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	<title>Comments on: Re-Placing the Novel: Sinclair, Ballard and the Spaces of Literature</title>
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		<title>By: Ballardian » Re-Placing the Novel: Sinclair, Ballard and the &#8230; - Halloween Dolls</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3971</link>
		<dc:creator>Ballardian » Re-Placing the Novel: Sinclair, Ballard and the &#8230; - Halloween Dolls</dc:creator>
		<pubDate>Sun, 22 Nov 2009 03:24:37 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3971</guid>
		<description>[...] [4] Nearly twenty years on, such a poetics is re-iterated in Sinclair&#8217;s essay &#8216;The Shamanism of Intent&#8217;, in which the contemporary shaman&#8217;s &#8217;sickness-vocation&#8217; is explicitly defined as the capacity to &#8216;re- enchant place&#8217; through &#8216;working &#8230;.. John Howe (London &amp; New York: Verso, 1995), pp. 77-8. See also Michael Hardt and Antonio Negri, Empire (Cambridge, MA: Harvard University Press, 2000), pp. 216-7; Manfredo Tafuri and Francesco Dal Co, Modern Architecture/2, trans. &#8230;Continued [...]</description>
		<content:encoded><![CDATA[<p>[...] [4] Nearly twenty years on, such a poetics is re-iterated in Sinclair&#8217;s essay &#8216;The Shamanism of Intent&#8217;, in which the contemporary shaman&#8217;s &#8217;sickness-vocation&#8217; is explicitly defined as the capacity to &#8216;re- enchant place&#8217; through &#8216;working &#8230;.. John Howe (London &amp; New York: Verso, 1995), pp. 77-8. See also Michael Hardt and Antonio Negri, Empire (Cambridge, MA: Harvard University Press, 2000), pp. 216-7; Manfredo Tafuri and Francesco Dal Co, Modern Architecture/2, trans. &#8230;Continued [...]</p>
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		<title>By: Re-placing the novel: Sinclair and Ballard The Institute for Modern and Contemporary Culture</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3858</link>
		<dc:creator>Re-placing the novel: Sinclair and Ballard The Institute for Modern and Contemporary Culture</dc:creator>
		<pubDate>Thu, 29 Oct 2009 15:03:38 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3858</guid>
		<description>[...] David Cunningham&#8217;s 2007 essay on Iain Sinclair, J.G. Ballard and the contemporary novel has been posted by Simon Sellars on his splendid website The Ballardian. Read it here. [...]</description>
		<content:encoded><![CDATA[<p>[...] David Cunningham&#8217;s 2007 essay on Iain Sinclair, J.G. Ballard and the contemporary novel has been posted by Simon Sellars on his splendid website The Ballardian. Read it here. [...]</p>
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		<title>By: TimC</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3811</link>
		<dc:creator>TimC</dc:creator>
		<pubDate>Wed, 21 Oct 2009 09:21:03 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3811</guid>
		<description>Jolly good, Henry. Have a biscuit.</description>
		<content:encoded><![CDATA[<p>Jolly good, Henry. Have a biscuit.</p>
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		<title>By: Mike H</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3790</link>
		<dc:creator>Mike H</dc:creator>
		<pubDate>Sat, 17 Oct 2009 19:05:41 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3790</guid>
		<description>Interesting article. On a first reading I thought it tailed off in interest towards the end, but that’s probably because it’s more directed at Sinclair’s writings than Ballard’s – as Simon recognises in his comments.

More constructively, I think it would be interesting to look at the article in the light of Sinclair’s comments about place and mythology during his discussion with Mike Moorcock and Alan Moore earlier this year, a video of which can be found (in two parts) at http://www.multiverse.org/media/MMLondon1.wmv and http://www.multiverse.org/media/MMLondon2.wmv; (the comments are in the second part, in response to a question from the audience 10 minutes 25 seconds in).

