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Archive for the ‘visual art’ Category

Taking the Top Off His Skull: The Genesis of J.G. Ballard’s Crash

By • Mar 28th, 2017 •

Category: archival, biography, comics, death of affect, fascism, features, Futurists, inner space, Lead Story, New Worlds, psychopathology, Salvador Dali, speed & violence, suicide, technology, theatre, visual art, William Burroughs

To celebrate the imminent release of Crash: the Collector’s Edition, Mike Holliday takes a look at the development of the ideas behind this, Ballard’s most notorious book. As he discovers, Crash was years in the making, many of its ideas first appearing the previous decade.



High-Rise: All the Posters So Far

By • Mar 3rd, 2016 •

Category: advertising, Ben Wheatley, features, film, Lead Story, visual art

Feast your eyes on all the promotional posters for Ben Wheatley’s High-Rise…

“There comes a time when some sort of radical action is needed. Some of my novels, like High-Rise, are terrorist novels in that they’re designed to deliberately provoke.” J.G. Ballard.



Venus Smiled: Tribute to Claire Walsh

By • Oct 21st, 2014 •

Category: advertising, Ambit magazine, architecture, Barcelona, biography, Claire Churchill, features, invisible literature, Lead Story, Michael Moorcock, New Worlds, visual art, Will Self

Recently, Claire Walsh died after battling with cancer. She was an editor and literary publicist, and J.G. Ballard’s long-time partner. Her intellect matched Ballard’s and pushed him into new territories, inspiring some of his best work. Collecting quotes from Ballard, Claire and articles from Ballardian and beyond, this tribute to Claire Walsh illustrates their symbiotic relationship.



CRASH: Adaptación de un fragmento de la novela de J. Ballard

By • Oct 11th, 2014 •

Category: Argentina, Borges, comics, features, Lead Story, speed & violence, visual art

The Ballardian is proud to present Crash by Argentine graphic artist Sanyú, a graphic adaptation of a fragment of Ballard’s novel by that name, originally published in 1991 in legendary Argentine magazine Fierro.



Crash and the Aesthetics of Disappearance

By • Oct 22nd, 2013 •

Category: features, Jean Baudrillard, Lead Story, speed & violence, visual art

Art critic Andrew Frost explores the power of J.G. Ballard’s crashed-car metaphor as it spans two exhibitions 42 years apart: Ballard’s own ‘Crashed Cars’ show of 1970, and Ms&Mr’s 2012 Ballard-referencing video exhibition, Videodromes for the Alone: Amputee for the Neurotic Future 1988/2012.



Cosmic Sentinels and Spiral Jetties: J.G. Ballard, Robert Smithson & Tacita Dean

By • Mar 3rd, 2013 •

Category: architecture, deep time, features, film, Lead Story, Robert Smithson, Tacita Dean, temporality, urban decay, urban ruins, visual art

Tacita Dean’s new film, JG, is currently on view at the Arcadia University Art Gallery. JG is inspired by Dean’s correspondence with J.G. Ballard, and explores connections between his short story ‘The Voices of Time’ and Robert Smithson’s iconic earthwork and film Spiral Jetty. To celebrate Dean’s new work, Andrew Frost explores the enduring and mysterious relationship between Ballard, Smithson and Dean.



David Pelham: The Art of Inner Space

By • Feb 26th, 2012 •

Category: America, Brigid Marlin, deep time, dystopia, Eduardo Paolozzi, entropy, enviro-disaster, inner space, interviews, Lead Story, visual art

David Pelham produced perhaps the most Ballardian images ever to grace the covers of Ballard’s novels, prompted by this brief from the author himself: ‘‘monumental/tombstones/airless thermonuclear landscape/horizons/a zone devoid of time’. Here, Pelham discusses his apocalyptic art with James Pardey.