Archive for the ‘urban revolt’ Category

‘Working for the building’: An Interview with Ben Wheatley

By • May 30th, 2016 •

Category: alternate worlds, architecture, Ben Wheatley, brutalism, features, film, gated communities, urban decay, urban revolt, urban ruins, William Burroughs

Ben Wheatley’s High-Rise opened earlier this year, garnering praise, bemusement and opprobrium in roughly equal measure. In this exclusive interview, Wheatley tells us about the process of adapting the film, his attraction to Ballard, and his working relationship with scriptwriter and editor Amy Jump.

Welcome to the High-Rise.

High-Rise: All the Trailers and Clips So Far

By • Mar 13th, 2016 •

Category: advertising, alternate worlds, architecture, Ben Wheatley, brutalism, consumerism, death of affect, dystopia, features, gated communities, Interior design, Lead Story, urban decay, urban revolt, urban ruins, utopia

High-Rise, Ben Wheatley’s adaptation of J.G. Ballard’s novel, is released in the UK on 18 March. To celebrate, here’s a collection of all the clips and trailers so far.

High-Rise: Wheatley vs Cronenberg

By • Dec 15th, 2015 •

Category: advertising, alternate worlds, architecture, Ben Wheatley, brutalism, David Cronenberg, drained swimming pools, dystopia, features, film, Lead Story, leisure, urban revolt, urbanism

High-Rise, Ben Wheatley’s much-anticipated adaptation of the J.G. Ballard novel, goes on general release in March 2016. The first trailer was released recently, bringing excitement to the boil, for not only does the trailer adapt Ballard, it also homages Cronenberg.

‘Zones of Transition’: Micronationalism in the work of J.G. Ballard

By • Dec 28th, 2012 •

Category: academia, airports, alternate worlds, CCTV, consumerism, death of affect, features, gated communities, Lead Story, Marc Auge, micronations, Shanghai, suburbia, surveillance, the middle classes, urban revolt

Simon Sellars re-reads Ballardian space in light of the idiosyncratic, real-world phenomenon of micronations, tracing parallels between Ballard’s physical and psychological spaces and Marc Augé’s idea of ‘non-place’.

Kingdom of the Dead

By • Aug 5th, 2008 •

Category: alternate worlds, America, Ballardosphere, body horror, consumerism, death of affect, film, gated communities, horror, humour, micronations, urban revolt

Parallels between Ballard’s Kingdom Come and Romero’s Dawn of the Dead.

Secure the parking lot; charge the mall

By • Jun 25th, 2008 •

Category: Ballardosphere, consumerism, urban revolt, war

Kingdom Come, JoBurg style…

Your mission…

By • May 27th, 2008 •

Category: architecture, Ballardosphere, consumerism, crime, Iain Sinclair, terrorism, urban revolt

“Iain, I want you to blow up Bluewater.”

The Car that Ate Bournville

By • Apr 30th, 2008 •

Category: Ballardosphere, David Cronenberg, suburbia, urban revolt, urban ruins, visual art

Out in the suburbs, the Birmingham-based Ballard exhibition Zodiac 3000 draws first blood…

'Vomit, violence, tabloid architecture…'

By • Mar 11th, 2008 •

Category: architecture, Australia, Ballardosphere, celebrity culture, fascism, media landscape, micronations, psychology, sport, television, urban revolt

MelbPsy gets all Atrocity Exhibition on the House that Sam Newman built, the ‘tabloid architecture’ sheathing yet another backyard Aussie micronation.

Over to you…

By • Feb 3rd, 2008 •

Category: architecture, Ballardosphere, consumerism, fashion, photography, sexual politics, Shanghai, speed & violence, surveillance, travel, urban revolt, visual art

This post is given over to recent links readers have sent me. ‘Ballardian’ or not? You decide.

‘You are Hochhaus!’: Ballard in Berlin

By • Jan 9th, 2008 •

Category: architecture, Chris Marker, David Cronenberg, dystopia, entropy, fascism, film, gated communities, Germany, interviews, Steven Spielberg, urban decay, urban revolt, urban ruins, utopia, WWII

Dan O’Hara interviews the creators of Hochhaus, a German mixed-media radio play based on High-Rise. Transposing the novel to Berlin in 2013, it references Nazism, notably Speer’s social engineering through architecture, on its way to exploring Ballard’s relevance to speculative models of German life.

'Mannequins Mauled in Store Wars': Best Headline Ever?

By • Oct 9th, 2007 •

Category: advertising, Ballardosphere, consumerism, fashion, urban revolt

The shop mannequin and the crash-test dummy have always held a privileged place in Ballard’s fiction. Battered, broken and discarded, they housed the streaky veins of alienation and despair that marked The Atrocity Exhibition. Rendered with Ballard’s clinical, amoral gaze, they evoked the terminal stylisation wreaked by technology in Crash. Fused by nuclear radiation into […]