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Archive for the ‘technology’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



Review: Jeremy Reed’s West End Survival Kit

By • Feb 8th, 2010 •

Category: alternate worlds, biology, body horror, boredom, CCTV, celebrity culture, conspiracy theory, consumerism, cyberpunk, death of affect, entropy, Hawkwind, inner space, Lead Story, psychopathology, reviews, surrealism, surveillance, technology

A review-essay of Jeremy Reed’s latest collection of poetry, West End Survival Kit. The review also discusses the long and enigmatic relationship Reed has with Ballard, who wrote the foreword to the collection, where he paid tribute to Reed’s ‘extraterrestrial talent’.



The Office Park

By • Jan 18th, 2010 •

Category: alternate worlds, architecture, CCTV, death of affect, dystopia, features, gated communities, Jean Baudrillard, Lead Story, leisure, non-place, photography, psychopathology, surveillance, technology, theme parks

Nicholas Cobb’s architectural model of a corporate campus, photographed with a malevolent, dystopian flair, and exploring parallel themes to Ballard’s Super-Cannes.



'Skid analysis': Vaughan reborn…

By • Dec 12th, 2008 •

Category: Ballardosphere, speed & violence, technology

If Vaughan was alive today, do you think he’d be using AutoCAD to plot celebrity autogeddon?



'Unblinking, clinical': From Ballard to cyberpunk

By • Nov 26th, 2008 •

Category: America, Bruce Sterling, cyberpunk, features, Michael Moorcock, New Worlds, technology, William Burroughs, William Gibson

Bruce Sterling wrote: ‘For the cyberpunks … technology is visceral. It is not the bottled genie of remote Big Science boffins; it is pervasive, utterly intimate. Not outside us, but next to us. Under our skin; often, inside our minds.’ And Ballard’s influence was at the heart of it.