Ballardian

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?

Ballard’s writing has a strong connection to visual art. It informed his work and led to him befriending some of the leading artists of his time, while in turn his work has influenced today’s crop. As Ben Austwick reports, the exhibition Crash: Homage to J.G. Ballard represent these diverse strands in a haphazard, yet always interesting fashion.

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.

Autogeddon: Martin Pichlmair on the connection between Ballard and Grand Theft Auto IV.

If Vaughan was alive today, do you think he’d be using AutoCAD to plot celebrity autogeddon?

Mike Bonsall sets out on a mission to find The Real Concrete Island, and is surprised by what he finds: ‘Ballard must have walked the same streets that years later I was to haunt with my own damaged crew. Living within sight of the Westway, which I felt must have helped form his motorway mythology, I was moved to do some geo-detective work…’

Here’s another republished interview, this time from 2005 as Mitchell and Ford probe JGB about his infamous 1970 ‘Crashed Cars’ exhibition, which elicited drunken aggression from its bemused audience.

Jordi Costa, the curator of J.G. Ballard: Autopsy of the New Millennium, currently exhibiting at the Centre de Cultura Contemporània de Barcelona, gifts us this incisive analysis of the major themes in Ballard’s work. Accompanying the essay is the alternate version of the exhibition’s promo trailer.

Press release with fuller information and accompanying images for JG Ballard, Autopsy of the New Millennium, opening today at the Centre de Cultura Contemporània de Barcelona (CCCB).

‘Northolt through an Ubu absurd lens’: the latest photo essay from English Heretic, tracking the dark heart of Ballard’s Crash.

Some more entries in the Crash Cover competition.

Dr Robert Vaughan has a scarred penis. Describe it to me. Is his semen salty? Some semen is saltier than others. Let’s get rid of that gum — don’t want you blowing it up my urethra.

Info on a new volume of Ballard criticism, edited by Jeannette Baxter.

Can anyone tell me what has happened to the competition to design a cover for Crash?

Troy Paiva’s desert photography evokes the crumbling, decadent resorts and enervated cityscapes of Ballard’s Vermilion Sands and Hello America stories. Enjoy this interview with Troy, the Light-Painter of Mojave D.

For this upcoming exhibition, the International Project Space in Birmingham will be transformed into the J.G. Ballard Centre for Psychopathological Research, “an institute built to interrogate the New Psychology explored in Ballard’s fiction.”

It’s official: Ballard is the 28th most erotic writer in London.

Drawing inspiration from J.G. Ballard’s exhibition of crashed cars in 1970, the Crashman presents his own festival of Atrocity films: aviation disasters set to musical soundtracks.

Here are the entries in the 1st Ballardian Festival of Home Movies. Congratulations to the winner, Ben Slater.

Here’s a dossier on presidential candidate Ralph Nader, courtesy of The Atrocity Exhibition.

Here’s a transcription of the BBC Radio Front Row review of Miracles, presented by Mark Lawson and featuring Iain Sinclair and Hermione Lee.

This post is given over to recent links readers have sent me. ‘Ballardian’ or not? You decide.

The Times has two more extracts from Miracles of Life. In the first, Ballard reminisces about his time as a trainee air force pilot. In the second, he discusses the ideas behind Crash.

What’s more Ballardian? A fragrance for women patterned after the smell of burnt rubber, brake fluid and excrement? Or a scent designed to evoke the smell of a woman’s vagina? You decide.

According to Dan Lockton, one of the many ‘obsessions’ running through Ballard’s work is the effect of architecture on the individual. More than playful psychogeography, Ballard dissects architectural influence on his characters with technical precision.

According to William Viney, Crash presents a barrage of images that expresses collapse, dereliction, and waste; a seemingly endless carnival of sex and destruction; intoxicating, perverting, and desensitizing the reader, while Empire of the Sun can be seen as the terminus of Ballard’s treatment of waste, the epitome of all that has gone before. Although Ballard’s other works deal with the subject of death and the disposal of corpses, Empire of the Sun attempts to cope with this disposal on a mass-scale, or rather, during both war and peace, it explores the complex transition between the valued human being and lifeless, disposable cadaver.