I was particularly struck by Sinclair’s comment about the need to create a mythology in order to avoid getting overwhelmed by other people’s mythologies. That, it seems to me, is similar to the underlying thread that runs through Ballard’s novels of suburbia, and especially “The Unlimited Dream Company” and “Kingdom Come”, that we need to use our imagination or we will be devoured by somebody else’s imagination (all too graphically devoured in UDC!). In a sense, the problematic that Sinclair and Ballard address is the same, but their ways of finding a way out are different … to simplify, Ballard’s starting point is typically to accept the external and then initiate change from the internal. But perhaps it’s moot how much Sinclair’s “creation of mythologies”, if that’s what it is, really differs from Ballard.</description>
		<content:encoded><![CDATA[<p>Interesting article. On a first reading I thought it tailed off in interest towards the end, but that’s probably because it’s more directed at Sinclair’s writings than Ballard’s – as Simon recognises in his comments.</p>
<p>More constructively, I think it would be interesting to look at the article in the light of Sinclair’s comments about place and mythology during his discussion with Mike Moorcock and Alan Moore earlier this year, a video of which can be found (in two parts) at <a href="http://www.multiverse.org/media/MMLondon1.wmv" rel="nofollow">http://www.multiverse.org/media/MMLondon1.wmv</a> and <a href="http://www.multiverse.org/media/MMLondon2.wmv" rel="nofollow">http://www.multiverse.org/media/MMLondon2.wmv</a>; (the comments are in the second part, in response to a question from the audience 10 minutes 25 seconds in).</p>
<p>I was particularly struck by Sinclair’s comment about the need to create a mythology in order to avoid getting overwhelmed by other people’s mythologies. That, it seems to me, is similar to the underlying thread that runs through Ballard’s novels of suburbia, and especially “The Unlimited Dream Company” and “Kingdom Come”, that we need to use our imagination or we will be devoured by somebody else’s imagination (all too graphically devoured in UDC!). In a sense, the problematic that Sinclair and Ballard address is the same, but their ways of finding a way out are different … to simplify, Ballard’s starting point is typically to accept the external and then initiate change from the internal. But perhaps it’s moot how much Sinclair’s “creation of mythologies”, if that’s what it is, really differs from Ballard.</p>
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		<title>By: TimC</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3772</link>
		<dc:creator>TimC</dc:creator>
		<pubDate>Tue, 13 Oct 2009 16:07:33 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3772</guid>
		<description>While I wouldn&#039;t rate &#039;London Orbital&#039; as one of SInclair&#039;s best books, that Amazon reviewer doesn&#039;t half sound dim. I&#039;ve certainly never found him a difficult writer to read - unlike the above, I&#039;m sorry to say. Still, I did learn something that I didn&#039;t know before - that &#039;problematic&#039; is actually a noun. 

I&#039;m not sure what the &#039;moral validity&#039; of a writer&#039;s &#039;methods&#039; might mean either.</description>
		<content:encoded><![CDATA[<p>While I wouldn&#8217;t rate &#8216;London Orbital&#8217; as one of SInclair&#8217;s best books, that Amazon reviewer doesn&#8217;t half sound dim. I&#8217;ve certainly never found him a difficult writer to read &#8211; unlike the above, I&#8217;m sorry to say. Still, I did learn something that I didn&#8217;t know before &#8211; that &#8216;problematic&#8217; is actually a noun. </p>
<p>I&#8217;m not sure what the &#8216;moral validity&#8217; of a writer&#8217;s &#8216;methods&#8217; might mean either.</p>
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		<title>By: Simon Sellars</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3731</link>
		<dc:creator>Simon Sellars</dc:creator>
		<pubDate>Thu, 08 Oct 2009 02:51:13 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3731</guid>
		<description>What&#039;s it got to do with me, Ian? This is not my post, nor my thread. And the site is about much more than my work. For what it&#039;s worth, I think this is a fine piece of scholarship that has deepened my appreciation of the complexities in Sinclair&#039;s writing.</description>
		<content:encoded><![CDATA[<p>What&#8217;s it got to do with me, Ian? This is not my post, nor my thread. And the site is about much more than my work. For what it&#8217;s worth, I think this is a fine piece of scholarship that has deepened my appreciation of the complexities in Sinclair&#8217;s writing.</p>
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		<title>By: Ian Parkinson</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3729</link>
		<dc:creator>Ian Parkinson</dc:creator>
		<pubDate>Wed, 07 Oct 2009 15:55:12 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3729</guid>
		<description>Rough guess - the author of this essay is on the English/Humanities staff of some university? Love your stuff, Simon. Not a fan of this type of thing, though.</description>
		<content:encoded><![CDATA[<p>Rough guess &#8211; the author of this essay is on the English/Humanities staff of some university? Love your stuff, Simon. Not a fan of this type of thing, though.</p>
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		<title>By: Ballard, Sinclair, Place &#38; the Novel (Where&#8217;s Poetry?)</title>
		<link>http://www.ballardian.com/re-placing-the-novel-sinclair-ballard/comment-page-1#comment-3721</link>
		<dc:creator>Ballard, Sinclair, Place &#38; the Novel (Where&#8217;s Poetry?)</dc:creator>
		<pubDate>Mon, 05 Oct 2009 17:33:17 +0000</pubDate>
		<guid isPermaLink="false">http://ballardian.com/?p=1929#comment-3721</guid>
		<description>[...] writing by David Cunningham on a Ballardian website — extracted below, full essay can be read here. The piece goes to the novel, rather than to poetry, although Charles Olson, Eric Mottram &amp; [...]</description>
		<content:encoded><![CDATA[<p>[...] writing by David Cunningham on a Ballardian website — extracted below, full essay can be read here. The piece goes to the novel, rather than to poetry, although Charles Olson, Eric Mottram &amp; [...]</p>
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