Ballardian

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.

The story of Savoy Books is one of the most strangest in publishing history: a tale of lost opportunities, missed opportunities, repression, censorship, imprisonment … and, most importantly, an incredible legacy of work that continues to disturb, challenge and confront. Mike Holliday talks to Savoy co-founder Michael Butterworth about all this and more, including the guidance Butterworth received as a young writer from J.G. Ballard.

Reprints of three book reviews originally published elsewhere. The reviews discuss The BLDGBLOG Book (2009) by Geoff Manaugh, City Visions: The Work of Iain Sinclair (2007), edited by Robert Bond and Jenny Bavidge, and JG Ballard’s Surrealist Imagination: Spectacular Authorship (2009) by Jeannette Baxter.

Dan O’Hara back-translates an interview with JGB originally published in French in 1985. As the interviewers observe, Ballard was almost the subject of a French cult due to Crash. Asking why there are no car-crashes in Empire of the Sun, they reveal a very suggestive lacuna, with Ballard replying that even when one characteristic theme is absent from a work, the underlying emotion may remain the same, expressed by different means. Choice of metaphor is merely a matter of tone

I’ve finally captured my impressions of Barcelona and Kosmopolis, with main ingredients: Lou Reed, Claire Walsh, Laurie Anderson, Kafka, Brecht, Dali, brilliant public space, Ballard, and the sheer unbridled thrill of one of the most amazing cities in Europe.

Here’s another republished interview, this time from 2005 as Mitchell and Ford probe JGB about his infamous 1970 ‘Crashed Cars’ exhibition, which elicited drunken aggression from its bemused audience.

Transmission from Barcelona stop Having a wonderful time stop I believe in nothing stop Lost in surreal image machine and deep-blue-drenched corridors stretching to infinity stop Startling comma perverse visuals stop Rare books and writing stop Exhibition a raging success stop JGB would be proud stop Full letter to follow comma Love Rick end transmission

Jordi Costa, the curator of J.G. Ballard: Autopsy of the New Millennium, currently exhibiting at the Centre de Cultura Contemporània de Barcelona, gifts us this incisive analysis of the major themes in Ballard’s work. Accompanying the essay is the alternate version of the exhibition’s promo trailer.

Press release with fuller information and accompanying images for JG Ballard, Autopsy of the New Millennium, opening today at the Centre de Cultura Contemporània de Barcelona (CCCB).

‘Northolt through an Ubu absurd lens’: the latest photo essay from English Heretic, tracking the dark heart of Ballard’s Crash.

Troy Paiva’s desert photography evokes the crumbling, decadent resorts and enervated cityscapes of Ballard’s Vermilion Sands and Hello America stories. Enjoy this interview with Troy, the Light-Painter of Mojave D.

Savoy Books publishes Horror Panegyric, Keith Seward’s analysis of the notorious Lord Horror novels.

Dan O’Hara is back with another translation of a German Ballard interview, this time from 2007 with JGB in priapic, puckish form.

UPDATED. Aside from the films of Empire and Crash, Ballard has had almost all his novels optioned for the screen at some stage. Suitors include Richard Gere, Samuel L. Jackson, Jack Nicholson, David Frost and a trio of scantily-clad cavegirls.

Another installment in Dan O’Hara’s re-translations of archival German Ballard interviews: a 1982 conversation conducted by Werner Fuchs and Joachim Körber.

In 2007 I toured Shepperton using Ballard’s Unlimited Dream Company as my guidebook. Here are the results of that neurological survey, born from the torsion of “every cell in my body waiting at the end of a miniature runway”.

For this upcoming exhibition, the International Project Space in Birmingham will be transformed into the J.G. Ballard Centre for Psychopathological Research, “an institute built to interrogate the New Psychology explored in Ballard’s fiction.”

This is the second of Dan O’Hara’s re-translations of JGB interviews originally published in German. This one dates from 1976, and in it Ballard provides comment on Russian writers and explains how film technique infiltrates and influences his own writing.

Dan O’Hara has re-translated three interviews with JGB, originally published in German in the 60s, in which Ballard provides absorbing insight into his enviro-disaster trilogy: The Drowned World, The Drought and The Crystal World.

Here’s a transcription of the BBC Radio Front Row review of Miracles, presented by Mark Lawson and featuring Iain Sinclair and Hermione Lee.

Sam Scoggins has finally digitised his ‘lost’ 1983 quasi-doco on Ballard, loosely structured around themes found in The Unlimited Dream Company. There are plans for ballardian.com to interview Sam, but for now, enjoy the film.

The publicity machine is warming up for Ballard’s forthcoming autobiography, Miracles of Life, due for publication February 2008.

So he has…
..:: Previously on Ballardian: John Howard: The Conspiracy of Grey Men (which is the only post on this site I’ve left with a comments box completely unmoderated, as the comments are completely priceless and apparently fairly sum up the level of political debate in this country).

I’m slowly coming up for air after being buried alive by work and study. To everyone whose links, articles, essays and features I’ve promised to post, I’ll begin to work through the backlog over the next few days. By the way, what does it mean when you dream about trying to enter a church, but [...]

by Dominika Oramus

World’s first hydrogen bomb explosion, Eniwetok Atoll, 1952.

