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Archive for the ‘science fiction’ Category

Extreme Metaphors: ‘A Launchpad for Other Explorations’

By • Feb 1st, 2014 •

Category: Extreme Metaphors, features, inner space, Lead Story, New Worlds, non-fiction, Salvador Dali, science fiction, Shanghai, Shepperton

To celebrate the new paperback edition of Extreme Metaphors: Selected Interviews with J.G. Ballard, here’s Simon Sellars’ introduction to the book, which explores the true power of Ballard’s conversational style.



‘No Original Response’: J.G. Ballard predicts Social Media, CCTV, Reality TV

By • Jul 3rd, 2013 •

Category: alternate worlds, Applied Ballardianism, Bruce Sterling, CCTV, celebrity culture, dystopia, features, Gilles Deleuze, hyperreality, Lead Story, media landscape, reality TV, science fiction, surveillance, television, William Gibson, YouTube

A post at Buzzfeed has been doing the rounds this week, on how J.G. Ballard “predicted social media in 1977″. According to Buzzfeed, “he made this uncanny observation in a Vogue essay”. Here’s Simon Sellars’ response, in text excerpted from his forthcoming book Applied Ballardianism, about life through a Ballardian lens. Read on for Ballard’s disturbing warning about the dangers that await when we have the capacity to broadcast “the inside of our heads”…



Animal Spirits: A Ballardian Bestiary

By • Dec 12th, 2011 •

Category: academia, advertising, Anthony Burgess, celebrity culture, features, Freud, Gilles Deleuze, Jean Baudrillard, Lead Story, media landscape, postmodernism, science fiction

In this excerpt from his book Animal Spirits, Matteo Pasquinelli explains how ‘the novels of J.G. Ballard can describe the nature of technology and the contemporary mediascape better than any philosopher, media theorist or cultural studies academic — a sort of political agenda born from the perspective of science fiction’.



‘Flesh dissolved in an acid of light’: the B-movie as second sight

By • Mar 15th, 2011 •

Category: academia, alternate worlds, America, CCTV, computer games, consumerism, features, film, hyperreality, Jean Baudrillard, John Carpenter, Lead Story, media landscape, Roger Corman, science fiction, surveillance

What is the link between the film X: The Man with the X-Ray Eyes (1963), directed by Roger Corman, the film They Live (1988), directed by John Carpenter, and the work of J.G. Ballard? Nothing less than the B-movie as a rearguard response to the gathering global and economic forces of late capitalism.



Better Living through Psychopathology

By • May 16th, 2010 •

Category: academia, advertising, Ambit magazine, America, consumerism, features, inner space, media landscape, psychopathology, science fiction, space relics, visual art, WWIII

Examining Ballard’s artwork from the late 60s, Benjamin Noys uncovers a future that never took place. The image he focuses on appears as a very 60s image, yet it disjoints itself from that moment by its prescient refusal of the usual models of repression, liberation, and recuperation.



The 032c Interview: Simon Reynolds on Ballard, part 2

By • Dec 7th, 2009 •

Category: Brian Eno, interviews, Lead Story, music, New Worlds, Philip K. Dick, science fiction, short stories, William Burroughs

Simon Reynolds is one of the most recognizable music critics around. His work reached a peak with the publication of Rip It Up and Start Again, a timely excavation of post-punk: Cabaret Voltaire, PiL, Magazine, and so on. What’s more, J.G. Ballard was a thread throughout the book, as Reynolds charted the influence of JGB — and especially his experimental novel, The Atrocity Exhibition — on the era. In this interview, as Simon meets Simon, these topics are discussed in the wake of JGB’s death.



Michael Jackson’s Facelift

By • Jul 2nd, 2009 •

Category: alternate worlds, architecture, body horror, celebrity culture, consumerism, features, horror, Lead Story, medical procedure, Michael Jackson, pastiche, science fiction

“As Michael Jackson reached middle age, the skin of both his cheeks and neck tended to sag from failure of the supporting structures. His naso-labial folds deepened, and the soft tissues along his jaw fell forward. His jowls tended to increase. In profile the creases of his neck lengthened and the chin-neck contour lost its youthful outline and became convex.”