Archive for the ‘speed & violence’ Category

Mad Max: ‘Punk’s Sistine Chapel’ – A Ballardian Primer

By • Apr 3rd, 2015 •

Category: Applied Ballardianism, Australia, autogeddon, features, Lead Story, post-apocalypse, speed & violence, surveillance, urban decay

Fury Road, the fourth film in the Mad Max series, is released on 15 May. Ballard loved Mad Max 2, going so far as to anoint it ‘Punk’s Sistine Chapel’. To celebrate George Miller’s latest masterpiece, we are proud to present this Ballardian primer to the Mad Max Universe.

CRASH: Adaptación de un fragmento de la novela de J. Ballard

By • Oct 11th, 2014 •

Category: Argentina, Borges, comics, features, Lead Story, speed & violence, visual art

The Ballardian is proud to present Crash by Argentine graphic artist Sanyú, a graphic adaptation of a fragment of Ballard’s novel by that name, originally published in 1991 in legendary Argentine magazine Fierro.

Crash and the Aesthetics of Disappearance

By • Oct 22nd, 2013 •

Category: features, Jean Baudrillard, Lead Story, speed & violence, visual art

Art critic Andrew Frost explores the power of J.G. Ballard’s crashed-car metaphor as it spans two exhibitions 42 years apart: Ballard’s own ‘Crashed Cars’ show of 1970, and Ms&Mr’s 2012 Ballard-referencing video exhibition, Videodromes for the Alone: Amputee for the Neurotic Future 1988/2012.

A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?

“Ambiguous aims”: a review of Crash: Homage to J.G. Ballard [NSFW]

By • Mar 12th, 2010 •

Category: America, Andy Warhol, celebrity culture, Lead Story, media landscape, nuclear war, reviews, Salvador Dali, speed & violence, visual art, WWII

Ballard’s writing has a strong connection to visual art. It informed his work and led to him befriending some of the leading artists of his time, while in turn his work has influenced today’s crop. As Ben Austwick reports, the exhibition Crash: Homage to J.G. Ballard represent these diverse strands in a haphazard, yet always interesting fashion.

Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature

By • Oct 5th, 2009 •

Category: academia, Bluewater, Chris Petit, features, Iain Sinclair, Lead Story, Marc Auge, memory, non-place, psychogeography, Situationists, speed & violence

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.

Grand Theft Auto IV: Ballardian atrocities

By • Jan 3rd, 2009 •

Category: academia, Ballardosphere, comics, computer games, hyperreality, speed & violence

Autogeddon: Martin Pichlmair on the connection between Ballard and Grand Theft Auto IV.

'Skid analysis': Vaughan reborn…

By • Dec 12th, 2008 •

Category: Ballardosphere, speed & violence, technology

If Vaughan was alive today, do you think he’d be using AutoCAD to plot celebrity autogeddon?

The Real Concrete Island?

By • Dec 3rd, 2008 •

Category: architecture, features, psychogeography, speed & violence, WWII

Mike Bonsall sets out on a mission to find The Real Concrete Island, and is surprised by what he finds: ‘Ballard must have walked the same streets that years later I was to haunt with my own damaged crew. Living within sight of the Westway, which I felt must have helped form his motorway mythology, I was moved to do some geo-detective work…’

‘Perverse Technology’: Dan Mitchell & Simon Ford interview J.G. Ballard

By • Aug 15th, 2008 •

Category: archival, consumerism, Ernst, interviews, Marcel Duchamp, photography, psychopathology, Salvador Dali, sexual politics, speed & violence, surrealism, terrorism, the middle classes, visual art

Here’s another republished interview, this time from 2005 as Mitchell and Ford probe JGB about his infamous 1970 ‘Crashed Cars’ exhibition, which elicited drunken aggression from its bemused audience.

Ballardoscope: some attempts at approaching the writer as a visionary

By • Jul 26th, 2008 •

Category: Alain Robbe-Grillet, America, autobiography, Barcelona, Bruce Sterling, deep time, drained swimming pools, features, flying, hyperreality, inner space, literature, medical procedure, science fiction, sexual politics, Shanghai, Shepperton, space relics, speed & violence, Steven Spielberg, surrealism, technology, war, WWII

Jordi Costa, the curator of J.G. Ballard: Autopsy of the New Millennium, currently exhibiting at the Centre de Cultura Contemporània de Barcelona, gifts us this incisive analysis of the major themes in Ballard’s work. Accompanying the essay is the alternate version of the exhibition’s promo trailer.

J.G. Ballard, Autopsy of the New Millennium: Press Release

By • Jul 22nd, 2008 •

Category: autobiography, Ballardosphere, Barcelona, dystopia, enviro-disaster, film, inner space, science fiction, sexual politics, Shanghai, Shepperton, speed & violence, suburbia, surrealism, utopia, visual art, WWII

Press release with fuller information and accompanying images for JG Ballard, Autopsy of the New Millennium, opening today at the Centre de Cultura Contemporània de Barcelona (CCCB).