How strange is this: Rosanna Arquette, and Crash, popping up in all sorts of places. This film, Ballard’s story, still packs a powerful psychological enema.

William Viney explores how High-Rise, Concrete Island, and “The Ultimate City” contain familiar visual landscapes. However, each of these recognisable aspects of urban experience is rendered unfamiliar through the pervasive renegotiation of waste categories.

Recently, Toronto’s Merril Collection of Science Fiction, Speculation and Fantasy passed on to Rick McGrath a binder containing a slew of Canadian JGB reviews, Ballardian esoterica and the jewel in the crown: a long, unpublished interview with Ballard from 1974.

John Carter Wood sent me this link to vintage German crash-test photos. These shots evoke the footage in the Crash! short film, where Ballard notes, ‘I remember seeing some films on television of test crashes a few years ago. … They filmed them beautifully because they wanted to know what was happening. They weren’t interested [...]

Photo: Eamonn McCabe. Lee Rourke at the Guardian’s book blog has posted on Ballard, casting his vote for JGB as Britain’s ‘greatest living author’ and Crash as the ‘most prophetic novel written by a British writer in the last 50 years’. Lee has some sharp observations: Crash is the definitive novel of technocentrism: where the [...]

Interviewed at Mstation, here’s the sound artist Janek Schaefer on J.G. Ballard: MR: Your Memory Museum was based around a similiar idea of taking sounds from elsewhere and putting them into a new space… JS: In a way, yes, That was based on a book “Concrete Island” – you can tell I’m a fan of [...]

Some people get their kicks from braving a mob of blood-crazed shoppers to attack the nearest mannequin. But if that doesn’t appeal, why not exact virtual revenge? Keith emails to inform of one of the very best things online: a little feature over at ConsumerReports.org called the ‘Crash Test Selector’. It’s a series of films [...]

The resonance of Crash refuses to dissipate. Firstly, John emailed to inform me of a new Washington Times interview with David Cronenberg, in which the Baron of Blood makes this rather curious remark: There’s an eroticism involved, certainly in ‘Crash,’ and I really saw that in the beheading videos. They looked like homosexual gang rapes [...]

Yes, it’s Concrete Island all over again, according to the Telegraph, which tells us: A tramp who has lived in the middle of a Wolverhampton ring road for more than 30 years has become a Facebook phenomenon. Josef Stawinoga, aged in his eighties, is the subject of a fansite with more than 4,200 members. Titled [...]

ABOVE: Crash! on YouTube by Simon Sellars CRASH! (1971) Director: Harley Cokliss Writer: J.G. Ballard Starring: J.G. Ballard & Gabrielle Drake I wasn’t satisfied by just writing SF stories, you see. My imagination was eager to expand in all directions.” J.G. Ballard. ‘From Shanghai to Shepperton’, 1982. Leached away by the camera lens, the dimension [...]

ABOVE: Cokliss/Ballard on YouTube CRASH! Director: Harley Cokliss Writer: J.G. Ballard Starring: J.G. Ballard & Gabrielle Drake This a transcript of the meta-narration and voiceover from the film CRASH!. See here for ‘Crash! Full-Tilt Autogeddon’, an appraisal of the film. NARRATOR: In slow motion, the test cars moved towards each other on collision courses, unwinding [...]

Well, I may have dumped the freeway/motorway image from the banner of this site, but the strange, human-effacing power of tar-bound macadam encased in concrete and steel and pounded at high-speed by the hard jazz of autogeddon still endures for me. Watch this; sounds wonderful: The Secret Life Of The Motorway Ep 1/3 Tuesday 21 [...]

