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Archive for the ‘speed & violence’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



Mad Max: ‘Punk’s Sistine Chapel’ – A Ballardian Primer

By • Apr 3rd, 2015 •

Category: Applied Ballardianism, Australia, autogeddon, features, Lead Story, post-apocalypse, speed & violence, surveillance, urban decay

Fury Road, the fourth film in the Mad Max series, is released on 15 May. Ballard loved Mad Max 2, going so far as to anoint it ‘Punk’s Sistine Chapel’. To celebrate George Miller’s latest masterpiece, we are proud to present this Ballardian primer to the Mad Max Universe.



CRASH: Adaptación de un fragmento de la novela de J. Ballard

By • Oct 11th, 2014 •

Category: Argentina, Borges, comics, features, Lead Story, speed & violence, visual art

The Ballardian is proud to present Crash by Argentine graphic artist Sanyú, a graphic adaptation of a fragment of Ballard’s novel by that name, originally published in 1991 in legendary Argentine magazine Fierro.



Crash and the Aesthetics of Disappearance

By • Oct 22nd, 2013 •

Category: features, Jean Baudrillard, Lead Story, speed & violence, visual art

Art critic Andrew Frost explores the power of J.G. Ballard’s crashed-car metaphor as it spans two exhibitions 42 years apart: Ballard’s own ‘Crashed Cars’ show of 1970, and Ms&Mr’s 2012 Ballard-referencing video exhibition, Videodromes for the Alone: Amputee for the Neurotic Future 1988/2012.



A Fascist State? Another Look at Kingdom Come and Consumerism

By • Jul 7th, 2010 •

Category: advertising, architecture, Bentall Centre, celebrity culture, consumerism, dystopia, fascism, features, Lead Story, media landscape, Salvador Dali, Shanghai, speed & violence, sport, surrealism

Ballard’s final novel, Kingdom Come, a dystopian account of consumerism as a type of ’soft fascism’, received lukewarm reviews and suggestions that the author was, perhaps, finally losing his touch. Others were eager to point to parallels between it and events around us: aggressive car commercials, racist behaviour by sports fanatics. In this article, Mike Holliday re-examines Kingdom Come and asks: can we really equate consumerism with fascism?



“Ambiguous aims”: a review of Crash: Homage to J.G. Ballard [NSFW]

By • Mar 12th, 2010 •

Category: America, Andy Warhol, celebrity culture, Lead Story, media landscape, nuclear war, reviews, Salvador Dali, speed & violence, visual art, WWII

Ballard’s writing has a strong connection to visual art. It informed his work and led to him befriending some of the leading artists of his time, while in turn his work has influenced today’s crop. As Ben Austwick reports, the exhibition Crash: Homage to J.G. Ballard represent these diverse strands in a haphazard, yet always interesting fashion.



Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature

By • Oct 5th, 2009 •

Category: academia, Bluewater, Chris Petit, features, Iain Sinclair, Lead Story, Marc Auge, memory, non-place, psychogeography, Situationists, speed & violence

JG Ballard and Iain Sinclair have often been cast in a simple narrative of compatible writers and thematic consistencies. David Cunningham’s wide-ranging article forces a new appreciation of this complex relationship.