http://www.ballardian.com/dead-models Fri, 19 Mar 2010 03:03:16 +0000 http://wordpress.org/?v=2.9.1 hourly 1 http://www.ballardian.com/dead-models/comment-page-1#comment-1152 feb 08 « Joannemcneil’s Weblog Mon, 23 Jun 2008 18:40:58 +0000 http://www.ballardian.com/dead-models#comment-1152 [...] Updated: Revisiting some of the controversy over Steven Meisel’s photos for Vogue Italia, I was reminded of last year’s American’s Next Top Model crime scene shoot, discussed on Ballardian. [...] [...] Updated: Revisiting some of the controversy over Steven Meisel’s photos for Vogue Italia, I was reminded of last year’s American’s Next Top Model crime scene shoot, discussed on Ballardian. [...]

]]> http://www.ballardian.com/dead-models/comment-page-1#comment-1151 Tomorrow Museum » Archive » With Speed Graphic Cameras, Art is a Crime [Scene] Fri, 14 Mar 2008 18:30:11 +0000 http://www.ballardian.com/dead-models#comment-1151 [...] use crime scenes as a gimmick, Melanie Pullen has made a name for herself doing just that and a particularly ridiculous episode of America’s Next Top Model, proved that feminists are indeed humorless or the fashion industry is vacuous or both things at [...] [...] use crime scenes as a gimmick, Melanie Pullen has made a name for herself doing just that and a particularly ridiculous episode of America’s Next Top Model, proved that feminists are indeed humorless or the fashion industry is vacuous or both things at [...]

]]> http://www.ballardian.com/dead-models/comment-page-1#comment-1150 Smokewriting - Another Fine Edition of Me Wed, 31 Oct 2007 13:59:07 +0000 http://www.ballardian.com/dead-models#comment-1150 [...] Ballardian shows us how this trend hit some sort of zenith recently within the arena of reality television, where the audiences have long since become acclimatised to participating in and enjoying casual long-range hate-fests occasioned by shows such as Wife Swap and Big Brother. America’s Next Top Model develops the tediously trangressive logic of the format in an original way: the opportunity to indulge the ol’ lust of the eyes with faked pictures of murdered women. [...] [...] Ballardian shows us how this trend hit some sort of zenith recently within the arena of reality television, where the audiences have long since become acclimatised to participating in and enjoying casual long-range hate-fests occasioned by shows such as Wife Swap and Big Brother. America’s Next Top Model develops the tediously trangressive logic of the format in an original way: the opportunity to indulge the ol’ lust of the eyes with faked pictures of murdered women. [...]

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