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	<title>Comments on: Retrospecto: La Jetée</title>
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		<title>By: January 26 &#187; Writing with Video</title>
		<link>http://www.ballardian.com/la-jetee/comment-page-1#comment-4475</link>
		<dc:creator>January 26 &#187; Writing with Video</dc:creator>
		<pubDate>Tue, 26 Jan 2010 12:51:15 +0000</pubDate>
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		<description>[...] power of sound and how to use sound in a very subtle manner.  more background: wikipedia page; a short analysis; [...]</description>
		<content:encoded><![CDATA[<p>[...] power of sound and how to use sound in a very subtle manner.  more background: wikipedia page; a short analysis; [...]</p>
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		<title>By: Jan 27 (W) &#187; writing with video sp&#39;10</title>
		<link>http://www.ballardian.com/la-jetee/comment-page-1#comment-4469</link>
		<dc:creator>Jan 27 (W) &#187; writing with video sp&#39;10</dc:creator>
		<pubDate>Sun, 24 Jan 2010 23:53:22 +0000</pubDate>
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		<description>[...] a short analysis [...]</description>
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		<title>By: TikiMexican</title>
		<link>http://www.ballardian.com/la-jetee/comment-page-1#comment-39</link>
		<dc:creator>TikiMexican</dc:creator>
		<pubDate>Tue, 27 Jan 2009 02:43:56 +0000</pubDate>
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		<description>But what of the sound? The more powerful aspect of this film was it&#039;s soundtrack. Above the narration and score were sounds with booming subtlety that you have unjustly forgotten to mention. The notes of static used to insinuate the betrayl of reality. The whispering of the scientists making for an uneasy atmosphere. And most importantly the drums that remind us of a ticking clock, a beating war drum, and the most visceral heart foley I can remember.</description>
		<content:encoded><![CDATA[<p>But what of the sound? The more powerful aspect of this film was it&#8217;s soundtrack. Above the narration and score were sounds with booming subtlety that you have unjustly forgotten to mention. The notes of static used to insinuate the betrayl of reality. The whispering of the scientists making for an uneasy atmosphere. And most importantly the drums that remind us of a ticking clock, a beating war drum, and the most visceral heart foley I can remember.</p>
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		<title>By: Ballardian: The World of J.G. Ballard &#187; A Whirlpool with Seductive Furniture: The John Foxx Interview</title>
		<link>http://www.ballardian.com/la-jetee/comment-page-1#comment-38</link>
		<dc:creator>Ballardian: The World of J.G. Ballard &#187; A Whirlpool with Seductive Furniture: The John Foxx Interview</dc:creator>
		<pubDate>Mon, 10 Jul 2006 16:53:55 +0000</pubDate>
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		<description>[...] Much of your work, especially via your lyrics, has the effect of freezing moments in time – at the same time as it suggests a kind of time travel. Maybe in the same way that memories work. We know that Last Year in Marienbad is one of your favourite films, but is Chris Marker&#8217;s La Jetee another influence? [...]</description>
		<content:encoded><![CDATA[<p>[...] Much of your work, especially via your lyrics, has the effect of freezing moments in time – at the same time as it suggests a kind of time travel. Maybe in the same way that memories work. We know that Last Year in Marienbad is one of your favourite films, but is Chris Marker&#8217;s La Jetee another influence? [...]</p>
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