognisable music critics around — or at least his style is, not least for its willingness to tackle pop music as an art form worthy of sustained intellectual discourse rather than as a fleeting moment of adolescent flash. Reynolds breaks new ground, melding unbridled [...]

OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the [...]

OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; [...]

These days, with all manner of theorists, futurists, architects, musos, journos, self-mutilators and even UFO freaks claiming JG Ballard as one of their very own, it’s easy to forget that the man with his finger firmly impressed on the cult of today once wrote what was considered to be actual science fiction, albeit of a [...]

Bruce Sterling is a prolific science-fiction writer, futurist, social critic and design professor, best known for his bestselling novels and seminal short fiction, and as the editor of the Mirrorshades anthology that defined the ‘cyberpunk’ subgenre. His nonfiction includes works of futurism such as Tomorrow Now; a regular column and blog for Wired; and his [...]

Photo by Simon Sellars
This transcript was first published in Sub Dee Magazine (no. 5 Summer 1997), a print project I was involved in long before Ballardian. At the time, J.G. Ballard’s career was in the ascendancy after what was perceived to be an average period in his writing. Cocaine Nights had just been released and [...]