Drowned Geoff
Author: Simon Sellars • Nov 17th, 2007 •Category: Ballardosphere, alternate worlds, architecture, celebrity culture, cult-doom peddling, dystopia, enviro-disaster, utopia

- Image by Pedro Armestre and Mario Gómez.
The influence of BLDGBLOG’s Geoff Manaugh is spreading far and wide, so much so he is now featuring in a personality profile (disguised as a walking tour) in the Los Angeles Times in which the colour of his hair is discussed! Luckily, the writer, architecture critic Christopher Hawthorne, leaves space for Geoff’s thoughts, which as always are impressively concise, intelligent and jargon-free:
And that means he thinks of L.A. as a historical place?
“Yes! Not in the human history sense but in the sheer sense of Earth time. And as dumb as that may sound, I feel that you can actually see it — you can see it in the species of trees and in the natural landscape. In the Grove, for example, where the shops have methane meters, because gas is leaking out of the tar deposits.”
We walk back toward his apartment, along surprisingly crowded sidewalks and past a hulking SUV with a license plate reading “00 MPG.” We pause at the intersection of Washington and Keystone. At the northeast corner sits a collection of building-sized satellite dishes, crammed like huge barnacles on a small pier. They are responsible, Manaugh says, for sending most of Sony’s programming to China. He turns in the direction of his apartment building.
“They send the signals basically in this direction, so the whole time we’ve been living here there’s been this constant stream of movies and TV shows going above our heads as we sleep, across the Pacific.”
Also, check out Geoff’s recent BLDGBLOG post on ‘Climate Change Escapism’, which looks at artists’ renditions of a drowned Spain exposed to climate change, as commissioned by Greenpeace. Far from seeing these as the warning they are intended to be, Geoff sees a Ballardian, transcendental beauty:
What we see is a world transformed, made unearthly, like something from a J.G. Ballard novel. Where there once was a pristine beach, the sea has returned, giving us modern ruins: sandbars in the lobbies of hotels, tide pools accumulating on the boardwalks of towns you didn’t like in the first place. What appear to be coral reefs are the underwater remains of marinas. What look like atolls are lost subdivisions, or banks at the bottom of the sea.
[Geoff includes a quote from Ballard's The Drowned World here]
Lush, science fictional, Romantic: apparently this is the future of climate change.
My point in saying all this is simply that these images don’t shock; they’re more like posters for tomorrow’s specialty tourism firms.
Fabulous stuff. We need Geoff back here on Ballardian.com to deliver more of these funhouse-mirror-image world views. Especially with killer blows like this:
Only half-jokingly, I might even suggest that the real way to scare people about climate change – assuming that fear is the correct tactic to use here – is not through referring to landscape at all, but through threats involving 1) sex and 2) children.
All that pollution… so much carbon in the atmosphere… dirty water, social unrest, lack of food…
Well, your prostate will swell with metal and your kids will all drown.
..:: Previously on Ballardian
+ The Politics of Enthusiasm: An Interview with Geoff Manaugh
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The overlap with Ballard is obvious, but here in Spain climate change is moving a little faster than it is for you folks in the temperate north, with crops failing, reservoirs drying, and ’seasons’ out of kilter. Hence the Greenpeace book, to jolt some into thinking about it. You can download the whole thing at this url
http://www.greenpeace.org/espana/reports/libroclima
Disfrutar…
Jack Heron
Andalucia, Spain.
Jack, I live in Australia and believe me I know all about climate change. We are in the middle of a severe and ongoing drought; I’ve posted on this a few times on the site. As for the Greenpeace book, Geoff wasn’t saying that climate change isn’t an issue, merely that this method of conveying it is not doing what it was intended to do — that is, to shock.
Thanks for the link!
I like that site but the article is from a distinct point of view that is divorced from the reality of existence for most of the world’s population.
I don’t have, and could never afford, a hummer to drive round the future in. Where would bottled water come from.
Being able to romanticise such futures would depend on having the means to survive it. Drought for the poor - the geopolitcally compromised - is a different matter.
I’d have approached the piece with a more cautious tone.
Also, the sex and children scare tactics is more like telling people what to fear as opposed to actually shocking them. Part of a much more intentioned campaign of diversions.
Andy, all fair points and eminently sensible, but I still don’t feel shocked by these images, the way I did, for example, by anti-nuclear-war propaganda in the 80s. Now that was truly shocking, bed-wettingly terrifying. The film ‘Threads’, for example…