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Hyper-Cannes
Author: Simon Sellars • Jul 3rd, 2006 •Category: Ballardosphere, architecture, psychogeography, psychology
According to the BBC, a group of boffins are using a new techno toy to determine “how dubious a development project will be”, using Cannes as a model. However, instead of looking at the effects of pollution and the play of light, it seems to me they could have saved a lot of money and simply read Super-Cannes instead to glean far more accurate data — analysing the end result of, in Ballard’s words, “a lack of intimacy and neighbourliness”; of an “invisible infrastructure that takes the place of traditional civic virtues”; of “civility and polity being designed into [the development] in the same way that mathematics, aesthetics and an entire geopolitical world view were designed into the Parthenon and the Boeing 747″.
>> from BBC NEWS — TEST-DRIVING A CITYSCAPE
The world’s cities are growing all the time, and in France some are being modelled by computer for the purposes of urban redevelopment.
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Cities look after our every need: we live, work and holiday in them.
They have truly become machines for living in. But what if we want to tinker with the machine and develop a sensitive area like, say, the sea-front at Cannes?
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Now planners can turn to technology, which enables them to test drive an entire city.
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Cannes - the place where Hollywood goes on holiday - has itself become a special effect. A 3D mock-up was commissioned by the city so planners could peer into the future and see how developments will affect the chic resort’s delicate balance.
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Pull up the 3D surround sound-armchair in their lab and you can take an audio tour of the town. That, and the ability to demonstrate the passage of pollution around a city, makes this a useful potential tool for showing those dubious about a development project exactly what the end result will be.
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Now, perhaps, we can tailor our surroundings to take more account of what we want”.
Author:
Simon Sellars
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Softeware-driven futures these may be, but the ultimate software will always add it’s own prelidiction for chaos.
This article is reminiscent of the Gurnsbach predictions which also seemed to disregard the random presence of humans.
My view of Ballard’s work is that it portrays man’s dissociation from himself and his environment through psychological trauma rather than through progress or scietific endevour.
I guess I believe that the author or artist is not always the best person to analyse the work.