Dominika Oramus teaches Brit.Lit. professionally at the University of Warsaw. The following is Part Two of the introduction to Grave New World: The Decline of the West in the Fiction of J.G. Ballard, her post-doctoral thesis. Grave New World currently exists as a (very) limited edition [...]

Dominika Oramus reads Ballard’s work as a record of the gradual internal degeneration of Western civilization: though we are not literally living amidst the ruins, the golden age is far behind us and we are witnessing the twilight of the West.

There has been a Ballard backlash. Here are two of the more aggressive memes.

Ballard vs The Blogosphere
Ballard was recently interviewed by the Guardian in a series on writers’ rooms. In this feature he said, ‘The first drafts of my novels have all been written in longhand and then I type them up on my old [...]

Here I present the latest wrapup, not as extensive as I would like as I’m currently in Dubai trying to locate my missing passport, while entertaining the thought of spending a few days, maybe a week in the non-space of the Dubai International Airport until it turns up (hopefully a week; I’m trying to embrace [...]

+ CATALOGUE OF CONTEMPORARY ATROCITIES

Jeannette Baxter, organiser of this weekend’s J.G. Ballard Conference at the University of East Anglia, delivers a challenging examination of Surrealist influences in Ballard’s Running Wild for Issue 5 of the online journal, Papers of Surrealism.
‘The Surrealist Fait-Divers: Uncovering Violent Histories in J. G. Ballard’s Running Wild’: Abstract
In this paper I [...]

‘If Dali Had Painted Angelina Jolie’, by 14. Copyright 2006.
I’ve just discovered the Gallery of the Absurd, maintained by the artist known simply as ‘14′ and devoted to her sharp, witty and frightening caricatures of A-list celebrities. There’s TomKat recast as TomRat — two furry, grotesque rodents cradling their hideous offspring; there’s The Three Disgraces: [...]

Nice article by Jonathan Jones tracing the influence of Surrealism, including in the works of Ballard. It’s as neat a summation as you’d want of one of JGB’s major inspirations:
When we speak of something being surreal, we mean something between funny peculiar and funny ha-ha. It is undoubtedly this comic dimension that made surrealism so [...]

J.G. Ballard, in 1960, posing in front of his ‘experimental billboard fiction’.
On 5 May 2007, ‘From Shanghai to Shepperton: An International Conference on J.G. Ballard’, apparently the first-ever conference on the work of Ballard, will be held at the University of East Anglia, Norwich, UK. Guest speakers include the novelist Toby Litt; Roger Luckhurst, author [...]

OPENING LINE:
“All summer the cloud-sculptors would come from Vermilion Sands and sail their painted gliders above the coral towers that rose like white pagodas beside the highway to Lagoon West.” (from ‘The Cloud-Sculptors of Coral D’).
I’m not covering every one of JGB’s short-story collections in this bibliography — with the release of the Complete Short [...]

JG Ballard. Photo: Paul Murphy.
On 14 September 2006 JG Ballard gave a reading from his new novel, Kingdom Come, and talked to Robert McCrum of the Observer at the Institute of Education, London — the evening was presented by Blackwell. Looking rather dapper and displaying a sharpness and wit that puts people half his age [...]

OPENING LINE:
“Wars came early to Shanghai, overtaking each other like the tides that raced up the Yangtze and returned to this gaudy city all the coffins cast adrift from the funeral piers of the Chinese Bund.”
There’s not much left to say about the autobiographical Empire, perhaps Ballard’s most popular book and the work that catapulted [...]

OPENING LINE:
“In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money”. (from ‘The Sweet Smell of Excess’).
From the 1996 Harper Collins edition:
The first-ever collection of J.G. Ballard’s articles and reviews, published over the [...]

OPENING LINE:
“I first met Jane Ciracylides during the Recess, that world slump of boredom, lethargy and high summer which carried us all so blissfully through ten unforgettable years, and I suppose that may have had a lot to do with what went on between us.” (from ‘Prima Belladonna’).
From the 2001 Flamingo edition (originally one volume; [...]

by Simon Sellars

an image from John Foxx’s Cathedral Oceans project
John Foxx, the former lead singer of Ultravox, is an undisputed electronic music pioneer. Before Midge Ure came along, the band’s three Foxx-driven albums, Ultravox! (1977), Ha! Ha! Ha! (1978) and Systems of Romance (1978), fused near-future melancholy with icy man-machine interfaces and the remake/remodel aesthetic [...]

by Annik Hovac

GRAVITY’S PEAK IS SURVIVABLE
“About midnight, Diana walks out, all green eyes and friendly breast velocity. Dodi, her Prince, is there to sweep her away from the insatiable paparazzi.”
The following extract is presented by the JG BALLARD INSTITUTE for the Study of Eroto-Responsive Kinetics, Canberra.
“On August 31, 1997, Princess Diana and her lover Dodi [...]

From the Guardian, August 7, 2005. The King of Kinky "Helmut Newton was a photographer who never saw the point of not overstating the obvious: in one infamous shoot, he placed a horse’s saddle on a beauty posing in riding jodhpurs on a bed on all fours; in another the women sported medical corsets [...]