More on the Dead Di meme, as Chris Petit reviews 12:23 by Eoin McNamee and The Accident Man by Tom Cain: The princess, as a largely self-invented figure, is a gift to fiction, not least because the reasons she might have been killed are finally less arresting than speculation on her untimely death: the swansong [...]

+ Three lovely Ballardian riffs… 1) Dan Lockton over at the awesome Architectures of Control, a blog that analyses the ways in which products are designed to restrict user behaviour, guides us through a new initiative at Heathrow Airport’s Terminal 5: the removal of seating so that patrons have no choice but to spend great [...]

+ KILLING CARS Rich, car-crashing idiot No. 2: Stefan Eriksson. Over at The Wrong Advices, Dan writes, ‘After watching Eddie Griffin destroy a Ferrari Enzo I was reminded of some of the other times rich idiots have killed beautiful and expensive cars. I’ve put together a list of some of the more memorable crashes.’ My [...]

by Simon Sellars Suburban Badlands: the Mill Park aftermath. Photo: Angela Wylie (from the Age newspaper). The system is self-regulating. It relies on our sense of civic responsibility. Without that, society would collapse. In fact, the collapse may even have begun.” ——————————————————————– J.G. Ballard. Millennium People (2003; p. 104). ——————————————————————– On the morning of 2 [...]

According to French Education Minister Gilles de Robien: “We lose a great creator. Jean Baudrillard was one of the great figures of French sociological thought.” In the wake of Baudrillard’s death at age 77, with homeostatic news sources struggling to redefine hyperreality while churning out great steaming wads of the stuff, return to Baudrillard’s glistening, [...]

Photo: Stephen Hughes. Read recently… + Via Fanny Magnate, David Chandler’s essay on the work of photographer Stephen Hughes: Over the last five years Hughes has worked all over Europe, developing an interest in what might be called ‘peripheral places’, sometimes places literally on the edge — of cities perhaps, or by the sea — [...]

The infamous Texas Book Depository window, and the fatal frame from the Zapruder JFK assassination film. Abraham Zapruder was a tourist in Dealey Plaza whose amateur cine-film captured the President’s tragic death. The Warren Commission concluded that frame 210 recorded the first rifle shot, which wounded Kennedy in the neck, and that frame 313 recorded [...]

“Believe me, the next revolution is going to be about parking.” (J.G. Ballard. Millennium People.) It’s becoming harder to keep up with the swelling tsunami of Ballardian world events. First we had to come to terms with the hidden meaning behind the Lisa Nowak story and Australia’s recent flag-waving menace. Then we had to wait [...]

Writer Tim Footman unpacks the Thom Yorke/Ballard thing (I posted on Yorkey’s Ballard quote yesterday): I referred to [J.G. Ballard's Crash] in some depth when discussing ‘Airbag’, the opening track of OK Computer, in my forthcoming book. … The sexual/spiritual rush that Thom Yorke’s narrator seems to achieve from near-annihilation on the road is prefigured [...]

No Fear of the Future, a new group blog that’s recently come on line, features a jaw-dropping analysis of celebrity culture from the talented Chris Nakashima-Brown. It begins by outlining the Ballardian aspects of Operation Paget, the inquiry into the death of Princess Diana and Dodi Fayed. Chris sets Paget up as the sequel to [...]

It’s been a bit quiet around these parts. Sorry. Something’s brewing, though…like a wind from nowhere, sweeping through London Town… …:: Incoming (soonish) + News on next year’s International JG Ballard Conference + More interviews exploring the Ballard continuum across time and space + Guest posts from guest bloggers Subscribe for notification of updates as [...]

OPENING LINE: “Apocalypse. A disquieting feature of this annual exhibition — to which the patients themselves were not invited — was the marked preoccupation of the paintings with the theme of world cataclysm, as if these long-incarcerated patients had sensed some seismic upheaval within the minds of their doctors and nurses.” For many, The Atrocity [...]