Ballardian

Writer Tim Footman unpacks the Thom Yorke/Ballard thing (I posted on Yorkey’s Ballard quote yesterday):

I referred to [J.G. Ballard's Crash] in some depth when discussing ‘Airbag’, the opening track of OK Computer, in my forthcoming book. … The sexual/spiritual rush that Thom Yorke’s narrator seems to achieve from near-annihilation on the road is prefigured by Ballard’s deadpan prose. Many people have also remarked on the extent to which Ballard seemed to foresee the extent to which Princess Diana’s fatal crash became a media event, riddled with psychosexual potential, even as she lay dying.
…
It’s as if the various stages in the narrative arc of Diana’s life are scripted by different writers: Barbara Cartland for the introduction and development; Jackie Collins for the crisis and its immediate fallout; and a bizarre switch to Ballard for a highly unlikely (but, in retrospect, utterly inevitable) finale.

Which opens things up to you, dear reader. Take a historical or contemporary figure, and decide which writer or, even better, which peculiar combination of writers could best have written his or her life. And no conceptual gewgaws this time. As penance for the implication that I’d read a book when I hadn’t, the author of the best one will receive a signed copy of my Radiohead book when it comes out.”

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Tim Footman. ‘Auto biography‘.
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